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ng 27 consign 
ican Art Association fo 
than a dozen estates and 
Ss, were put on exhibi- 
1 the American Art Gal- 
Madison Square South, pre- 
heir dispersal at auction on 
tive evenings, . beginning 
sday. The first two sessions 
‘be held in the ballroom of the 
‘Hotel and the last two in the 

L f the art. galleries. 
those who have consigned pic- 
he estates of the Jate Thomas 
‘Edwin R. Perkins, Frank S. 
> Archer, Henry Hilton and 


ae 


, G. Perry. Collectors whose paint- 

will be sold are Mr. Henry Dalley, 

“Crist Delmonico, Colonel 8. Har- 

‘Mrs. Marks Arnheim and Mrs. 

ie C. Johnston. Pictures also 

been consigned by the law firms of 
Ely and Prince & Nathan. 


_ American painters are well repre- 
ed in the collection. /There are 
ks by George Inness, a large 
and two smaller works be- 
ars to his Milton on Hudson period, 
of My Studio” and “Gossip,” the 

atter an animated figure piece. There 
four canvases by A. H. Wyant—"A 


. Ryder are “The Hill Road” and 
Mill Pond.” There are three 
by Julian Rix, two by J. Francis 
phy and six by George H. McCord. 
Bastman Johnson's “Freedom Ring” 
3 interesting historical associations. 
It shows “Little Pinky,” the mulatto 
sirl whom Henry Ward Beecher “soid” 
“auction in Brooklyn in 1860, looking 
the ring which some one put in the 
et of payments and which Mr. 
she ut on her finger with these 
s, “With this ring I do wed thee to 


Sy accipag early ygullipar: Albert Bier-| 
sta. a large and typical ‘‘Sierra Ne- 
yada—Morning.”’ en 
' Nearly all schools are represented in the 
¢ollection, and especially -the Barbizon 
school. By Corot there is a small ‘‘Land- 
we pe Sketeh.” ‘The Coming Storm” and 
: The Winding Road” are by Jules Dupré. 
“Near Herisson” is by Harpignies. Three 
Works are by Jacque, ‘‘The- Barnyard,” 
“Sheep in Stable’ and ‘‘Sheep.” 

The German school is represented by 
some fine examples of Schreyer, including 
“In Flight from the Wolves” and ‘‘Rus- 


BOD. vai sus wad 


Who Bid Briskly for 
Coveted Pictures. 


The dispersal of paintings by foreign 
and American artigt§)’in the big  ball- 
room of the Hotel. Plaza last night by 
the American Art\Association attracted 
a large throng..ofypersons well known in 
society and {ié art world of this and 
other cities. Although the prices for the 
sixty-nine cativases offered were not high, 
there was some brisk bidding, and the 
figures for this first session rolled up a 
total of $12,610. x 

“The Barnyard’’—a panel by Jacque— 
brought the top price. It was sold to W. 
_C. Andrews for $800. It shows a ram~- 
bling structure In the country, its stone 
and woeden walls white and red and 
gray in the bright sunshine. W. H. Peck 
gave the next highest price. It was $500 
for “The Message,’ a canyas by Zama- 
cois. For ‘'The Little Fruit Gatherer,” 
by Meyer (Meyer Von Bremen), from the 
estate of Thomas Hitchcock, Henry 
‘Schultheis gave 3460; George EH. Ruppert! 
‘paid the same price for Bogert’s ‘‘After- 
glow,’’ bought from the Macdonald Art 
iGallery in 1909. 
The only Bouguereau of the evening, 
(‘Cupid's Admiration,’ was sold to Otto 
'Bernet, as agent, for $450, and Henry 
\Schultheis gave $225 for ‘Landscape and | 
Torrent,” a canvas by Achenbach from | 
ithe Hitchcock estate. The same buyer 
lobtained for . $475 Thaulow’s “Winter, | 
‘Christiania.’ For ‘‘Marine,’’ by Kaut. | 
man, M. P. Davis gave $400, and W. W. 
‘Seaman paid the same price for “Patu- | 
rage d’Avril,” by Monchablon. 
| ‘The titles of the paintings that brought 
‘more than $200, with the names of the 
jartists, buyers and prices, follow: 


Title, artist and buyer. é 

“The Message,’’ Zamacois; W. H. Peck... 
“Venus and Juno,”’ Diaz; G. W- Glarike.:.. . (26 
| “The Barnyard,’’ Jacque; W. C. Andrews.. 300 
\“Waiting for an Audience,’ Meissonier ; 

A. Vinton: Clark. ..cccer ese re er nee vetetseeree 3380 
“The Buttonhole Bouquet,’’ Jacquet; James 


{ 


} 
| 
| MELVOPSON 5 ve4esefeweerosrsontncnsenerenins tes 200 
\‘Marguerite,”” Diaz; A. Benzinger......+.- 220 
“The Little Fruit Gatherer,’’ Meyer (Meyer 
yon Bremen); Henry Schultheis.......-.- 460 
; ‘Cupid's Aamiration,’? Bouguereau; Otto 
BeERehe civic ren snags eesra ide ae bass teedeesmeneres 450 
\“Marine,’”’ Kaufmann; M. P. Davies..-.,.. 400 
“Sheep in Pasture,’’ Bonheur; Gus. Le- 
LECT re he dats k slaiee ba le eiby ye ono lauete’s aids oy vis Milne 400 
\*paturage dG’ Avril,” Monchablon; W. W. 
Séaman® ..t1.-sa04s AU oneal Dyce ATP ee IS 400 
“Still Life: Flowers and Fruit,’”? Robie; 
OftO Bernet cvecesivaraervecseeeserersedeesye 210 
l“'Seottish Castle,’”*? Graham; W. C An- { 
Peat entree Ret ecklit sy aka eipinieilale aire Ms nara manne yaya ee 230 
Landscape and ‘Torrent,’’ Achenbach; 
Flenry Schultheis ....-...seeer esses tresses: 105 
lA Lazy Day in Egypt, on the Nile,’’ 
| Gifford; A. C. Zabriskie......---+.sereene 435 
i«¢autumn,’’ Cropsey; W. W. Seaman...... 250 
‘The Hill -Road,’’ Ryder; W. W. Seaman. 370 
‘Winter, Christiania,’’ Thaulow; Henry 
GChuUltheis .-.c senses eemeveeeccerseeteeerreces 475 
“Cupid’s Magic Lantern,’’ Aubert; Hol- 
F Jand Galleries 2.0. -cecssecsenstecsseerers ess 220 
“Gourtiers of Louis XIII,’’ Viry; C. H. ban 


Fated: Gate care eletere Cie erase P'S P-N Oe CR 8 A) P Le ah aie 


| Offerman 
|«*Afterglow,’’ Bogert; George BEB. Ruppert... 460 


\«"A Mysterious Corner,’’ Chase; ——~.-.---; 255 

‘“Matinée de Septembre—Franche-Comté,”’ 

| Boudot; S. G. Bayne-...-.--ersersecterenrs 
a LLL LL 


sian Horses in Winter,’ and two Meyer | : 


von Bremens. The Norwegian, Fritz 

Thaulow, is represented by three pictures. | 
- }Of the modern Dutch there are three cat- 
tile pietures by Van Marcke and ‘“‘Land- 
|scape and Cattle,’ by Mauve. By the 
\inelishman, Leader, is a fine and expen- 
“Summertime, Worcestershire.” 


Se 


Ohe. 


3RINGS $800 AT SALE 


I i . ‘ ; 3 aie ae 
Art and Séciety Among Those FPP Bee Torn The Seyi 


Charming Little Panel—A | 
‘Zamacois Fetches $500. 4 


+ 


— 


$460 FOR A VON BREMEN 


“Venus and Juno,” by Diaz, Sold for 
| $260 — 69 Pictures of Hitchcock 
and Other Estates Bring $12,610. 


} et 
There was a general average of low 


prices at the sale of paintings by for- 
eign and American artists under the 
auspices of the American Art Associa- 
‘tion at the Plaza last evening, and the 
| returns for the sixty-nine pictures were 
$12,610. The highest price of the even- 
‘ing was paid by W. G. Andrews, $800, 
\for a charming Charles Jacque, 2 
| panel, ‘The Barnyard,” a small pict- 
;ure 8% by 1014 inches. A Zamacois, an- 
other panel, ‘‘ The Message,’?. a man in 
| buff jerkin dark bluish-green ** breeks,~ 
‘red stockings and sleeves, writing a 
message to ‘‘ Mathilde” on a shutter, 
brought $500, going to W. H. Peck. 
Ready A. Austin and James Elverson, 
both of Philadelphia, were among the 
i puyers. The “Venus and June,*>- hy 
| Diaz, which went to G. W. Clark for 
$260, brought in a sale about two years 
ago $1,150, Mr. Kirby said in selling it. 

Tollowing is' a list of pictures bring- 
| ing $200 and ‘over, with names of artists, 
| buyers, and prices: 


The Buttonhole Bouquet, (Panel) —Gus- 
tave Jacquet; James WWiverson...--+++» $200 
| Marguerite—Diaz; A. Benziger.-+- +24 ¥-' 229 
ithe Littl Fruit Gatherer—Meyer yon 
| Bremen; Henry Schulthels...+..05++ wes AGO 
| Cupid’s Admiration—Bouguerean, Bernet, 
| RAB Oia i. asi wala esa eeene cies 5 aka tener iD 450 
| Marine; (Panel)=A. Kaufmann; Mo P 
PADS AV VGA eis slirerass ae wie oie nia lar ear page ia toes AO. 
|, Sheep. in Pasture—Francois Auguste Bon~ 
heur: Gus. Le Fevre...-.+.+sggnens nae wt) 
| The Message (Panel)—Eduarde Zamacois; 
MAT Bie” PORK! ac ns. tie puplethi Pistere ta ys eee 500 
Venus and Juno (Panel)—Diaz; G Ww. 
Gay a oshics ., elioteiee pach p ale aitecinse oes fel naa hearmeanees 260 
The Barnyard (Panel)—Charles Jacque; 
Wr Cy CANAeE Wistar tau ot Ah epee en eee 860 
Waiting for an Audience —Jean Charles 
Meissonier; A. Vinton Clark .+.---.<.-> 380 
} Monchablon, Paturage d’Ayrili—-Ww. W. 
} Seaman, AGents Octo dee Sheen nee ans 400 
pa Baptiste Robie, Still Life: Flowers 
and Fruit (panel)—Bernet, Agent.-.--- 210 
Peter Graham, Scottish ‘Cattle—W. C. 
AT ATGWS fale ob ba tlh we wnah oe Miwiarae aes = Siarne em 230 
Andreas Achenbach, Landseape' and Tor- 
| rent, (panel)—Henry Schulthets..+.--»+ 425 
| Swain Gifford, A. Tazy Day in Hgypt, 
; on the Nile — Andrew | Jabrisiie, 
rOORKLY IT Win + ad aleknereimedp aie ate eat sneer Tat Na 250 
Jasper Francis Cropsey, Autumnb-—Sea- | 
WAN, ASME: Cie dersd aces «tie Aen ain tn week hs 200 
Chauncey Foster Ryder, The Hill Road-— 
Seaman, agent soe... sees ke ese eseeers 870 
i Fritz Thaulow, Winter, Christiania, 
(Pastel) —Henry Schurtheis...---++2+++ 475 
Jean’ Aubert, Cupid's Magic. Lantern-~ 
Holland “Galleries ...).4 005 04 ene bees pes 22) 


William A. Coffin, Wvening; Paul Viry, 
Courtiers. of ‘Louis. X1f1,—C. EH: Offer- 


TEATS Lak alata pe hie Rp ns #SUiaie meth yis aaert 260 
George H. Bogert. Afterglow—Georze ¥, 

RUNperon Wowie sans oe einen Ae tee AGO 
William M. Chase, A Mysterious Corner. 27 
Matinee de Septembre -- Franche-Comté, os 


Leon Boudot-—S. G. Bayne-.-++-++s70%% 
The pictures belong to the following: 
Estate of the late Thomas Hitcheock, 
estate of the late Wdward R. Perkins, 
estate of the late Frank 8. Bond, estate 
Archer of Philadel- 


Col. S. Harrison, db. Crist Del- 
Marks Arnheim, and Mrs 
Johnston. 


Dalley, 
monico, Mrs. 


Adelaide C, j : 
The sale will be continued this eyen- 


ing at the Plaza, when some of the 
most important pictures will be sold. 
|and it will go on the following twe 
cs tohta at the American Art Galleries. 


lof the late Pierce ; 

| phia, estate of the late Dr. S, GePernys 
‘estate of the late Henry Hilton, Henry 
} 


Fao Se 


. 


z 
. 


an An nlf inte iene ar lt i 


| a he Sone oe | 
with names 


‘see and cacti “ 


450° 
200 
Batre 8 . $500 
WAN Hee see ” 260 
a ee e, “hips Barn 
V.0 6, “An ane mee ri -» 800 
Ssonier, “Waiting 
Audience’; A. Vinton ae 
A ete OS Ta ee eae ena 8 
uerite’’; A, Benziger.. 220 
von § Bremen, “The Little 
Y herer’’; Henry chulteis 
pees 460 
Sy 400 
200 


W. W. Se 
Andrew®py.-.....i..+... 230 | 
Z eee 
Schulteis...... 425 


ain Gifford. “‘A Lazy Day 
EDt, on the Saoeie Andrew 


é ent 

eden “The Hill Road”; 
W. W. Seaman, agent.:........ 370 
laulow, ‘winter, | Christi- 


HERS PICTURE. 
LD FOR $4,100 


re Young Navigators,’ by 
~Sontemporary , Artist, Brings 
| Highest Price at Estates Sale. 


A JULES DUPRE FOR $3,150 


| ee “In Flight from. the 


_ Wolves” Fetches $3,050—$62,605 | 
ly > for ‘Seventy-four Paintings. 


/ There was a bigger audience, bigger 


220 
210 | 


#; Henry Schulteis.......... 476 
“Courtiers of Louis i 
phere aed Cay 260 
“Afterglow’’s 
pa Fee piares So aNR 460 
ae a “A Mysterious Cor- 
POP AHONYVMOUS..o... s e w 255 
son, Boudot, Selina de Sep- 
8. G. Bayne.. melee tee Ue 


Ma: $62, 6 
night’ ae by William M.- “Chase, / 


_ Mysterious’ Corner,” which was. Tewolds| 
“This brings the total returns for the two. 
evenings to $74,960. The third aga fourth 
evenings of the sale will be held at the 
American Art Galleries, as the Plaza 
ballroom: couid not be obtained for the 
four consecutive evenings. 


The work of a contemporary artist 


Hy 


a 


| 


brought the highest price of the even- 


ing, Blommers’s “The Young Navigat- 


_ ors,’’ a young mother with her baby and 
teh older oy on the shore well out over 


eir ankl les.in water in which the chil- 


dren trying to launch a small shi 


toe $4,100. Jules Dupre’s ‘‘ T é 
= Storm” brought the second 
1€S ere, $3,150, and Schreyer’s ‘‘ In 
ht from the Wolves,’’ came near it,. 
nging $3,050. - Fritz Thaulow’s ‘‘ The 
vakkening of Spring,’’ which went. to 
Solland Galleries for $800, cost 


: 000. 
The Chase picture of the Royal Acad- 
emy School Building in Munich, which 
was resold, had not been claimed by the 
ae of the first evening. 

jllowing is a list of the pictures with 
the names of artists, buyers where given 
and prices, The higher priced pictures 
were sie as of them bought through 
agents 


The Ries that Cheers—Jules Adolphe 
MaRS GN Sy 4S TsBANG os tyiaa an reiialoniares ae toy $300 
The Flirtation, (Panel)—Zamacois; T. 
PATENT ed tere Met tede ieee iste sie eee aig te 80 
Cupid Quenching His Thirst—Jean Au- 
WEL eI Nar e IG ITI G oul gees fal dasa 244 lata al cf ave 'are 150 
The Pet, (Panel)—Diaz; T.. Roberts...... 400 
The Hunter—Ivan Pokitonow: W. W 


Beaman; ASenti cers wiscicese ee cree 260 
The City Girl,. (Panel)—Ludwig Knaus; 

PP NGCOLAG, MICTIY foi sias Cie wee yc a> wee §2: 
Mother and Child—Bernard de Hoog; H. s 

Pe PARR DPBS. Aisi ldaiyy bine. a sikinless ed niobe ares PO 
Head and Bust of a Young Girl, (Panel) 

—Henner: M.°Knoedler & Co........ 450 
The Halt, (Panel)—Gerome; Mrs. Wal- 

FACS UMAR E OT . ule pie silieieial vies bierelsla vole 450 
Landscape near Fontainbleau, (Panel) — 
Pe AM th AG SoD EE ws chiea) eld ota e ie sy wilson aks 275; 
The Baker, (a study “in oil)—Millet; 

PMOANAIH SAPONT. + 4 5.0 Weare nsianatliawe hsp 1,250 
A Bit of Pasture-Alexander H. Wy- 

Serb se TD NV IVR Aa fale se dary oidl a) Scot 570 
A Pool at Fontainbleau, (Panel) — Diaz; | 

ROTO E a ORES ile Ws os oN od imn eas ae ahs aieliclee 2; 

At the Saddiler’s—Alberto Pasini; T. 

BVO ONG sree a tealu ibis p aitis ncrls ve Uh ale wia cowed 500 
‘A’ River Scene at ee (Panel)— 

Sanchez Perrier; L. BE, Ellis........... 510 
Algerian Wastérwomen (wanel)—Promen- 

URES HECS: CM aie rime Vso 7k Ciba, wel elated 550 
Mother and Child—Meyer von Bremen; 

PME Sy ad eh es aleve as fol iad oid hd ratg hg fad 260 
Un Billet- ie (Panel)—Berne- Bellecour; 

OA PE WY AS RATE Gage Sa) pial w'ckelerale's givietafale 6 425 
Still Lite--Flowers’ (Panel)—Hugo Charle- | 

BVON Ey RIL Ss siielinns pide sia ieee de ct (nse rin 1105 
Sheep. in Stable—Charles TeaNes WB, | 

Soa ih alsieds Be generat Ware, bat ee aunts, BoM iE Aw ay eramn aa 860 | 
September Landscape — J. Francis a 

Murphy, lL. 1 OCR ASHIbG bs (Sy Wee enor ee a eka aney 1,025, | 


A  Promisé of Rain—Alexander H. 
Wyant; J. J. Camphbell..........6:-50. 590 
Landscape Sketch—Corot; Rudert; agent. 470 


An Indian—Frederic Edwin Church; H. 


S. ‘Harkness i. obs oe seen Dales 0 ove 150 
Landscape and Cattle (Water Color)— 
Anton Mauve; Andrews 0.2 6 Wee ees 160 
Cows at Pasture—Carleton Wiggins: Sea- i! 
MAN, ASGONT who eee Meee ee keels ose 305 
Cornered (panel) — Escosura; Alexander : 
AISLE EL Aa crea tinea eb es 8 es oie are yer oy 280 
Autumn Morning—J. Francis Murphy; _ 
EP UG tats Ce eee neta occre iv tie ube oReho poe) noayeiaie ak ,050 | 
Near Herisson (panel)—Henri Harpignies; 
WOrnet Awe iec sc cies shee cles wes ete > opt 1,000 
On the Bos phorus (panel)—Ziem ; Pole le 
TOE COO: Ailes eee iate, ob biliig wrerblia'igy ete igte, ¢ivienavers ‘ee 500 
Cattle (panel)'— Van Marcke; Bernet, 4, 
MAG Fone hh eevenapialieaiete: a kattets) brielle’'s’ 9! ¢ (Wig ale nitelie (hie a) 
Onrthe Beach (panel)—Auguste Hagborg; y 
Frederick C. ROWI1ey.. .. ns bew eee eee ces 260 
Cattle—Johannes Hubertus Leonardus de 
Visage Bide Belang. dieses. ti eee cles em 340 
The Cigarette (panel)—Berne-Bellecour; seas 
OPAT Tira Gir t's GAG loe tcc Shee wont 4 729 
Still Life—Flowers (panel)—Robie; Ber- 
; TiO ABST Go alpaca nia late ioe ma Wlavele io: aiie 225 
Ola Pasture Near New london, Conn. 
(panel) — Robert C. Minor; Henry Segue 
SoH wWLEWAUS esses wre ip eins o wks: aceraletpiersest. siih 360 
Sunset — Alexander H. Wwiyant; William 
Macbeths © siices sepewsaciens ee oie CMe vinyate be 8,000 
Fishing Vessels off the Preach Coast-- 
Jules Dupre; AMATEWS..,---- nase e rere 800 
The Council of War—Schreyer; Bernet, 
GROTUE | Sicaley seam ortaete wile age nb, mya aya ole iM 2,850 


A Hot Day at Mustapha; Frederick Ar- _ 
thur Bridgman; Mrs, Wallace Bttinger 330 
wis Dancing Brook—Julian Rix; Stephen ake 
PSHE ST da RIP ones ease cb\e Nietie eS dete 3 
Yna Pauverina—Perrault; J. B. Dixon.. 200 
Cherbourg--Louis Eugene Boudin; H. R.. 600 


| 


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| 


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werner sane 160 
© alerts te 


vley.. ENS Le marae 360 — 
cancttaason™ by 

Sua ty G20 Tae 

a ness ; RE liana Galléries” Beek PO Ae i "4,42 
Willimantic Thread Factory 3 ulian Al- 
den Weir) He Rots. ate ones sense 
The Panncisscas (panel) —- G@.. Kuhl; 

Eenry Semulthelsr se si vse yes sleie owed 230: 
On the Ohio River—Alexander H. Wyant; 

MPAITION. HULVOT BOM Ay ss olen cs nid Shalala steitenta 


_Interieur du Port Ostende—Paul Jean 


Clays; W. B) Simpson: ...... 0) Bee ore 3.008 
‘Winter Morning—Bruce Crane; Hueh 
bh Stag: Nee ane RRO IE, el Peet 


| The Gata Storm—Jules Dupre; Ber= 


THEVA EUOM Ce sie as ces ae ape coe annaee rage 3, 150° 
Canal Scene, Holland—Karl Pierre Dawe sx | 
BieNy s NOrLOM 205420. 4s Selon aie ge eee ‘125 : 
The Awakening of “Spring—Fritz Thau- -. 
low; Holland Galleries. -...-.:...05. 
In Flight from. the Wolves—Adolf 
Schreyer; Seaman, agent... 0... se. 8,050", 
The Fisherman’s- Wife, (Water Color) 1 
Bvert Pieterss Norton..:- 6... eee 278. 
Bay of Naples—Carl Vernet; Charles. A. er. 
Bad hn ie Pe CRON ae BB ArCR air rens ete Ye Pigs! f 
“Bison “Charles Jacque; “Seaman, % Agent. 850 


(The Young Navigators—Bernardus Ke ¢ 


Blommers; Seaman, Eis sn oer a Cana 4,100 
Return from Market—Charles Sprague | 
(Pearce; James G.' Mims 7.0.4 nee ere | 


| Landscape—George Inness; M, Knoedler 


& Co 
The Cardinal's Birthday: The Toast, 
(Panel)—Jose Fpappa; Mrs. Wallace 


ALD aoe st cs eee moe aN ewan yars, (ok 1,750 
|Sundown—Bruce Crane; F, W. “‘McDon- 
CEs Ua, Aa banat ea cere ance WromR ea hs cite teh 880 
|At the Bars—Hmile Van Mercke: Ches- 
Pe DO Fe 5G.citipie ania ost o's pains ag) Rip eleisae poe A 1,125 | 
Russian Horses in Winter—waolt Schrey- 
|.er; Mrs, Wallace Httinger...........,. 2,000 | 
| Savoyard Boy—Bouguereau; H, S. Hark- i 
PRREVORES Soe icles «st sts sea elt aiuye some « «lateral pin ava 1,025 | 
| Summertime, Worcestershire — Benjamin ! 
\) Wi Leader: James’ M, Beck... .05.i.5 610 


A Fantasy of the Ruins—Old Italian 
|. Sehool, Pein einen to Zucearelli;) . C, 
adh \ Neen 21820; Deetles Par ey hae mero ees Peay ber te) 
|Passing Shower on the Hudson—Jasper 


Mae Cropsey i INOLton F535 thie as Gee Bee 
A Farm Near Htretrat—Hmile Van 

* Marcke; Mrs. Wallace Bttinger....... 1,350 
‘the Feast of Flora—Giovanni Muzzioli; 
Be DERI cS cis tBy uy bnaile'tic7y) ania ely are ena atin 7125 
) Sierra, Nevada: Morning—A, Bierstadt: 
Wee EMOLEQE (Ani crclacari (als /alle migid fat’ le olla ola 6 rarsneete 1,150 


| The sale is continued to-night at the 
peeeescan Art Galleries. 


|-YOUNGNAVIGATORS 
BID UP TO $4, 100 


| Blommer’s Painting Object of 


Rivalry at Art Sale — 72 
Pictures Bring $62,605. 


Five hundred. persons gathered in the 
|} ballroom of the Hotel ‘Plaza last night, 
some to bid and some to buy, at the sec- 
ond session of the sale by the American 
Art Association of the paintings by for- 
eign and American artists belonging to 
various estates. The seventy-four can- 
vases offered brought a total of $62,605; 


| bringing the total for two evenings up 


| to $75,215. 


It was a Blommers canvas—‘‘The Young 


i Navigators,’ from the estate of Edward | 


| R. Perkins—that brought the top price of} 
i 


the evening, and there was some keen 


i competition among the collectors and the | 


} dealers for it. 

The bidding started at $1,000 and it soon } 
ran up, by $500 bids, to $3,500, and from 
that on to, $4,100, at which price it was 
sold to W. W. Seaman, as agent. The } 
same buyer’s bid of $3,050 was the highest | 
for one of the two Schreyers offered. This | 
one was “In Flight from the Wolves,” | 
showing a traveller in a small but heavy 
Russian sleigh, drawn by several horses, 
pursued by wolves. 

The other Schreyer, ‘‘The, Council.of 
War,’’ went to Otto Bernet, as agent, for 
$2,850. He also gave $2,060 for “A Pool at 
Fontainebleau,’ by Diaz, and $3,150 for 
“The Coming Storm,” a Dupré.. 


Sue 


Pins eae” louse or the panes 


| Hotel last night brought together a larger 
i) Growd of buyers. The ballroom was filled 
_ j}and the bidding was interested, although 


record prices were not established. 
“She eave $2,550 | ‘The best price of th ing 
Ho ue ; @ eyening was 


ees) 


flavigators,” by B. J. Bloomers, a con- 
temporary Dutch artist. The ‘Sunset,’ 
‘ by Alexander H, Wyant, brought. $3, 000, 
‘| the top American figure, selling to Will- 
,|iam Macbeth, The best Inness was an 
early example, a landscape peinted in 
Home, 1873, and it sold to Knoedler & Co. 

($2,800. Mrs. Wallace Eddinger, the 
on the actor, was a frequent pur- 

Se) Among others she bought a 


oF $2,500. 
The total for the session was $62,605. 
‘At to-night’s session of the sale, which 
=" |\ takes place in the American Art Associa- 
ee sles falleries, on Madison Square South, 
“500. the Eastrnan Johnson picture, “Freedom 
Be ag? | Ring,’ will be sold, 
ad 


“hame of artist, buyer and price, follows: 


dciasane Se Knaus, “The city Girl"; 
425° | GeOres Derry. fives pce ede $825 
; 80S. B. Millet, ae “paker": Ww. 
tateeeseetrverce 860. 8 east agent Hing 250 
st Sa | Bde. Wigan, “A Bit of Pasture’; 
seen tes roma eee 5! BTS on ee aieisce ns er eeecic 
Wyant; 23 ~J. (82—N, Die ne pies at ‘Fontaine- Pe 
; ernet, agent. 40 
‘se—Alborte 1 ‘basint AL tne Badalers ”p?? s wake 
‘ PRO EI GS b iaiela 9. o)allg ha sire at sles node 500 
| 84—Emilio Sanchez Perrier, A River 
Scene at Guingamp"'; L, H, Wliis,' 510 
| BBB Nae aoe tty, “Algerian 
eh’) 12:53 a = Paeae 5 ear rea 
(#9—charies mile Jacque, “Sheep in sei 
1 table’; W, B. Simpson Usegaages | 860: 
| Roe ope andia bar shee: OE Bi boat sland 
sense Landscape’; L Bis... 5. x5 1,025 | 
‘91—Alsxander H. Wyant, Le Promise } 
PATE ip ak of Rain’; J, J. Campbell....... 590 
I aad Francis Murphy, “Autumn 
SHES 2, Pena os Morning”; Mr. F.. See Pee 
88-—-Henrl, Horpigales, “Near  Heris- 
80 ernet, ABert.....-.566 3000 
geetiscusece go--Relix Ziem, ae the Bosporus’’; 
iin? * Moran; M. Knoodler & 00... 65s .0 5 506 
| PRES: Untermyer.. so. 0... seen ee etentes 25 409-—-Emile vas Mareke, Cattle” 
: j (panel); O. Bernet, agent......% 1,500 
BES hs 1,800. |108—-H, P, ' Berne-Bellecour, ““T 
: Cigarette’; Mr. Franklin, 725 
2s a neater 1,40 | 106-“H, | Wyant, “Sunset”; William 
ee ticafules Euipre; MPisning ‘Veascis\'on 
“River Wyant;" ation ees ‘French iene Mr.  An- fees: 
wesc hes ieeneenence “1a -Adole, Schreyer, cthe Council of 
2. eal oC. ernet, agent..:..... 2,85 
SF Grane: BN 1050 109—F A. Bridgman, “A Atot Day at ; 
ah See Mustaphe’’;~Mrae.. W. Eddinger. 539 
: vier o sees: | 112, yy, Boudin, ‘Cherbourg’; ‘ 
te... oe 8.180. | 119-—~Thomas Moran, “Five-mnlle River, ° 
aay | cig, corre ne, Coser 2/508 
so 2 Wolves,” Schreyer. ie ory io; Aiton: one euggon' 
;, Seaman..... AeA 5 ames Mlverson. cy Pe es oe 
or. Blommers; W. 117—George Inness, “Gossip’ | Milton-on see 
MSD a cAicu de yicleiy eb pe as ose 4,100 Huds6n"’; Holland Galleries...... 1,425 
m Pearce; J. seal Alden Weir, se ean 
Sigh ee sete et tee ents cess tesanen ress 295 Thread Factory’; “H. R.’ 559 
Inness: M. Knoedler........ 2,300} 120--A. H. Wyant, Lon the | Ohio 
cee retire,” Leader; River’; James. Elverson.......- “90.0 
Sree 40 | 12i—Paul Jéan Clays, “Interieur du 
near BHtretrat,’’ Van Marcke; Port, Ostende”; W.-B. Simpson.. 2,050 
Ch EPS ER a a a aarti 1,350 fol Olay i Dupre, ‘The Coming, 
of Flora,’ Muzzioli; J. orm"; O. Bernet, agent........ 8,160: 
SRR BAe eee Saree 728: | ae—write Thaulow, The Awakening 
Nevada—Morning, Bierstadt; J. of Spring’; Holland Galleries,.. 800 
VES Eee ae 1,150 | 19¢—Adolt Schreyer, “In-Flight: from 
ool Ere | cen Wolves”; .W. W. Seaman, 
HA PaRe te hisea a STOP ONE. eA Teles 8,050 
loner ec ‘Emile Jacaue, “Sheep; 
. W, Seaman, agent....-...,- 860 
Blommers, ‘“‘The Young 
Navigators Ws W. Seaman, 
4 Bente. eye WAY sy ra dha dw eoetne sare 4,108 
: 182Gaoree Innesa, “Landscape” . 
3 H Gedler & - COit cer es saed oe te 2,300 
a iseedoan Frappa, “Dh 6 Cardinal's 
| rage saah et The Toast’; Mra, Wal- 

s ace FIBER T vile miclans brnciy ds suelo & 1,759 
es ‘Young Mi vlestors!| SCTE AEG Re tee 4 as 
5 wee reteseevisrepeanr ’ 0 

Bue | 186—Adolf Schreyer, “Russian H 

Brings This Amount at 1 Be Winter’; Mrs, Wallace id- 

| WSN. cis hia aiareink Wee inistose Acree 2,660 
$ i\1s7—w. A. Bouguereau, Savoyard | 

5 Second Session. i Boy”; H. S. Harkness......... 1,025 

ee W. Leader, “Summertime, 
Worcestershire’; James W, Beck 610 

|141—Dmile Ven Marcke, “A Farm 

§ WEXANT SOLD HOR $3. 000 near bisestiar abst eu nes Ed- 
GAN ROE ccsivenss bia Un ea © hip ant pein oes 1,250 

‘ | lnaa—-Albort bierstaat, aE ce Pa 
_ by. American Art ae 5 Morning”; Heller...... deagee cae MiUEN | 


at ike! 
el ee 


Modern paintings by the Atherican Art 
‘Association in the ballroom of the Plaza 


$4,100, which was paid for) the “Young | 


, the “Russian Horses in Winter,” | 


The lst of the principal paintings, with | | 


Bring $62,605; 
- Wyant, $3, 000 


t 


pe 
“Highest Price at Second Session of 
Auction at Plaza Is $4,100 ‘oe 


Blommers’ “Young Navigators.” 
. £ > 

. Seventy-four pictures brought $62,605 last 
lPieht at the second session of the sale of 
a miscellaneous collection of paintings 
| by the American Art Association in ‘the 
ball room of the Plaza Uotel, making 2 
| total of $75,220 for the 143 pictures sold so 
far. 

|. Three Tnnesses were sold, “Landscape,” 
ito Messrs. M. Knoedler & Co. for $2,300; 
| “Gossip—Milton- -on-Hudson,” to the Hol- 
|fland Galleries for $1,425, and “Back of My 
Studio—Milton-on-Hudson,”. to Colonel 
“dames Elverson, Jr., for $1,300. “Sunset,” 
by Alexander H. Wyant, was bought by 
lMir. William Macbeth for $3,000. The high- 
'est price of the evening was $4,100, paid by 
jan anonymous buyer, bidding under the 
linitials “N. FE. B.,’? for “The Young Navi- 
gators,” by B, J. Blommers, 

| Other pictures selling for $300 or more, 
l with the artist’s name, the title, the buyer 


and the price were as follows:— 
[wules Adolphe Grison,  ‘“The Giass That 


| 


| 


 @beers’’ Mr. S. S. Taaird... 255+ - hese ress $300 
i Ny Diaz he 'Pety? Mr. “DT. Roberts, +s se 400 
Ludwig Knaus, ‘Tbe City Ginl;”” “Dr. 
(George Derry! sso. e+nsanser here ece ns as S82 
| Bernhard de Hoog, “Mother and Ohild;’* 
| 2 Mr, “H. S. Tlarkness. 6.66.0 nett ess 306 
\a J. Henner, ‘iHead and Bust of a Young 
Girl;’? Messrs. M. Knoedler & Co.....--> 450 
'|%. L, Gerome, “Che Fualt;’ Mrs. Wallace 
ly RBG OI Pa os tale = pis iatecs widiak savers mini na a tie 45 
id. FF, Millet, ‘he Baker;” anonymous 
Pidder! Hive Aa aie deeds ee eae miet 1,256 
|’. H. Wyant, “A Bit of Pasture;” Mr. 
A. H. Wiggins. ........0eseee es ied eee BTC 
IN. Diaz, ‘A> Pool at Fontainebleau; 
| | “anohymous! bidder .....y-.000seee se urast 5,05 
0| |W. S. Perrier, ‘“‘A. River Scene at Guin- 
MM gamp;’? Mr. L. BL Wllis...-.ess++.+ees BIC 
| | Bugene Fromentin, ‘Algerian Washer- 
women; BS OEE Ride cal ow Mieco ple ot saan mee Bt 
| {R. P.- Berne-Bellecour, “Un . Billet-donx:’” 
| | S3iMEr, AD TES? Wiseines <6. oiseae aia eee 425 
©. E, Jacque, ‘Sheep in Stable,” Mri W. 
BE Simpson sag ies aes sep ee oe S60 
lJ. Francis Murphy, ‘September ‘Land- 
| geape;?? Mr L, BH, Els. 26.5. -+- en ens = 1,025 
A.-H. Wyant, “A Promise of Rain,” Mr. 
\oJp ds CamMppells . coed eos oe gee ete tee 590 
(ee By Ci ‘Corot, * )*landseape Sketeh;”’ 
anonymous bidder. . a wee Me es 47C 
|Oarleton Wiggins, “Cows in .Pasture; 
anonymous bidder ......4-+++esesss sens 3TH 
¥, Francis Murphy, “‘Autumn Morning ;"’ 
anonymous pidder ApS SOUL Seatac ok MLB Teg aston ena 00 
. Harpignies, ‘Near Hlerisson;’’ anony 
mous bidder ei atu ake /ade' glade lh «Si Ren IRNe Rae 4,000 
Felix Ziem, ‘‘On the Bosphorus;’’ Messrs. 
| M. Knoedler & Co-....- Side ss NA ogee es 500 
\Pmile van Marcke, “Cattle anonymous 
aS 5 Fi (0 Catena eee rere, Whe IE Toe cre RP It 1,500 
\f. HL, de’ Haas, - ‘'Cattles” Mr. 3. a . 
Te lANS aly cee eins seaman nie eee 346 
[9 -C. Minor, “Old Pasture Near New Lon- 
don, Conn.;”? Mr. Henry Schultheis.....- 360 
(Ywles Dupré, ; Rising Vessels Off . the 
| French Coast;’ ’ Mr. Andrews. .-+-shsee-es 806 
| Adolph Schreyer, ‘““The Council of War;’’ 
anonymous bidder Pipiasle chs steele ahi kent alern . 2,890 
\@, ‘A, Bridgman, ‘‘A Mot Day at Mustapha ;’ 
Mrs, Wallace Bddinger.....csseesereeeeee 520 
t. B. Perrault, ‘Una Pauy erina;’’ Mr. J. B. 
DIGKSOR ae Rs wate ey org er A Neen 304 
L. B, Boudin, “Cherbourg:”’ EDS is 5 Hae, Pe 600 
Thomas Moran, ‘‘Five Mile River. Long 
Island;’? Mr. M. S. Untermyer.....+-+-+*- 525 
ly. P. Huguet, ‘The Halt in the Desert;’ 
Mr? ©, El) Bayley .. 28 56 Sadia eee de te ee BBC 
|\A. H, Wyant, ‘‘On the Ohio River;’ 
Colonel] James Plverson, Jf.-,---+-+--+- 900 
Pan) Jean Clays, ‘‘Interieur du. Port. 
Ostende:” Mr, W. B. Simpson. ,.~-.+++- 2,050 
Bruce Orane, “Winter Morning;’’ Mr. 
Hugh) MUrray i... gees beanie vee menr eet . 380 
@ules Dupré, “The Coming Storm;’’ anony- 
MOUS. DLAGEL a ions oa 0's ad Ae wile ee wee Ee sa tie B,1W 
¥ritz Thaulow, “The Awakening . of 
Spring;'’ Holland Gallleries....+-.+4*++*- 800 


| 


Oe me ed wee aw | 


ee rare 


mee mb ee cole ae 


She © $8970 Vale Bivie ts aie 


n Art agents 


room of Plaza Hotel, 


wv 


At 


the highest price obtained 


for “Young Navigators,” b 
porary Dutch artist, B. 3 


"Sunset 


~ 


and (Rt aahey 


actor 
a Van Marcke, 
Areyer’s’ “Russian 
= for ‘$2,550... 
: abe 
_ “The . Baker"; 


Horses 


1g’ ‘aes ; dois 
‘at, Guingamip’’; ‘lis 
Promeatin, 


ei ee Se aes 


4 Rigsrian Washer- 


Wedeptentber’ Sete 

Sh ope elaine es 

“Autumn Morning’: 

Miter tas ts eae eines 

: MORN sen 657 iar 076 0's evi sielaie soins se 5 
: m, ~“‘On-“the ;-Bosporus’’;° MM. 
MNP TE GTO HT AVI yf 0) ry osceiela 84's.d (neg ears 
ue Van. ce ae “Cattle” (panel); oO. 


Oe oe ee a 


evon r, 


om P. Berea Be Belle 
rT. Franklin 


ee a ee ee ed 


Wyant, “Sunset”: Willlam Macbeth.. 
les Dupre, ‘Fishing Vessels off the 

/ french Coast’; Mr. Andfrews ......... 
Adolf. Schreyer, “‘The Council of War’’; 
This EAS ea a 

Fr A. Bridgman, “‘A fot Day at Musta- 
Due welts, VW. Gadinger ........6... ces: 
p Ouch Boudin, Sererboure is **T R22... 
Thomas Moran, ‘‘Five-mile ‘River, Long 
sienna’; M.S, Untermeyer ...00. 01.0... 


George Inness, ‘“‘Back of My Studio: 
ton-on-Hudson’';. James: Elverson 
George Inress, “Gossip; Milton-on-Hud- 
Sons tolland. Galleries a c..éc..5602... 
J.. Alden hile ‘Willimantic 
Waetory'*; ** 5S Pied 
PA. FH, Wyant. “On 
( MUNI eTHON. 9X olen se des feiseicives saves 
Paul Jean Clays, ‘‘Interieur du Port, Os- 
tende’’; W. B, Simpson 

Jules Dupre, ‘‘The ee 

| Fritz ‘The Awakening 


ernet, agent 
Thaulow, 

Spring’: Holland Galleries 
Adolf Schreyer, ‘‘In Flight from the 

Wolyes’’; W. W. Seaman, agent ........ 
B. J. Blommers, “The Young Navigators’; 

W. W. Seaman, agent 
|George Inness, “Landscape’’; Kneedler 
MN ee iy re wrens a yoke lew diseases te 
| J0se Frappa.’ “The Cardinal's Birthday; 


Mil- 


the Ohio River’'; 


Storm’’; 


(. Phe Toast’: Mrs) Wallace Fddinger.... 
Bmile. Van Marcke, ‘At the Bars’’; 
; SNM Pare Nee SCO Tie Tidal ky ohele oe deka 
Alodt Schreyer, ‘Russian ‘Horses in 


Winter’; Mrs, Wallace Eddinger ...w-... 
pW. A. Bouguereau, ‘‘Savoyard Roy?’ H. 


MET ON SSS ao bass css ek canine \avolmoebar 
Emile Wan Marcke, ‘A Farm near 
feetretrat’; Mrs. W. Wddinger ........+. 
Albert Bierstadt, ‘‘Sierra Nevada; Morn- 
SETS) VES So, a a a Ween Sr ae 


the second session of the Ameri-_ 
Art Galleries’ dispersal of paintings 
American and foreign artists, yester- 


was 
the 


‘ J, Blom- 
an agent _ ee the canvas. 


2,050 
3,159 
800 


2,300 


No. ing 
are South, and will end t9- 


Canvases ot elie? of in Ball- 


1 


American work, 
being William. Macbeth OF | | 
& Co. took an early Inness, a 


H 


i 
| 


1 


| 


} bleau,” 


7 


dogenits Pictures Dis- 
posed Of for Total: 334 
of $62,605. 


Higher prices prevailed at the secenne 

m of the sale of paintings by the 
| American Art Association in the Hotel 
| Plaza last night, the seventy-four pie- 
‘tures bringing a total of $62,605, and 
(the. highest individual price being $4,100, 
‘paid by an agent for ‘‘The Young Navi- 
gators” by Blommers. 

The American paintings in the col- 
lection, which comes from thirteen. dif- 
iferent estates and individuals, brought 
fexcellent prices under the circum- 
|\staneés, a Bierstadt entitled ‘‘Sierra 
| Nevada,” going to a man giving the; 
name of “Heller” for $1,150; a “Land- | 
\Scape”’ by Inness to Knoedler & Co. 
‘for ‘$2,300; Wyant’s 
ie aiacnes Elverson for $900; another} 
| Wyant, “Sunset,” to William Macbeth | 
} for $3,000, and still another by ‘the. 
same artist, called “A Promise of ' 


é€ painted in Rome, Italy, ea | Rain,” to J. J. Campbell for $590. 


‘Mrs. Wallace Eddinger, wife of | 

bought among Oates canal | ‘of My Studo Window” went to James 
for $1,350 “i | 
hy) 


The chief pur- 


Of the other Innesses sold the “Back 


Elverson for $1,300,’ the “Gossip’’ to the 
Holland Art Galleries for $1,425. J. 
Francis Murphy’s “Autumn Morning” 
went to an anonymous bidder for $1,050 
and his “September Landscape” to L. E. 
Ellis for. $1,025. 

Dr. George Derry. paid $825 . for 
Knaus’s “The City Girl,” W. B. Simp-| 
son. paid $2,050 for Clay’s “Interieur du | 
Fort,’ the Holland. Art’ Galleries, took | 
Thaulow’s “Awakening: of Spring” 
$800 and Mrs, Wallace Eddinger bought; 
Frappa’s “Cardinals Birthday” 
$1,750, Schreyer’s ‘Russian Horses in || 
Winter”:..for $2,550 and Van Marcke’s. 
“Warm Near Etratat’” for $1,350. } 

Some of the other paintings. sold—all 
of which were either bought by: agents 
or buyers giving meaningless names or 
initials—were Millet’s ‘The Baker,’ 
$1,250; Diaz’s “The Pool at Fontaine- 
$2,050; Van Marcke’s ‘Cattle,’ 
$1,500; Schreyer’s “Council of War,’ 
$2,850; Dupre’s “Coming Storm,” $3, 150; 
and Schreyer’s “Flight from the 
| Wolves,” $8,050. The sale continues in 
{the American Art Galleries, in) Hast 


+ Twenty- -third street to-night. 


4d PAINTINGS — 
SELL FOR $75,220 


} 4 an ee ee 


era Art Association Dis- 
| posing . of Miscellaneous 
| Collection in New York 


wh, 


Highest Price of Second Session 
. of Sale, $4100, Paid by-Anony- 
| mous Buyer 


rem The Inquirer Bureau. 

| NEW YORK, March i18.—Seventyfour | 
pictures brought. $62,605 tonight at the 
second session of the sale of a miscella- 


Pare ON cried nay SAYS 


| 
“On the Ohio River” | Wiggins, $070. 


f 


| 


heots ” collection” of" paintings by. thie’ 
mnerican Art Association in the ball- 
ve of the Plaza Hotel, making a total 

f $75,220 for the 148 pictures sold so 
far, . 


| Three Inneses were sold—“Landsca: e,” 
fo M. Knoelder & Co., for $2800: “Gos- 
rip, Milton-on-Hudson,” to the Holland 
ralleries, for $1425, and “Back of My 
tudio, Muilton-on-Fludson,”’ . to Colonel 
ames Elverson, Jr., for $1300. Soe 
set,’ by. Alexander H.Wyant, was bou 
by William Macbeth for $3000, : 
ighest price of the evening was $4100, 
ite by an anonymous buyer bidding: 
inder the initials “N.S, B.,”7' for “The 
Young Navigators,” by B. J. Blommers,. 
| Other pictures selling for $800 or more 
with the artsit’s name, the title, the 
uyer and the price were as follows: 
)-Jules Adolpe -Grison, ‘‘The Glass 
Cheers,’? S. S. Laird, . $300. 
| Nv Diaz, ‘‘The Pet,” T. Roberts, $400. 
‘Ludwig Knaus, ‘‘The City Girl,” Dr. George 
Gerri: $825. 
Berhard de Hoog, 
EH, Harkness, $300: 
| J. J. Henner, ‘‘Head and Bust of a Young 
(Girl,”? M, Knoell & Go... $450. 
. J. I.’ Gerome, ~ +*the ‘Halt; Mrs. Wallace | 
Edinger, $450. 
| J. B. Millet, 
der, $1250. 
Ay EL Wyant, 


that. 


“Mother and Child,”? HL 


“The Baker,” anonymous bid: | 
“A Bit of Pasture,”?? 7A, By 


| N.:Diaz, ‘‘A Pool of Fontainebleau,” anony~ | 

mous bidder, $2050. 

| Alberto Pasini, “‘At-the Saddlen‘’s,*? I, 

erts, $500. 

| B.S.” Perrier, “A River 

gamp,”’ I, EB, Ellis, $510. 
Hugene Fromentin, ‘Algerian Washerwom- 

ph Fike 2 Gels paeglayty. 155) 6 } 
BE. P,  Berne-Bellecour, 

A. -H. Wiggins,” $425. 


Rob- 


Scene at Guin- 


“Un, Billet-Doux,”? 


OO. ows Jacque, Sheep. in Stable,” Wee aig 
Staauson, $860, 

Francis Murphy, “September Landscape,?? 
3 Ellis, $1025. 
» AJUH, Wyant, ‘‘A Promise of Rain,” J. G. 
Campbell, $590. 
J. B. C. Corot, ‘‘Landscape Sketch,’? anony~ 
mous bidder, $470, 
Carleton | Wiggins, “Cows in © Pastire,*? 
anonymous bidder, $875. 

Francis Murphy, ‘“‘Autumn: . Wedding,’? 


for || 
i /anénymous bidder, $1050. 


for | | nidder, §1000. 


} 
f 
} 
| 


i 


| 


1§ 


H. Harkignies, ‘‘Near Herrison,’’ anonymous 


Felix, Zien, ‘‘On the Bosphorus,’? 
ler & Co., $500. 


M, Knoed- 


Emile Van Marcke, ‘Cattle, anonymous 
bidder, $1500. 

J, WH... De Haas, *‘Cattle,’? Fy L. Lelang, 
St 


B, 'p. Berne-Bellecour, 
Franklin $725. 


‘Phe Cigarette,’? Mr. 


Rh. O.- Minor, ‘‘Old Pasture Near New Lon- 
don,; Conn.,’” Henry Schultheis, $360; ; 
Jules Dupre, ‘‘Fishing Vessels off the} 


| Frénch Coast,’? Mr. Andrews, $800. 


| 


Adolph Sehreyer, ‘‘The. Council of War,” 
anonymous bidder, $2850. 

F. A. Bridgman, ‘“‘A Hote Day at Mustapha,’ 
| Wallace Keddinger, $520, 

Julian Rix, ‘‘The Dancing Brook,’’ Stephen | 
| Birch, $300. 

L. B.. Perrault, 


“Ona Pauverina,” J, Be. 


| Dickson, $300, 


Il EK. Boudin, ‘Cherbourg, *’ 
Thomas Moran,  ‘‘Five Mile 
|Island,’? M, 8. Untermyer, $525, 

Vy. P. Huguet, *“‘The Halt in the Desert,’ 
H Bayley, $3860, ; 
Alden Weir, ‘Willimantic’ Thread Face} 
| tOry “TH. Th. ,7? $550., 
ACOH Wyanty - On" othe Onis 
Colone) James Blverson, Jr, $900. 


yd = ade cae 
River, 


$600. 
Tong 


I: 


(River, 


Paul Jean Clays, ‘‘Interieur du Port, Os- 
tende,”*? W. 2. Simpson, $2050. ' 

Bruce @rane, ‘Winter  Morning,’’> Hugh 
Murray, $380. 

Jules Dupre, ‘*‘fhe Coming Storm,” anony- 
mous bidder, $3150. 
Fritz. Thaujow, *‘The Wakening of Spring,”” | 
Holland Galléries, $800. i 
§. Schreyer, “In Flight from the Wolves,” } 
anonymous bidder, $3050. 


CG. BR, Jacque, **Sheen,’” 


auonymous bidder, 


$850, 
Jose Trippa, ‘lhe Cardinal's Birthday—the | 
Toast,’’ Mrs, ‘Wallace Bddinger, $1750. | 
sruce Crane, ‘‘Sundownh,’’? EF. W. MacDonald, | 
$380. . ( 
BH. Van Marcke, ‘*At the Bars,’’ Mr, Chest- 
jer, $1125, 
S. Schreyer, tussian Horses in Winter,”*) 
Mrs. Wallace Eadinger, $2550. 


W. A. Bougnereau, ‘‘Savoyard Boy,’? H. S.) 
Harkness, $1025. H 
G. W. Leader, “Summer Time, Worcester. | 
| shire,’ James W. Beck, $650, : 


E. Van’ Marecke, ‘A: Farm Near Etretat,”! 


spa) Place.” : 


- placed. on, the firstfinger. of. 


‘fe nd wears a dark striped skirt and waist 
da bright red sacque or cape. 

ighest for ‘Plowing the Ocean,” 
anvas by Tyler. 


dore for ‘‘Tree in the Meadows,’ by Me- 
Dougal Hart. 

Colonel H. Guinzburg gave $320 for one’ 
of the gems of the sale—J. G. Brown’s 


om “The Young Pedler,’’ from the estate of 


sold. to Mr, Tim- 


; athe ns girl, 
‘ on the floor look- 
Be a the pe which some 
of pay ts and 

ed. on her finger 
ith this ring Tdo wed 


that were sold for $306 
the artist's name, the title, 
the price, were:— 


for the Hertyman;”? 


320 


Pee hota scr 310 
ixty “six. pictures sold last night 
$7,990, making a total of $83,170 
Pres Bold so far. 


feet saree ec wese 


Sale in His 
r le Pinky,’’ Who 
‘Sat for the Picture. 


4 —. Kirby, of the 
age ocigtion, at the Ameri- 
ought only $7,950, the 
Poyars present showed 
e pictures offered. 
terete auras “The Free- 
ing,” ‘ther “only one by this Ameri- 
“artist in-“the collection, which was 
‘to. Timothy F. Crowley for $750, the 
‘price of the evening, proved par- 
. interesting, as Henry Ward 
echer caused it to be made. <A writer, 
describing how this came about tells’ 
of the enthusiasm in 1860 when Mr. 
Beecher “sold” at auction in Plymouth 
‘Church ‘‘Little Pinky,’ tinctured daugh- 
ter of a white father, to prevent her be- 
ing sold in the South by her owner. 
“Rain never fell faster,’ says the 
writer, “than the tears of the congrega- 
tion, and the pretty child was pought 
many times over. Into the basket of pay- 
ents was thrown a valuable ring—its’ 
£ ver, the later famous writer, Rose 
re Cooke—and Mr. Beecher, picking 
out the cirelet and placing it on Pinky’s. 
er, made the solemn pronouncement; 


VA “Pari Pool,*” 


the sixty-six paintings sold ~ 


Edward R. Perkins. - It shows a little, 


Iplack haired girl, with large, dark, tired 


and wistful yet smiling eyes, whose hands 
show labor. She is seated on a box be- 
side a small fruit stand, which she is at- 
tending. The same buyer obtained for 
$255 “‘A Venetian Canal,” the only Thau- 
low. in the collection. 
sale to date is $83,170. 

The titles, artists, buyers and prices of 
the paintings that sold for more than $100: 
follow: \ 

Title and artist. Buyer. Price. 
‘Moorish Lady,"’ Bridgman; J. B. Dickson. $120 


Richet; Geo, B.- Ruppert 105 
“The Document Bureau,’’ Bettinger; 5. G. 


Bayne Jee ee eee eect e tee r cte eet e neces 200 
“The Card House, ” Seignac: J. B. aioe 150 
“waiting for’ the. Fetryman, tee Henry; 6.7 Alt i734 

ES eae aUE EDTA tic Seis oo Rena SH nis Bora lars “aattalie dh eieate a ete fie 310 
_<Autumn Landscape,’ McCord; M. B. Davis 230 
“Tree in the Meadows,’” Hart;.G. Isidore... 420 
“The Freedom Ring,’ Johnson; Timothy 

Wo Crowley. cn cess eee te bbe esis 50 bs cele 750 
“F7ome from the Polls,’? Beard; W. B 

SIMPSON 2), ieee valde ce meee eevee weir ee 22) 
“Road Along the Woods,’’ Rix; R. Duden- 

sh RRR TNs Sela'e oiete Bs ap sallev oir RB niplaiwio areas deyaiera 275 
‘The Young Peddler,’’ Brown; Colonel H. 

AED CHANT ZAP LURE! giel so wikis Aras o eet a WIb eG ein laler ae 320 
“Tate Afternoon,’ Smith; R. Dudensing. . 180 
“The Letter of Recommendation,’’ Salen— 

tin; A, H. Schmidt. ..- ye... cee eee cee’ 120 
“The. Cardinal’s Photograph,” Laissement; 

FO, OPE el vena PTI pide wie vicsiaces Waa eons ieee 310 
‘~The Girl with the Green Hyes,’’ Diranian; 

Fe ER Pe IOUS OR a ates oa ag ae G/U wyene: pies ob oA 105 
“Spanish Letter Writer,’’ Burgess; J. B. 

PCIE OT ake ood cher ecnw’s aleiebala Vpeie Cicer pitiacnipysitie 210 
ieee ho Lovers,’’ Beyschlag; Clifford Miller.. 135 
‘Gleam,’ Field; Clifford Miller............ ; 100 
“Autumn Landscape, ” Howland; Colonel 

H. A. Guinzburg EWR ae Ate NCHA ae estar 180 
“The Closing Day,’’ Insley; J. F. Brann. 210 
“A Yenetian Canal,’? Thaulow; Colonel TH. 
tae Wat ans hata ovaba -ogby MIMEUEN TN , SAD el eR eae ewe Cb aes 255 
“The Green Hat,’ Epp; J. B. Dickson.... 100 


a 5 ceed. AR 


-RREEDOM RING, BY 
~ JOHNSON FOR $750 


Picture Phuc Pinky,’’ Slave 
Child, Whom. Henry Ward 
Beecher Sold Into digi 


\ Yee 


re 


LOW PRICES AT: "ART SALE 


| rt tee aap At 


| + 
iJ.M. Hart's ‘Tree ih the Meadows” 
item for $4207 and J. G. 
“The Young Peddler,” 


4 


‘Brown's 
$3200.) 


There were many bargains at the third 
Inight’s sale of the pictures of many 


bic, a 


sorter dye ‘Pinky? for’ Settiniee to the. 
ead of Eastman Johnson, then in Unie 


-In the picture a small, bewildered ae 
is seated on a.fur rug on the floor, near. 
| ee open chest, and looks wistfully and 
pe nsively at a ring, so large, that it has_ 
‘Der, 


ght hand. She has a mass of brown hair’ 


d Mr. Crowley’s bid of $110 was also the! 
Bi 


= ‘The second best price 
.. \of the evening was $420, given by G. Isa-) 


The total of the. 


' American 


| ae ee ‘The Freedom’ Ring,” 
that interé ee eae: of pide a vig 
by Bastman Johinson,- brought the hig 
est price of the evening, going to Ti 
othy. te ‘Crowley for-$750, It is the ple 
ure of * Little Pinky,’ the ‘slave ch 
of a white father whom [Henry Ward 
Beecher sold into freedom in his Pie: 


np 


one February day in 1860, This was ip. 
keep the ehild, a pretty girl, from being: 
»sold by her owner into the South, Fe 
It was an emotional scene, tears felt 
fast from the eyes of the members ot 
the congregation). as. thes  gayer Ay lt, 
itiohey, and Min’ Beécher, taking a M 
uable ring from the contribution’ 
the ‘basket, Rose, Terry Cooke's gift 7 Ka 
the cause, he placed it op the childis 
finger, saying: ‘‘ With) this’ ring 4 do: 
thee wed to freedom.’’ Later he ha 
Eastman Johnson make a picture of the 
‘child sitting on the floor before an open 
‘ehest gazing at the ring, 
|. Mr. Crowley also purchased James” & 
Tyler's marine, “ Plowing the: Oveans* 
The Eastman Johnson) picture was from 
the estate of the late “Thomas Hitéh= 


Leock. : : 
Among the pictures bringing “the 
higher prices, with oames, of ar as) 


(buyers, and prices, were: 


ltoor ‘ish Lady. 


[A Farm’ Pool, 


Bridgman—l. 
Leon Richet—George Hy. 038 


B. Dickson “$190 


fim Sob uv oY boy wiped WE tas Rakes per RINE oD UR CEH CE Fe n.,f 105 
,ohe Document Bureau, Gy Bettinger. =. : 

PIPBRAY INE: ie na oat tbe asia Eiki biel ees ea 200" 
The Card. House, 

WOH CHE SOM Nat iuee ooh a ietaecite ae 

Waiting for the Merryman, H. Leadenry gy 

eet A, SEASON 9) orgie eekly 810 
|Autumn Landscape, George H. McCord 9 9V 

ME Per Davis: Metitch UW yess Beene 230, 
| Tree in the Meadows, James M. Hart 

ABD qhey amines tM Bures yorum porary la) Zs la is ol 
Home trom the Polls, W. H.- Beard— 

Wis Be Simpson: cece ean ee UB oer oy” par 
Road Along the VWooods,, Julian Rix a 

Re ADudensine (de (Son 250) ais ee Te 
|The: Young Peddler, J. G) Brown—@ol. 3% 

BLE Ai, GAIT Z DUT yond getter oid dena p peek eigenen 320, 
jLate: Afternoon, H.-P. Smith—-R ou ren 

STE OS) OU ae: comet saye sisi e ie itn aaah grein aera 180 
| Phe Setter of Recommendation, Hubert q 

Salentin—A? Els) Schinidt weve. aceon 120 
|The Cardinals Photograph, Henri AY 5 

Laissement=C, Ey) Offerman vio. ees 120 
The Girl With the Green | Byes, Sarkis 

Diranian—Ja2 Bo, DIGkcsoniKe we ait Oe om 


[Spanish Letter “Writer, J, ; - 
Jit Be ROKBONE eas HR eee ea 210 


i'The Lovers, Beyschlag—Clitford Billlers.3, tee, 
|Gleam, 1, Tuoyal Field—Clifferd Millen: .” 100. 
Autumn  Landseane, Alfred’ Cornelius 
| Howland—Cor. Hi ws. . Guinzburge 2.c Tk 
The Closing Day, Albert Insleyv=J, H 
hee ERUPT, Pz CS ee op eg asc oo, Aan Pe a Quy, 
A> Venetian Canal, Fritz Phaulow--Col, 
Fran OTA DURE. ston tiie lei ents Moe ne 1 Daves 
(The Green Hat, Randolph Epp—J. B. Dick- 
LON) ee PM aa ee oe Rae Oe Nill) ee meh a neg Vina 109) 
|The Evenine. Gour, Walter Blackman-— ig 
CHEGtd’ = MINE EUs A i deste she tbat aie eu eae 206 
(Children and, Kid, John T eble—R. oH. 
Keies Wow nts) ob Ais <<) elt eM Ian any see Lair ene ery x IA Si) 
|Pleasant Pastures, 1. Van Leemputten 9% 
Ge ERS Offerman sian awa e eo aaa eager 140 


| The total for the sale, was: $7,9% Th 
Heeeoe total for the. three evenings Js 
\$83,1 70, The sale will be concluded: thts 
levening at the American Art Galleries: 


“THE WINDING ROAD” 
COVETED BY BY BUYERS 


Picturebrings $75 $750 a at Nast Sess 


sion — Total.for Sale 
$93,205. 


| The upper gallery of the American Art 
Association was filled to capacity last 
jnight with an enthusiastic throng of bid- 
‘ders and buyers at the final session of 
the sale of paintings by foreign and 
masters, the sixty-seven of- 
fered bringing $10,290, which rounds up a 
grand total of $93,205 for the four ses- 
sions. 

“The Winding Road,” by Dupré, 
brought $750, the top figure last night. It 
was bought by W. W. Seaman as agent. 


24. 


A ACA” COMBINATION SALE. 


fay; Inthe Plaza Hotel ballroom on Tues- 

Piday and \Wednesday evenings, and at 
he American Art Galleries on Thurs- 
ay night, Mr. Thomas FE, Kirby sold 
76 of the paintings of a combination 
icollection from various estates and 
owners. The remainder were sold at 
*the galleries on Friday night, and the 
results will be given next week. 


The total of the sale for the three first 
“nights for 210 paintings was $82,915. 


Pictures, Buyers and Prices. 


The following is a list of the paintings 
sold on Tuesday, the first night, for $300 and 
~ over, with the sizes in inches, the first num- 
ber being the height and the second the 
length; the names ‘of the buyers where ob- 
tainable, and the prices; the total for the™ 
19 works sold being $12,615. 


6—Zamacois, E., “The Message,” 9%x7¥%, 
ING rie Wir ible POCIS asi catais sore tisssleaten ata aterm $ 500° 
cn, Cc. E., “Fhe Barnyard,” 8%4x10¥%, 
We, wAndréwss nce etc ceca er ceee 
13-—Meissonier, Tees “Waiting ‘for an Audi- 
ence,” 16x10%, Mr. A, Vinton Clarke... 380 
21—Meyer von Bremen, ‘The Little Fruit 
Gatherer,” 15x 12, Mr: Henry Schultheis 460 
27—Bouguereau, *‘ Cupid’s Admiration,” 18x- 


15, W. W. Seaman, agt.c.......... senses 450 
34> -Kautman, A., “Marine,  22%4x14%, Mr. 
M. P. Davies tA. os eae oe ease 400 
reen - nd.) 37—Monchablon, F. J., ‘‘Paturage d’Avril, Zz 
at one side of the. 15x22. W. W. Seaman, agt...<: 25 06 «es 400 
Chee Ruppert, _53—Achenbach, 1 nb Cote Landscape and Torrent,” 
le paid. | 231%4x31%4, Mr. Henry Schultheis comebrare 425 
By evder, Crs, “The Hill Road,” 25%x31, 
W. W. Seaman, Be Laretateree rcs ol are cere athe 370 
58—Thaulow, F., “Winter, Christiania,” 32x- 
2534, Mr. Henry Schultheis............. 475 
66—Bogert, G. H., *‘After Glow,” 27%x45¥, 
Mr. George EH. TRAPP Etite iene ie ana croton vietey 460 


The following is a full list of the paint- 
ings sold on Wednesday, the second night. 


7)-=Grison: J. A., “The Glass that Cheers,” 


9x7, Mr. S. S.) Ward see sek eee $ 300 
71—Zamacois, E., “‘The Flirtation,” 9%x7, 
4 Nia De DROW ETES oe cree seer thane bie exstmane tonal aiakege 280 
; ee se, Jy re Sees © His i 
fe x : Thirst,” 8%4x6! x. Tee list yaete spared 
; A } pine is list of \some é 4 f eens y ph a er x4, Mr. T 
HEHMons ayo igen Priced pictures, with meget ag spss Vi Hine VEY sent Sie 
as ae sts, buyers, and: prices: ee8| 74—Pokitonow, I., “The Hunter,” 534x13%, 
HN: lage de Chatillon, Vosges—Monchabion;_ WLW. Seaman,-azts {Do ".2 |. seem oe 260 
. Pai Bias lt Gay 75—Knaus, L., “Phe City Girl? 934x7%, Dr. 
tis (panel;) 1 George | BY Sap peice Ba ee nO rocket 825 
76—Hoog, B. es “Mother and Child,” 1034x- 
OO: FU Mr teks Ss Elarkmess.ec0% jose ore 300 
settee tees Maa| 77—Henner, J. J., ieee and Bust of a Young 
ay Girl,” 1OYx7 A, M. Knoedler & Co..... 450 
q 78—Gérome, ie ae “The Halt,” 1014x8, Mrs. 
Pe ae ooh ey ‘ Sp-jeeuye eich ays Pe | Wallace Hadinge: {signee Bontains 450 
Bade Kon. y ae apes cae en’ Jettels ’ "| 79—Diaz, ._ V.. “Landscape near Fontaine- | 
be. “Richter; og . so es ut . fn bleau,” 714x9%4, Mr. J.G. Spur rye 275en am 
ss oeeesen y us ease blew ois famine Sete Hace: a “26Y oe illet, Ans “The a er, ,x8h, f 
: Arthur Paxfont'8.  Strauée “990 + ag W. heey ASE NB Moab ie fe vee is Jane eres 1,250 
; pee dans L Limousin—Troyon; | 81—Wyant, A. H., “A Bit of Pasture,” 9x14, ; 
SMAI BER We Ui N as ve! oie leis og Mars A.o Jee Wiggins nF : hiisn ie k aeonlev etd tren 570 p 
Ing Into the Shade—George Henry | 82—Diaz, N. V., “A Pool at Fontainebleau,” 4 
shton ; ds ha Recs sais 28 bie 8x10, Bernet, BOTS. wcdpeletctels is ie en ane 2,050 
: : Ripe—E. Meunier; T Ff, Crow-) 83—Pasini, A., “At the Saddler’s,” 11x9, Mr. | 
lige euiciee ohio: paige Ee Biberls aerate gain gaat ; $00 
Gales. x betty snr anchez Perrier, E., “ iver Scene a 
“The Meadow ara ee eae ce ace 430 Guingamp,” 14x9, Mr. es. RNs <n ae 510 
pees of he’ Harmyard--Melehior Honde- | 85—Fromentin, E., “Algerian Washerwomen,’ 
rs, E. O. Holter. .w, o.viev-s <5 9° 200 10%x13%, ee Rate Pela Menon Vinh es 550 
: 86—Meyer von Bremen, J. G., “Mother an 
Cn eat $93, A ip Child,’ 10x12, Mr, Andrews.........++ 260 
7 Sie Cs Sie a ee pe: ae 87—Berne- Bellecour, &., “Un Billet-doux,”’ 
13%x9, Mr. A. H. Wiggins.......+++++5 425 
88--Charlemont, H., “‘Still Life—Flowers,” 
17x9, Mr. Andrews......-.ssesesesceaes 110 . 
| 89—Jacque, Geb. Sheep in Stable,” 15%4x- 
12%, Mr. W._B. Simpson....-...+-.++05 860 
| 90—-Murphy, J. F.,_ “September Landscape,” 
124%x16%, Mr. We oR PRLS hes te ee 1,025 
|91—Wyant, A. H., “A Promise of Rain,’’ 12%- 
| x17, Mr. J. RE Campbell... ..2 0+ ceeeeees 590 
| 92—Corot, Ir C., “Landscape Sketch,’ 
11x16%4, milo ARten casey as aoe aes 470 
| | 93— Church, F. E., “An Indian,” H%x17%, 
Mr. H. S. Hiacness «ae ihe tig e Cetera 150 


oan Mauve, A., ‘‘Landscape and Bhs 
(Water Color), 11x17%, Mr. Andrews.... 160 


| 
| 


y oe ae 
Pe ee. ee ee er 


ab The Si is a list of the paintings 
sold on Thursday, the third evening, for 
($100 and over: 


aes > Bs : aepencra a0 0 te 162—Bridgman, F. eon Lad 14x- 
1 cot ee ae J. B.Dixo ae Bey 120 
Sigua us rey POI ul — Riche nme atm. Pool,” 1 5 
“On the Bosporus,” Wier, ie George S. IRB DeDEes ries fcras 610 gis a 105 
i oedler oe tee 500 W2-Bettinger, G., “The Document Bureau,” 
ck “Cave,” Myx21%4, Ber- 18x1434, Mr.'$._G. agMe face sent. es 200 
MORO. Ser aaaee - eae 1,500 eel 73— Pate BBE Lhe Card House,” 1534x- 
1934, the eC SO mG oF, Avec wrest bcscss « 150 Pore 
Ket OW ley. wh, capes c20 + |174—Henry, Mo Waiting: for the Ass ; f 
J we : man,” 13%4x23, Mr. C: A. Jameson... 310 ra 
eee aie 7 j177—McCord, G..H., “Autumn Landscape,” 2 
ne ae i The coe é 16x20, Mr. M. P. HD) AVES seit tess orelt ee SME ors 230 
x 22 Ve oie. emi cade toe 3. hws 725 180—Hart, J. McD., “Tree in the Meadows,” 
: seve Life—Flowers,” 16x20, aoe na oe Wiese leita ce oc ss ac 420 
Bete s a8 —Johnson, E., “The Freedom Ring,” 1 - 4 ; 
e “Old Pasture near New # 2114, Mr. Timothy F. Crowley ey Ax: 750 ; a 
i, len Scone Bee Sami ee Beard, WH, “Honie from the Polls” = 
Sunset,” 16x22, William eacerne cs Mr, W, B. Simpson... 505... ee B20 * oka 
cerns eet ase cess ; —Rix, J., ‘Road eon the Woods,” 18x: ine 
; hing Vessels off the i R. Dudensing & S Super sia 8 275 
Fr : : eee ir. Andrews..... 800 /|187—Brown, .J. G., The Young Peddler,’ 
reyer, A. _Coyncil of War,” 19x. 24x16, Col. H. A...Guinsberg..........2> 320 
— 2 Sepiieercimsant «ares: 2,000 |188—Smith, ten Paes sate Afternoon, WY 16x24, 
igman, “A Hot Day ‘at Musta- ' R. Dudensing SG SOU aera Glen ee iene 180 
BUSA “Mrs. Wallace Eddinger... 530 /189—Salentin, H., “The Letter of Recommen- 
le Dancing Brook,” 18x26, sedation,” nk Wins vAs- Ee Sehmidte.s.« 120 
Stephen Eo cities as is aw ¢ 300 190—Laissement, H. A., “The Cardinal’s Pho- pi 
lat Perrault, L Una- Pauverina,” 13x. tograph,” 2514x2114, Mr. C. H. Offermann 120 : oman oh 
_ Mr. 5, B. ee aes Jee 8 on a 300 192—Diranian, S.. “The Gin With the Green 
: ee Cherbour g " 1634x22, = Eyes,” an este Mirai Bo Dickson: wocee 105 
«Ey ae Matas veSis dioica ns 36 600 194—Burgess, J. aS anish Letter Writer,” 
an, '“Bive-mile. River, Long “Isl: 20x28, Mr, Je Dickson raha pon cent arte 210 
and,” 1914x29%, mr. M. S. Untermeyer 535 195—Beyschlag, ile me “The Lovers,” 28x21%4 
14—Teniers ae to), eae de Village,”’ Nee SC li tordm Miller sess hi oc ake s bosses she he 35 
224%4,x28%, Mr. Arthu SE LOT nayene'<s)ar 160 |196—Field, FE. L., ‘Gleam,’ 20x30, Mr. Clif- 
pe we “The a in the Desert,” : HOLT on Wi TNE tins Svea ee cee chore. ae SAS eek nee 100 : is er | 
r : eb Roe tidak ie ais 360 199—Howland, A. C., “Autumn Lands : aa 
6—Inness, G. Seg ie My. Studio: Milton- 3014x244, Col. H. A. Guinsb aoe oe 180 f 
- on-Hudson, ” 20x30, Mr. James Elverson, 200—Insley, A., “The Closing Day,” 20x32, 
ee POE a die cti lacs wile dais teers 1,300 INES ond fe og! Seg Bgee Kb lire oe carr grec ERR RMR ea i CG) 
ness, ‘Gossip: Milton- on: Hudson,” 201—Thauiow, Betts Venetian Canaly 33x 
30, ‘Holland PAREES Cratleru@S cvs o's ln slew ois 1,425 17¥%, ReoF ee Guimsberpicastesis cue se 255 
W. M., “A Mysterious Corner,” 203—Ep » “the Green Hat,” 836x223, Mr. 
x40 V4 ‘(resold from first night).. .. 196: F BS CISCO meta Peal neicusielens arts ayes e inet 100 
A., “Willimantic Thread Fac- 04—Blackman, W., “The Evening Hour,” 36x- 
gS aici ans eh ns 550 28, Mr. Clifford Miller.........s.se.00ee 200 
tihl, “The Connoisseur,” '20x15%4, Schul- 205—Peele, J. T., “Children and Kid,” 28%4x- 
ae 06 GS tend Uh ODT ee 230 37%, } Miss R. H. Lorenz, agt..... Soa etaiee 3 310 
ean the Ohio River,” Mr. ree? a 
206— -Leemputten, E. V., “Pleasant P 
aes Bverson +... 0-2-2. s eee esses oy 700 251439 t Pastures,” 
PN Tes ee du Port, “Ostende,” 08 Ty! x39, Mr. C. H. Offermann....:... 140 ~ 
Pe 30, Mr. MAS URN SOM 5 6.0 <9 ob 2j0 5,6 2050p. we ie 1g G., “Plowing the Ocean,” 291%4x- 
ta tat a , “Winter Morning,’’ 25x30, Mr. Ys, Mr. Timothy F. Or Onl Gyienk nee tens ie 110 
| ug os ol Ey aaa 38 : 
es hy, The Coming Storm,” 25x31, 7 se aoe Night Rea ety Til Cah hy pC CE Oat La $ 7,950 
eS cock ssn vce da seen 3,150 ane ee NG Sitt eee erence ee eas 62,605 3 
124—Daubigny, K: P., “Canal Scene, ‘Holland, ” ota irst Night aes Mumtirs) aileyets ota, (ona rarreves al are neat 12,615 
shh ee Mr. Norton caclerear etn oa Oa 125 : 
ae aulow, F e Awakening of Spring,” educted for picture by W. M. Chase a ee 


2534x33%4, Holland Art Galleries........ 800 


126—Schre; ea from the Wolves,” éd BECOMMSTILO Mba ey Merit oak ean dike cate 255 
414x364 eaman, ast. gt eeu TO Z : 
127—Pieters, E., “The Fisherman’s Wife,” 25x- Crane ocaletore Lhe Nigh tse at:w sucess $82,915 
37%, Mr. RM ic oss a aire kts «3 275 
/128—Vernet, Gree bay of Naples,” 28x41, 
Mr. e REECE vee ciciyi-s ms 0s 6.5.01 ©. 50 ars bps sie 270 PTE ee te ~ 
“eepr eid Cc. ES: Cee 2534x32, W. W. ; 
rere tree NB 1812s og atin oe Ae wes 850 
/130—Blommers, B. J., “The Young Naviga- 
| : tors,’ yee W. W. Seaman, agt. 
| SEMEL ei ote give a aus s. of Rtas wo oie bievorsiere 4,100 * 
/[131—Pearce, E. S., “Return from Market,” 
£ 3914x26%, Mr. "James G Elms Sai ee eee 295 
Miso Innes, G.; “Landscape,” 2934x44,- M. . y 
Bi SIC eR COC a. cisiolod ite onrcg ae deteles 2,300 # 
|133—Frappa, J., “The Cardinal’s Birthday,” 28- 
x434%, Mrs. Wallace Eddinger........... 1,750 
/|134—Crane, B., “Sundown,”’ oe Wa Mr. F. W. 
. Macdonald ..... AS Hh On a Dee ae 380 
T35Van Marcke, E., “At the “Bars,” 36x28, 


| Me CSRESEOT: — oo veces, 6 252 tiers oi Hs : é 
(/136—Schreyer, A., ‘Russian Horses in Win- 
a ter,” 35 Y4x40, on Wallace Eddinger. 2,550 
3 1137—Bouguereau, W *“Savoyard Boy,” 39%4- 
x32, Mr. H. S. Pel tans: Pa ae NE 1,025 
eg 138—Leader, B. W., “Summertime, Worcester- 
wig - shire,” 28x48, Mr. James W. Beck...... 610 
 139—Zucearelli (attributed to), ‘A Fantasy of 
P the Ruins,” 25¥%4x35 Ya, MrvC Aw Platt. 290 
140—Cropsey, I. F., “Passing Shower on the 
Fludson,”? 27x52, Mr. Norton.........-.+- 200 
~41—Van arcke, ey “A Farm Near Etre- 
trat,” 36x52%, Mrs. Wallace Eddinger. 1,350 


G., “The Feast of Flora,” 38x- 3 

64, Mr, | DAE ilo eg ed Re ee 725 
—1143— Bierstadt, Albert, “Sierra Nevada—Morn- 

ing,” 541%4x84, Mr. Haller..........--++- 1,150 

Total Second Night.......-cscseeeseeees $62,606 


ON FREE PUBLIC VIEW 


FROM 9 A.M. UNTIL 6 P.M. 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


FROM THURSDAY, MARCH 12Tu, 1914 
UNTIL 
THE MORNING OF THE DATE OF SALE 


AN IMPORTANT COLLECTION 


OF 


VALUABLE PAINTINGS 


BY 


FOREIGN anp AMERICAN ARTISTS 


TO BE SOLD 


AT UNRESTRICTED PUBLIC SALE 
IN THE GRAND BALLROOM OF THE PLAZA 


FIFTH AVENUE, 58th TO 59th STREET 


ON TUESDAY AND WEDNESDAY EVENINGS 
MARCH 17th AND 18th 


AND CONCLUDING 


AT THE AMERICAN ART GALLERIES 


ON THURSDAY AND FRIDAY EVENINGS 
MARCH 19th AND 20th 


BEGINNING EACH EVENING AT 8.15 O’CLOCK 


ILLUSTRATED CATALOGUE 


OF 


THE VALUABLE PAINTINGS 


BY 


FOREIGN AND AMERICAN MASTERS 


TO BE SOLD 
AT UNRESTRICTED PUBLIC SALE 


BY ORDER OF 


EXECUTORS, PRIVATE OWNERS 
AND ATTORNEYS 


+ ON THE EVENINGS AND AT THE PLACES 
HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 


MR. THOMAS E. KIRBY 
AND HIS ASSISTANT, MR. OTTO BERNET 
OF 


THE AMERICAN ART ASSOCIATION, MANAGERS 


MADISON SQUARE SOUTH, NEW YORK 
1914 


DESIGNS ITS CATALOGUES AND at ee 


ALL DETAILS OF ILLUSTRATION 
TEXT AND TYPOGRAPHY 


NOTICE 


THE PAINTINGS DESCRIBED HEREIN 


ARE TO BE SOLD AT UNRESTRICTED PUBLIC SALE FOR ACCOUNT OF THE 
| FOLLOWING INTERESTS 


ESTATE OF THE LATE THOMAS HITCHCOCK, ESQ. 
ESTATE OF THE LATE EDWIN R. PERKINS, ESQ. 


(FORMERLY FIRST VICE-PRESIDENT OF THE NEW York LIFE INSURANCE COMPANY) 


ESTATE OF THE LATE FRANK S. BOND 
ie 
ESTATE OF THE LATE PIERCE ARCHER, ESQ., OF PHILADELPHIA 
ESTATE OF THE LATE DR. S.G. PERRY _ 


~ ESTATE OF THE LATE HON. HENRY HILTON 


a 


HENRY DALLEY, ‘ESQ. COLONEL S. HARRISON _ 
MR. L. CRIST DELMONICO MRS. MARKS ARNHEIM 
MRS. ADELAIDE C. JOHNSTON 
MOSES ELY, ESQ. PRINCE & NATHAN 
ATTORNEY ATTORNEYS 


Seay vig . turbch 


/ 
Yj : Lenn Qi, 


CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance may 
be rejected by the auctioneer, if, in his judgment, such bid would be 
likely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dispute 
arise between two or more bidders, the auctioneer shall either decide 
the same or put up for re-sale the lot so in dispute. 

3. Payment shall be made of all or such part of the purchase 
money as may be required, and the names and addresses of the pur- 
‘chasers shall be given immediately on the sale of every lot, in default 
of which the lot so purchased shall be immediately put up again and 
re-sold. 

Payment of that part of the purchase money not made at the 
time of sale shall be made within ten days thereafter, in default of 
which the undersigned may either continue to hold the lots at the 
risk of the purchaser and take such action as may be necessary for 
the enforcement of the sale, or may at public or private sale, and 
without other than this notice, re-sell the lots for the benefit of such 
purchaser, and the deficiency (if any) arising from such re-sale shall 
be a charge against such purchaser. 

4, Delivery of any purchase will be made only upon payment 
of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 
A. M. and 1 P. M., and on other days—except holidays—between the 
hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American Art 
Galleries, or other place of sale, as the case may be, and only on pre- 
senting the bill of purchase. 

Delivery may be made, at the discretion of the Association, of 
any purchase during the session of the sale at which it was sold. 

5. Shipping, boxing or wrapping of purchases is a business in 
which the Association is in no wise engaged, and will not be performed 
by the Association for purchasers. The Association will, however, 
afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any 
assumption of responsibility on its part for the acts and charges of 
the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the pur- 
chaser. Title passes upon the fall of the auctioneer’s hammer, and 


thereafter, while the Association will exercise due caution in caring 


for and delivering such purchase, it will not hold itself responsible if 
such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 

7. Guarantee is not made either by the owner or the Association 
of the correctness of the description, genuineness or authenticity of 
any lot, and no sale will be set aside on account of any incorrectness, 
error of cataloguing, or any imperfection not noted. Every lot is 
on public exhibition one or more days prior to its sale, after which 
it is sold “as is” and without recourse. 

The Association exercises great care to catalogue every lot cor- 
rectly, and will give consideration to the opinion of any trustworthy 
expert to the effect that any lot has been incorrectly catalogued, and, 
in its judgment, may either sell the lot as catalogued or make mention 
of the opinion of such expert, who thereby would become responsible 
for such damage as might result were his opinion without proper 
foundation. 

SPECIAL NOTICE. 

Buying or bidding by the Association for responsible parties on 
orders transmitted to it by mail, telegraph or telephone, will be faith- 
fully attended to without charge or commission. Any purchase so 
made will be subject to the above Conditions of Sale, which cannot 
in any manner be modified. The Association, however, in the event of 
making a purchase of a lot consisting of one or more books for a pur- 
chaser who has not, through himself or his agent, been present at 
the exhibition or sale, will permit such lot to be returned within ten 
days from the date of sale, and the purchase money will be returned, if 
the lot in any material manner differs from its catalogue description. 

Orders for execution by the Association should be written and 
given with such plainness as to leave no room for misunderstanding. 
Not only should the lot number be given, but also the title, and bids 
should be stated to be so much for the lot, and when the lot consists 
of one or more volumes of books or objects of art, the bid per volume 
or piece should also be stated. If the one transmitting the order is 
unknown to the Association, a deposit should be sent or reference sub- 
mitted. Shipping directions should also be given. 

Priced copies of the catalogue of any sale, or any session thereof, 
will be furnished by the Association at a reasonable charge. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


IMPORTANT NOTICE 


THE GRAND BALLROOM OF THE HOTEL PLAZA 
NOT BEING AVAILABLE FOR ALL OF 
THE EVENINGS UPON WHICH THIS SALE 15°20 iat 
THE FIRST TWO SESSIONS 


WHICH TAKE PLACE 


ON TUESDAY AND WEDNESDAY EVENINGS 
MARCH 17th anp 18th, at 8.15 O’CLOCK 


WILL BE HELD 
IN THE GRAND BALLROOM OF THE PLAZA 
AND 
THE TWO CONCLUDING SESSIONS 


WILL BE HELD 


ON THURSDAY AND FRIDAY EVENINGS 
MARCH 19th AND 20th, at 8.15 O’CLOCK 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH 


FIRST EVENING’S SALE 


TUESDAY, MARCH 17, 1914 


_ IN THE GRAND BALLROOM OF THE PLAZA 


FIFTH AVENUE, 58TH TO 59TH STREET 


~ BEGINNING AT 8.15 o’cLOCcK 


IVAN POKITONOW 
Russian: Azsour 1840— 


No, 1— AUTOMNE PRES PAU—BERGER 
(Panel) 
Ce O = a Height, 64, inches; length, 94/, inches 


Unper a fair pale blue sky of the sunny southern clime/lightly curtained by 
diaphanous white fleece just tinged with a mauve-pink, a broad, flat land- 
scape is spread out, with hills or mountains faintly discernible in a distant 
haze. Occasional white buildings are seen in the plain, and in the middle 
distance slender trees grow along’a road across a meadow which extends 
to the foreground. A shepherd in a blue blouse is here, with his dog, guarding 
his scattered flock. 


Signed at the lower right, I. Poxrronow, ’89. 


Owner, Estate of the late Franx S. Bono. 


$298 - Eph if hoallaugnae Lh 86» Feo MIAK> Sold AS hora Bret /pbype WXKe, 


LEO HERRMANN 


FreNcH: CONTEMPORARY 


No. 2— THE CARDINAL AT LUNCH 


/ 3 fe Height, 91% inches; widthy TD, inches : rf 
aval : DAR Nveeg 


Tue cardinal in his brilliant robes and skull-cap is sitting alone at a carved- 
wood table spread with a silvery white cloth, discussing a crisply roasted bird 
and succulent green salad. At his elbow are decanters and a bottle, and at 
the moment he has raised to the light his wine-glass and is viewing its ruby 
contents with a smile of enthusiastic delight. The floor-covering is a deep 
turkey red, and the background is dark, in neutral tones of olive and brown, 
with conventional tree trunks visible. 

Signed at the upper right, Lro Herrmann. 


Owner, Estate of the late Franx S. Bonp. 


696M» high Tuli, bane OchSGi1 Aah Sxx., bolt AS lomd Aw taf bGf- 


EDWARD ALLAN SCHMIDT 


GERMAN: CONTEMPORARY 


No. 3— THE ARMORER’S SHOP 
(Panel) 
5 (Aer Height, 10 inches J widtha8 inches 


THE armorer, a man with reddish hair and ar ot s withAleeves rolled 
up over his sinewy and muscular arms, and wearing a leather He is 
facing a window on the left, and is seen in profile. He is busily at work, and 
a suit of armor partly dismembered is on the bench in front of him. Behind 
him his forge glows, and tools are hanging in orderly lines on the gray and 


brown walls. 
Signed at the lower right, Kv, Attax Scumipt, 1889. 


Owner, Estate of the late Frank S. Bonn. 


FRIEDRICH VOLTZ 
German: 1817—1886 


No. 4— CATTLE 
(Panel) 


on Height, 7 inches; length, 914 ine 4 - ~ 
We sis &. O O 


Two bovines with wide-spreading horns are pictured, a red and black one 
standing across the picture and a tawny one with a white face lying down, in 
a sunny green pasture. In front of them a gray goat with long curving horns 
is lying lazily on the sward. To left of the group is a high bank with many 
trees, whose shadows with those of the animals spot the green grass. 


Signed at the lower right, Fr. Vourz,| 1878. 


To be sold to close an Estate. 


NICOLAAS BASTERT 


No. 5— » WINTER IN HOLLAND 
Height, 91, inches; width, 131% inches y 


oe 
Hh Owe a roadway marked by deep wagon tracks in the snow a woman is making 
her way, with slow progress, past a row of pollard willows. The road, as in- 
dicated by the trees, curves to the right as it advances, and is lost to view. 
A few tall thin poplars rise in the center of the picture, and at the right a 
wooden barrier appears. The sky is heavily overcast and ominous. 


Signed. 
From the Cottier Collection. 1909- #§. BISS\ 


By order of Moses Exy, Esa., Attorney for owner. 


ON Fe NN PAL RS et 


nee 


omer 


Sa Gr a ee a a ee 


Cte 


JOHAN HENDRIK 
Houianp: 1875— 


No. 7— 


ao 


A quay extends back from the left of the foreground. “It is bordered by a line a 


EDUARDO ZAMACOIS 
Spaniso: 1843—1871 


THE MESSAGE 
(Panel) — 


Height, 91%, inches; width, 7% ney YG (? 
' oe ‘ ja ee 


Ricu tapestry in dark tones largely of 
brown, above a paneled dado, forms 
the background of a room, and the 


| light is admitted from a diamond-paned 


window at the left. Above the window 
is a dark green drapery, and on a 
solid shutter below it, turned inward, 
a mature gallant is writing a message 
with chalk; he is just finishing the name 
of Mathilde. He wears a buff jerkin, 
his sleeves and stockings are red, and 
his breeks dark bluish-green. He wears 
a broad white shoulder-collar and a 
sword is at his side. 


Signed at the lower left, E. Zamacots, 1864. 


To be sold to close an Estate. 


Gere 


VAN MASTENBROEK 


OF ROTTERDAM 
(Water Color) 


Height, 14 inches; width, 11 inch 


of olive-brown trees and a lamp post, beyond which appears a row of dull red 
houses with white casements. Figures dot the quay near two empty push-carts. 
Alongside the canal wall lies a barge, with its stern, showing a bright green 
band around the gunwale, turned to the spectator. 


From the Hermann Schaus Collection. 


Signed and dated at the lower left, J. H. V. Masrensroek, '98. 


SYR “4 RUS > pos Mo. Pestissecsecg 


By order of Moses Exy, Esa., Attorney for owner. 


- 


L 


NARCISSE VIRGILE DIAZ DE LA PENA 
Frencu: 1808—1876 


No. 8— | VENUS AND JUNO 


? : ; pay VL ff L Lares 
Height, 13% inches 


¥, inches; width, 91% 


In a wooded retreat golden-haired Venus reclines half-nude on a rock. Cupid 
approaches in the company of dark-eyed Juno, jealous loser to Venus in the 


amorous eyes of Paris, her torso nude. She draws back in some surprise and 
resentment, while Cupid, master of the hour, leans on his bow with a placid, 
contented smile. 

Signed at the lower right, N. Dtaz, 753. 
Purchased from L. Crist Delmonico. 


By order of Mosrs Exy, Esa., Attorney for owner. 


him. Khuchanarr toll S91 ht BF c pllSox he. Hlaudeusung 


CESARE DETTI 
Iratian: 1848— 


No. 9— THE PAINFUL MOMENT 
(Panel) 


es ve Height, 121%, inches; width, ae (0 
In a brilliant and colorful room with Florentine de¢oration 4 man in 
breeches, scarlet waistcoat and blue-lined green coat, all his appare 
stuffs, is seated facing the spectator awaiting the crucial instant when he shall 
lose a tooth. The operator, in crimson breeks and plum-colored coat lavishly 
embroidered, stands over him, with a firm grip on the instrument in the victim’s 
mouth, and a boy in equally elaborate garb has brought water and stands 
behind a gilded table at one side. 


Signed at the lower right, Derr, °72; Rota. 


Owner, Estate of the late Franx S. Bonn. 


og TR ER OA GR 
LE ae ere Saw pena isa 


CHARLES EMILE JACQUE 
Frencu: 1813—1894 


No. 10— : THE BARNYARD 
(Panel) 


| ae oP Height, 8%, inches; sales Ye) oe 


A RAMBLING structure in the country, house and home alike of man and beast 
and bird, extends back from the left of the picture, its stone and wooden walls 
white and red and gray in bright sunshine. Its thickly thatched roof is a 
warm brown, brightened by flowers that have climbed it or sprouted there, 
and a green vine or bush screens one window. In doorways are chickens 
and near a pond in the foreground are ducks, and a woman approaches driving 
ahead of her one of the humble but useful animals of the farmer’s motley 
array. 

Signed at the lower left, Cu. Jacque. 


From the Valuable Modern Paintings Sale, American Art Galleries, New York, 1912; No. 61. - BKIO4 b 


By order of Prince & NatHan, Attorneys for owner. Bath by Sie.» bo fan Me. Lamenbarren 
398 ty i. Tanenbaum Gk t{9par Aahaseg B ESK- 


FREDERIC EDWIN CHURCH, N.A. 
| Merion: 1826-1900 


No. 11— HARBOR OF KINGSTON, JAMAICA 
(Panel) 


gh, ele: Height, 13 inches; length, 19 inches 
vA ¥ i 4) VY aA 


: : LAnrti1.anre 
Tue point of view is high in the hills back a the town, scarcely a building 
in Kingston being visible, the eye roaming from the hilltops to the harbor, the 
long peninsula of Port Royal, and on to the’sea. The water is brilliant with 
reflections of varicolored clouds. A colored woman in a bright red skirt stands 
in the doorway of a native cottage. 


Signed at bottom to right of center, F. E. C. (in monogram), 66. 


Owner, Estate of the late Tuomas Hitcucock, Esa. 


ETIENNE PROSPER BERNE-BELLECOUR 
Frencu: 1838—1910 


No. 12— FRENCH SOLDIER 


i MW Sees Height, 15 inches; width, om ‘ 


A CAVALRYMAN of the French service, unmounted, is alon¢ jn a field, near a 
small body of water. He is seen in profile. He is in the fainiliar red breeches 
and cap, blue coat, and black boots spurred, and is smoking a cigar. 


Signed at the lower right, E. Berne-BeLiecour. 


Owner, Mrs. Marks ARNHEIM. 


JEAN CHARLES MEISSONIER 
(Son of J. L. E. Meissonier) 


FRENCH: CONTEMPORARY 


No. 13— WAITING FOR AN AUDIENCE 


Ghat 0 '— Height, 16 inches; width-30V, rUe hh arfe 
Panetep French walnut doors, and a tapestried wall—in-dull blues, reds, 


browns and greens—form the background of the picture, whose foreground 
is a narrow strip of light sand-brown floor. Here in a broad light a clean- 
shaven young man with curly brown hair stands leaning against the door jamb, 
waiting with imposed patience for a summons to the inner room. His colorful 
costume includes rich stuffs of blue, green, drab, brown, yellow and red, as 
well as black and white, and he stands cross-legged with figure turned toward 
the right and face three-quarters to the front. 


Signed at the lower left, CHartes MeEtssonier, FILS, 1877. 


To be sold to close an Estate. 


JEAN LOUIS HAMON 
Frencu: 1821—1874 


Nos 14—"> LOVE’S WHISPERINGS 


G 4 ~ve si aceie 14 inches; width, 10 Ly ae he 
figure is sit- 


Ir is springtime. A young woman of blond complexion and fu 
ting on a rock out in the fields, against a low mound near some shrubbery 
that is hardly yet in blossom or leat, She wears a white chiton loosely girdled 
at a high waistline and exposing freely her full breast, and across her knees 
a brownish-gray mantle lies in loose folds. She has plucked a branch of early 
pink buds, holding it idly between her knees, and she looks pensively to one 
side, while a ad ‘child nestles his curly head against hers, leaning on her 
epouider. 

Signed at the lower right, J. L. Hamon, 1869. 


To be sold to close an Estate. 


LEONARD OCHTMAN, N.A. 


AMERICAN: 1854— 


No. 15— LANDSCAPE 


4 
H : 
Sy 


/ a bo Height, 12 inches; length, 16 nt, ae 
ae frarrrrtdy ur 
Autumn has claimed her toll of the trees, which rise in scattered’ clumps 
against a gray sky, before a low and thick wood, their branches stripped or 
: retaining leaves that are a dead brown or a glowing yellow. Set back among 
the trees, beyond a rail fence, is a white cottage with green blinds and a red 
chimney, and the whole deep foreground of the picture is a wild field of cold 
grayish-green grass thickly grown with brown and yellow weeds and bushes. 


Signed at the lower left, Leonarp Ocurman, 1887. 


No. 119.- #775 Iv. Carn aun, 


From the J. M. Lichtenauer Collection, New York, 1913; 


By order of Prince & Natuan, Attorneys for owner. 


. GUSTAVE JACQUET 
Frencu: 1846—1909 


No. 16— THE BUTTONHOLE BOUQUET 


(Panel) 
1-7) oe Height, 15 inches; width. 1 inches by 


Wiru a sensuous, intent expression, looking /under slightly narrowed eyelids 
at someone not seen by the spectator, a handsome and vigorous young woman 
holding a dainty boutonniére in her hand raises it to her just-parted lips to 
indue it with an added sentiment. She is fair, with pink cheeks and brown 
hair, and is seen head and bust, facing the left. She is clad in white satin 
and lace, with a blue ribbon tied about her throat and a black scarf thrown 
over her shoulders. 


Signed at the right, above the shoulder, G. Jacquet. 


’ 


By order of Prince & Naruan, Attorneys for owner. 


4/35 Miu pow f. Seleca Y htt he 1 deaM§X% + 


J. PEYROL BONHEUR 
Frencu: 1830— 


Na) ae NOONTIME REST 


i. 4 0 fs Height, 12 inches; length, eee 


_ A ram standing on an incline at the left, his hind feet on/fnuch lower ground 
than his forefeet, facing across the picture toward the right, is in position of 
guardian over two ewes and a lamb which are lying down on soft green grass 
in the sunshine, taking a noontime rest. They have chosen a sunny place in 
the lee of a rocky mound on whose grass-grown crown shrubs are blossoming 
white, one ewe laying its head in the fleece of the other’s shoulder while the 
lamb lies contentedly at one side. 


Signed at the lower right, J. Peyvrot Bonuevr. 


From the J. H. Stebbins sale, New York, 1880. 4 
Owner, Mrs. Marxs ARNHEIM. 


/ 


GEORGE HERBERT McCORD, A.N.A. 
American: 1840—1909 


No. 18— NEAR PORT JEFFERSON 


vs Height, 12 inches; length, 18 inches () : 
ae, WY Carre 


A HaArzor and bit of shore line such as pleases the man who likes to rough it 
as he will about the salt water and sail his own boat, with never a thought of 
yachting. A homely and easy bit of low-lying Long Island shore, a point with 
an old gray building and some trees on it at the left, and dunes or hilly fields 
on the right, with water between mirroring a brilliant sky filled with clouds. 
Sailboats are at hand, only one with canvas up, and rowboats of different color, 
and a few people afloat and ashore. 

Signed at the lower right, G. H. McCorp, A.N.A, 


Owner, Mrs. ApeELAIDE C. JOHNSTON. 


NARCISSE VIRGILE DIAZ DE LA PENA 
FRENCH: 1807—1876 


No. 19— MARGUERITE 


bale a7 a Height, 151, inches; width, 11 inches 


Ar the left a church entrance comes into the picture, its css fren 

and weather-stained, the interior dark in shadow. Beyond the edifice, fextend- 
ing toward the right and to the distance are thick bushy trees, darkening 
with fading day, and over them grayish-black, rosy and gray-white clouds 
are active in a dark blue sky. In the light before the church door a blond 
young woman stands in deep thought or dejection, one hand raised to close 
her eyes and keep them closed as she leans her head on the hand. She is 
hatless and wears a low-necked gown of light material over heavy dark grayish- 


blue. 
Signed at the lower left, N. Draz, 65. 


Owner, Mr. L. Crist DeLmonico. 


JULIEN DUPRE 
Frencu: 1851—1910 


No. 20— THE PROPOSAL 


7. Oo” oe Height, 171% inches; 


‘Two French peasants are pondering the old problem in the fields. A man, 
young and husky, with tousled black hair and a miniature black mustache, 
in brown clothes and blue blouse with sleeves rolled up, leaning with folded arms 
on a dilapidated gray rail fence, his legs carelessly crossed as he stands with his 
weight on one foot, has propounded an earnest request to a young woman. 
She stands on the hither side of the fence, and having turned irresolutely from 
him faces the spectator with vacant expression, trying to think matters over. 


Ban ae 7 On 


Signed at the lower right, Jut1eN Dupre. 


Owner, Mrs. Marxs ARNHEIM. 


JOHANN GEORG MEYER (MEYER VON BREMEN) 
German: 1813—1886 


No. 21— THE LITTLE FRUIT-GATHERER 


iy 32 Height, 151% inches; PE oe od 
A cHuBBY, smiling, chestnut-haired little German ren been out in the 


orchard gathering some rich purple plums or cherries, ad stands before a 
dark green background of shrubs and foliage, near a tall gray gabled house. 
She is seen at three-quarter length, in a warm red-brown skirt and buff-brown 
waist, with white shoulder-sleeves, her plump arms bare, the fruits of her 
labors wrapped in her apron, which is tucked in at the waist-string, and she 
looks happily at the spectator as she leans her head on one shoulder and holds 
a fruit up against her loose tresses. 


Signed at the lower left, Meyer von Bremen, Berwry, 1875. 


Owner, Estate of the late Tuomas Hircucock, Esa. 


LEON BAZILE PERRAULT 
Frencu: 1832— 


No. 22— ITALIAN GIRL 


a, 
Heap and shoulders portrait of a young Italian girl with dark brown hair and ‘a 


bright brown eyes, turned toward the right, three-quarters front, her face 
almost full-front. She wears long earrings and a necklace of three strands of 


red beads, a white cap or headdress and a gray frock. About her shoulders is 


a light kerchief, red, brown and green. Dark background. 


Signed at the upper left, L. Prerraurr, ’75. 


To be sold to close an Estate. 


FRIEDRICH VOLTZ 
GERMAN: 1817—1886 


No. 23— A COW 


8 g ve Height, 15 inches; width, 1114 igches 5 


A cow is standing before the spectator as though quite conscious of the im- 
portant operation of having her portrait painted. She has a fulvous coat 
and white face and stands facing the right, turned somewhat toward the front, 
with eye on the observer. She is on light green grass in bright sunshine and 
is seen against a dark neutral background. 

Signed at the lower right, F. V. 


From the studio effects of the artist. Stamped on the back of the canvas: “Aus dem Nach- 
lasse des F. Voltz.” 


Owner, Mr. L. Crisr DeELMonico. 


WILLIAM VERPLANCK BIRNEY, A.N.A. 
AMERICAN: 1858—1909 


No. 24— THE OLD MUSICIAN 


73% Height, 14 inches; length, 16 /idche 


In a cottage room, whose floor, a few steps below ground level, is of gray flag- 
ging, mottled with bluish, greenish and mauve reflections, an old man has seated 
himself on a low stool to play his clarinet awhile, his ancient yellowed music 
set out on a wooden chair before him. He faces the right and is seen in 
profile, against the gray wooden wall of the room, light from the music sheets 
reflected upon his wrinkled features, and he wears a long-tailed old blue coat. 
Across his back the spectator looks through an open door to a blossoming 
flower garden, and a slant of sunshine touches the steps leading up to it. 


Signed at the lower right, Wm. Verrtanck Birney, A.N.A. 


Owner, Mrs. ApELAIDE C. JOHNSTON. 


GEORGE HERBERT McCORD, A.N.A. 
American: 1840—1909 


No. 25— MIDSUMMER MORNING 


J 3 a oc Height, 12 inches; length, 20 inchde 
Woops on the right and in the distance are a deep green in full midsummer 
foliage, and grass and field growths on the cleared spaces between the trees 
bespeak the settled season of maturity. In the middle distance a narrow river 
crosses the land, emerging from the woods into early morning sunlight and 
breaking into white ripples as it rushes over some stones. In a rough field 
road two figures are seen walking. 

Signed at the lower left, G. H. McCorp, A.N.A. 


Owner, Mrs. ApELAIDE\C. JoHNSTON. 


EDWARD PORTIELJ E 
Betcian: 1859— 


No. 26— THE CONFIDANT 
(Panel) 


a f O os Height, 18 inches; width, 14%, 


Two merry peasant girls who might be described/as well on in young woman- 
hood are enjoying a fine heart to heart exchange ef confidences, free and unin- 
_terrupted, in a tile-walled room of a cottage of the Netherlands. Sunlight 
floods their happy corner, through a window which looks out upon the in- 
timate Netherlandish sea and a spur of land beyond, illumining their smiling 
faces, as one who has dropped in for a call, with a market basket on her arm, 
shows to her bosom friend a letter or photograph just received. Both young 
women are clad in soft and homely harmonies of pink, lavender, mauve, green, 
brown and cream, and the hostess has been caught in the midst of mending a 
medley of delicately colored materials. 


Signed at the lower right, Epwarp Porrierse. 


Owner, Estate of the late Epwarp R. Perkins, Ese., formerly First Vice-President of the 
New York Life Insurance Company. 


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- Fes BWR EY 


7 Ae. Trotle » Son fly 1903+ MNX 
bed Alec demaw » fe 31/1403 PAEKK os 
°F itimgd ty Abia tue 3i/sj03-1 ff A OMS ~ 

—  Mlh-% 6. 0, Sersise feo yfyyous BARKA-1 


(Panel) 


7 an CUPID'S ETON 


: ef Sd xe Height, 18 inches; width, 15 Mie 


4 6 = Height, 134 inches; length, 20 , 


: Tue full moon, taking its course across a clear blue sk 
, tering patches of thin cloud, has just risen above the/crests of a mountain 
chain, and facing the spectator looks down upon a foreground valley, or seamed 


WILLIAM ADOLPHE BOUGUEREAU 
FRENCH: 1825—1905 


Curip is shown at half length, in 
the guise of a boy with chestnut 
curls in close but tousled ringlets, 
his white wings freely spreading 
from his shoulders against a back- 
ground of blue sky spread with 
white fleece which is touched with 
pink. He is turned to the left, his 
face seen little more than in pro- 
file, and is glancing with cunning 
simplicity and a _ beatific smile 
slightly upward, his hands clasped 
against his nude and mottled chest 
in exquisite admiration. 


Signed at the lower left, W. Boucurrgav, 
with the date, 1903, at the right. 


Purchased from Arthur Tooth & Sons, 
New York, 1903. 


Formerly in the H. O. Seixas Collection. 


By order. of Prince & Naruan, At- 
torneys for the owner. 


SOSCM -y UhiirmmsA by bet eb dasae berth //4ti~ SAOMS-~ 


JULIAN RIX 
American: 1851—1903 


No. 28— MOONLIGHT AMONG THE MOUNTAINS 


y revealing only scat- 


plateau, where bunches of trees we odd shadows and a narrow road wanders 


, about. 


From the Julian Rix Sale. /9/3~ Slob fi 


By order of Moses Exy, Esa@., Attorney for owner. 


Signed at the lower right, Juttan Rix. 


areas 


SP hoaglee. 


GUSTAVE COURBET 
FRENCH: 1819—1877 


No. 29— AT THE WELL 


(Charcoal Drawing) 


Pac nmin 


Own the right a rounded hillside slopes to a low foreground and to a flat field 
which occupies the rest of the picture to the left. Bushy trees of the hill, 
reaching out over the slope and the plain, obscure much of the sky and partly 
shadow a pump or well in the foreground, where a young woman with sleeves 
rolled up stands waiting for her large amphora to fill. In the field laborers 
are at work, and across it in the distance a goods train is making its smoky 
way. : 

Signed at the lower right, G. Courser. 


Owner, Mr. L. Crist DELMONICo. 


BENJAMIN EGGLESTON 
AMERICAN: 1867— 


No. 30— IN OCTOBER 


Height, 12 inches; length, 16 inche ; 
—wie Ns 
if fs He Smee ee ™M- C ees 


A HeEAvy tree whose best days have long passed but in which foliage persists 
near the trunk, stands in defiant dignity in a broad, uncared-for field where 
grass is turning yellow and brush brown, the old tree’s foliage a brilliant red. 
At either hand are slender trees sharing in the fall colors, a woman seated at 
the foot of one of them and a few sheep seen near a rock-bordered pool; in 
the distance are hazy blue hills—a landscape suggestive of Staten Island. 


Signed at the lower left, Bensamin Eccreston, 1903, with the title. 


Owner, Mrs. Avetawe C. JoHNsTON. 


EDOUARD CASTRES 


Swiss: ConTEMPORARY 


No. 31— “ASK THE PADRE” 
(Panel) 


3 0 ae Height, 161% inches; width, 12/in¢hes 


Per. 
A youne man and woman of the people, dressed gaily in brilliant colors of 


Spanish prodigality, are coming forward slowly in a shaded/winding path or 
roadway running at the side of a wood. Along the rustic fences on either hand 
wild flowers are blossoming. The maiden rests her arm affectionately in that 
of her admirer, and turning toward him her face is seen in profile. She seems 
to have hesitated or been in doubt as to something he has asked, or said to 
her, and pointing with his thumb back over his shoulder toward a priest who 
is coming behind them, riding an ass and reading the while, he bids her ask 
the good father. 

Signed at the lower right, E. Casrres, 1873. 
To be sold to close an Estate. 


ALBERT BIERSTADT, N.A. 
AmeERIcAN: 1830—1902 


No. 32— MOUNT HOOD, OREGON 


y: Z) ae Height, 13 inches; length, Vie Orang L Y bleurats 


To a low, yellowish-clay or sandy shore, marked by small rocks and’ coarse 
bunches of sedge, in the left foreground, some Indians are coming Ag canoes 
over silvery, glistering water, its surface just rippled in a light breeze and 
filled with color from a sky of gray clouds which glow with dull rose and 
bright yellow and flaming pink. It would seem to be not sunset but sunrise. 
A tree stands where one boat-load has landed, and another canoe filled with 
people is in the stream, back of the second boat on the right a line of green 
trees rising against the sky on a long point of land projecting into the water. 
Far beyond, across the water, mountains are dark against the bright horizon 
behind them, and toward the left Mount Hood raises its majestic cone in 
silhouette far above them all. 


Signed at the lower right, A. B. (in monogram), ’68. 


eeenihs J. Ef. Siebbine sale, 1809. -#* KX + $HOO + fe. 


Owner, Mrs. Marks ARNHEIM. 


THOMAS HOVENDEN, ANA 
AMERICAN: 1840—1895 


No. 33— THE CALL FROM LABOR 
(Water Color) 


ih /) vs Height, 221% inches; width) 13 (‘3 : 


In the spring when the grass is green buf while the trees are still leafless, 
toward the close of day a peasant woman is winding a resonant horn to 
summon home the laborers in the distant fields. She is young and tall, and 
clad in black with a brown apron and white shoulder-collar and cap, and 
wears sabots, and she stands on a stone wall with a green grass patch and a 
few trees behind her. The crescent moon is high while daylight lingers, and 
a neighboring chimney sends a thin wisp of gray smoke into the air. 


Signed at the lower right, T. Hovenpen, 1880. 


Owner, Estate of the late Tuomas Hircucocx, Esa. 


A. KAUFMANN 


GERMAN: CONTEMPORARY 


No. 34— MARINE 
(Panel) 


Wes Vegi, ae Height, 221% inches; width, ‘Ana (~ nie 
: fo. 


| A cANAL or basin entering into view from the right in the middle distance— 

| its origin unseen—turns and comes forward between lines of shipping tied 

: up at wharves, from the small craft of local and coastwise service to the 

: large square-riggers of overseas; and the apparent tangle of masts, yards, 

rigging and canvas extends across the background. At the sides the build- 
ings of the port are seen, and on the fishing boats of the foreground piles of 
brown nets under richly colored sails, and many men of the sea and their 
friends, in brightly colored costumes, working, idling or gossiping. 


Signed at the lower right, A. KaurmMann. 


Owner, Estate of the late Epwarp R. Perxrns, Esa., formerly First Vice-President of the 
New York Life Insurance Company. 


Dae (Aces Height, 17 inches; length, lore 


FRANCOIS AUGUSTE BONHEUR 
Frencu: 1824—1884 


No. 35— SHEEP IN PASTURE 


Four sheep are pictured in the foreground in the sunshine, gn a patch of soft 
green grass in a country of coarser herbage, interspersed’with boulders and 
outcroppings of rock. Beyond them shallow water threads the grass-patch. 
A ewe lies asleep, her horned comrade standing near and gazing stolidly at 
the spectator—both with thick fleece of a warm brownish-gray—while two 
brownish-white lambs lie beside the mother, nestling against her and each 
other. In the distance is a line of mountains, gray against a light sky with 
cumuli gleaming white above the crests. 


Signed at the lower right, Aveuste BonHeur. 


Owner, Henry Datiry, Esa. 


FRANK DE HAVEN, A.N.A. 
AMERICAN: 1856— 


No. 36— BY THE SEA AT EVEN ~ 


lA 2 oS Height, 16 inches; length, 20 inch@s\ 


A tow ridge of land, glowing yellow and dotted wifh green, and sur 
by a scraggly stunted tree, projects from the left ih the middle dista 
gives a high horizon line against a twilight sky in which the crescent moon 
appears. At the right the ridge sends out a low arm into a deep blue sea, 
where occasional sail appear, and some distance off a lighthouse crowns a rock 
against which the waves break in spray. A field in the foreground is threaded | 
by a winding shore-line path, and an old man appears to be picking up things 
in the grass. 


Signed at the lower left, F. De Haven, 1898. 


Owner, Mrs. Apvenaipe C. JoHNSTON. 


eS ay Fey Pee ee er ene Tener ote 


é 


| Bughh pow MBleat, Deh ga Ge Lea AUK il f & Mischa le 


FERDINAND JAN MONCHABLON 
Frencu: 1855—1903 


No. 37— PATURAGE D’AVRIL 


-j} / a) Bis - Height, 15 inches; length, 4 inches df 
- FOE 


A BRILLIANT, delicate and warm picture of the French See in the 


fragrant days of early spring, when the trees have not yet recovered their 


color from the purple-browns of winter, while the grass is a fresh and yield- 
ing green and the bushes are putting forth new leaves. Some cows in meadows 
traversed by a bubbling brook are tasting the succulence of the vernal herb- 
age, a solitary sheep appears, and a hatless peasant woman stands watching 
them in the bright sunshine. 


Signed at the lower right, Jan Moncnaston, and at the left with the record of the 
work, QE 80. 
On the back of the canvas the signature and record are repeated, with the title; and 
on a paster is written: “Ce tableau peint 4 l’ambre ne doit jamais étre verni.” 


Purchased from the artist, October, 1893. 


By order of Prince & Naruan, Attorneys for owner. 


pho 


82 +4 Sahiw re Sale 0 fw Lf 14H1 Slt Ip. tasuntauwe Seay Mlya- oA O5K~ 


KIO Tn Laban on Jaleo Iyau 25//913-~ Adhareg BPESX- 


FREDERIK HENDRIK KAEMMERER 
DutcH: 1839—1892 


No. 38— THE HONEYMOON 


/ , 0 eS: Height, 231%, inches; me VI / ] 


Unper the drooping, swaying branches of a slender tree in a garden a loving 
couple have been enjoying a luncheon, their green wooden outdoor table accom- 
panied by green chairs and a green footstool. The table’s white coverlet is 
spread with fruits and cake and bottled cheer, but the lover has left his chair 
to seat himself on a grass bank at the adored one’s elbow, and leaning over 
presses his lips to her neck. He wears a rose-pink coat with lace cuffs, and his 
face is partly concealed from the observer by his lady-love’s head. She wears a 
pearl-white décolleté gown with shoulder sleeves, and is hatless, her chestnut 
hair done high above her head. She is facing the right and is seen with her 
back three-quarters to the spectator, her face turned in profile. 


Signed at the lower left, F. H. KaeMMERER. 


To be sold to close an Estate. 


ANDREAS ACHENBACH 
German: 1815—1910 


No. 39— LAKE IN SWITZERLAND 


Height, 23 inches; width, 12% inches 
Roma 


Ristne abruptly in the foreground, on the right, a green, yellow and byown 
cliff looms over the outlet of a lake. The lake itself, broad and tranquil, 
lies in the middle distance, with castles and cities on its shores, mirroring a 
brilliant sky. In its narrow outlet—to left of which are ruins of a castle on 
a tall hill—its waters rush through a tortuous channel and are green and 
white with foam between rocky interruptions in their course. The foreground 
bluff on the right affords pasturage for mountain sheep, numbers of which 
are seen there, and three persons—a man and a woman reclining on the grass 
and a man standing—all in bright-colored costumes, are seen in a group in the 
sunlight in front of the shadow of a cluster of trees some of whose foliage has 
turned pink. 

Signed at the lower left, A. AcHENBACH, 1855. 


Owner, Mrs. Marks ARNHEIM. 


JEAN BAPTISTE ROBIE 
Bexieiran: 1821—1910 


No. 40—- STILL LIFE—FLOWERS AND FRUIT 
(Panel) 


ow 
a/v sa Height, 24 inches; width, 1714 inches VW. Sovaabeg 


Luscious peaches, downy and red, and succulent plums, ruby-coated and/ dar 
with bloom, fill a brown basket nd overflow to the soft green grass on es 
it rests, those in the basket partly overlain by brilliant flowers. Roses, red, 
pink, white and yellow, full-blown and in the bud, asters and marigolds and 
green leaves tower above the fruit and are viewed from close to the earth, with 
the blue sky and soft gray clouds for a background. 


Signed at the lower left, J. Rostg. 


To be sold to close an Estate. 


ROBERT W. VAN BOSKERCK, N.A. 
AMERICAN: 1855— 


No. 41— SHEEP AND PASTURE 


a Height, 19 inches; length, 29% in | 
/2q — oY Vy. << kta 
Tu1s shows a wide vista over a gently rolling vale leading to the sea. 
foreground is all in shadow, and sheep, newly sheared, browse under low “trees 
beside a curving path. In the sunlit distance are straw-stacks, farm-houses, 
and the lines of enclosed fields, and far beyond is the blue stretch of the sea, 
with white sails and a peaceful sky. 


Signed at the left, R. W. Van BosxKercx. 
From the David 0. Lyall Collection, S9O3 7 HES, PEO» 4. che + bo 


By order of Mosrs Exy, Esa., Attorney for owner. 


ARTHUR QUARTLEY, N.A. 
AMERICAN: 1839—1886 


| No. 42— THE WRECK 


| ae ves Height, 22 inches; width, 1444 inches (3: 
THERE has been a violent storm at sea, and a black {torm-cloud hangs low 
over the tossing waves, whose white foam and spray and a bit of white cloud 

’ far down at the distant horizon give the only light notes under the sombre 
shadow of the tempest. In the foreground are the black rocks of a reef, 

| rising a little above the billows, and on their outer submerged ledges a ship 

has gone to wreck, seen bow on with two masts visible and a single yard, in a 

tangle of rigging. Round about her a swarm of gulls are flying. 


Signed at the lower right, ArtHuR Quartiey, 1883. 


| Owner, Mr. L. Crist DELMonico. 


WILLIAM H. BEARD, N.A. 
AMERICAN: 1825—1900 


No. 43— OVERHAULING THE CASHIER 


gi y, ee : Height, 16 inches; length, 28 inches Vy- ps of, 


TEN wise monkeys dressed as men, or more accurately ten men with monk 
faces of various degrees of putative wisdom, are depicted in an office room 
more or less deeply engrossed in an affair of figures in which the blame—at 
least—is put on the cashier—a take-off evidently on a company of directors. 
While one ancient is shocked, another wise and pious venerable does the 
calling-down; several industrious ones set themselves to figuring, and easier 
'-- supine simians warm their hands and feet over a coal fire. 


Signed at the lower left, W. H. Brarp, 1895. 


By order of Prince & Naruan, Attorneys for owner. 


GEORGE H. BOUGHTON, N.A., R.A. 
AMERICAN: 1834—1905 


No. 44— THE WIDOW’S ACRE 
(LUCCOMBE CHINE, ISLE OF WIGHT) 


is a oe Height, 22 inches; length, 29% inert eee 


Suetvine hills, terminating in a bold, flat cliff covered with smooth grass, 
surround a little bay. On the far side, cottages stand a little above the tide 
level, on a strip of flat shore that widens as it curves round to the front. 
Here is a potato patch, in which a girl kneels at work, while an old woman 
stops to talk to a fisherman, who, in blue jersey and a high hat, leans over 
the fence, smoking his pipe. 

: Signed at the right, and dated 1879. 


From the Henry T. Cow Collection. IGOR 7H G14 pbs. J Offar 


By order of Moses Exy, Ese., Attorney for owner. 


BRUCE CRANE, N.A. 
AmeErican: 1857— 


No. 45— FALL AFTERNOON - 


Height, 22 inches; length, 30 inches L 


A rRpce or line of 
hills with undulat- 
ing top gives a high 
horizon under a 
light- gray — sky. 
Sloping irregularly 
to the middle dis- 
tance, the flanks are 
green and_ brown, 
marked by stone 
fences and a zigzag 
gully, and at the. 
left present the 
dark shadow of a 
deep wood. In a 
stubbly field of the 
broad brown foreground a fire has been lighted to consume rubbish and refuse, 
and at the nearer edge of the field sawn logs lie on the ground, some of them 
having been laid in piles. 


Signed at the lower right, Bruce Crane, N.A. 


. 


By order of Prince & Natuan, Attorneys for owner. 


JOSEPH H. BOSTON, ANA’ 


AMERICAN: CONTEMPORARY 


No. 46—_ - LANDSCAPE 


7% eet Height, 20 inches; length, mG 


A PALE crescent moon is in a pale sky which dyerhead is filled with lavender, 
gray and pinkish-white clouds, and slanting sunlight below comes over the 
crest of a middle-distance hill, where two trees and two buildings stand dark 
in silhouette against the sky’s light. In a rough field of the foreground a 
broad shallow pool reflects the varied sky colors. | 


Signed at the lower left, J. H. Boston. 
Owner, Mrs, Ave.awe C. JoHNstTon. 


SANFORD ROBINSON GIFFORD, N.A. 
AMERICAN: 1823—1880 


No. 47-—— HUDSON RIVER 


op NT teen fe ; Height, 17%, inches; length, 3614 inch(és Dy. Yagi 


dtr. 


Tue broad Hudson is seen in the gray haze of a ae autumn day. The 
‘stream is scarcely rippled, and tall-masted sloops on its broad bosom raise 
their white canvas only to have it flap idly. Beyond them, on the left, a high 
indefinite shore appears through the haze. On the right, near the foreground, 
a low point of the eastern shore projects into the picture, a few people seen 
on it and two others in a boat just off the point. The trees here are turning 
pink and yellow and brown, and an old-fashioned engine is pulling a New 
York Central train along the top of the sea wall. 


Signed at the lower left, S. R. Grrrorp. 


To be sold to close an Estate. 


RENE BILLOTTE 


Frencu: ConTEMPORARY 


No. 48— THE FORTIFICATIONS, PARIS 


by ao Height, 211% inches; length, 28%, a gy Oe lee 


Tue painter has pictured a wandering stretch of the irregular walls of the 
old fortifications of Paris, rising gray over the green turf outside their base, 
extending from the left well back into the distance. The taller roofs of the 
city mount above them, under a brilliant sky of active gray clouds with a 
band of pink toward the right. On the broad rough field, green, gray and 
sandy-brown, of the military zone held free from buildings outside the walls, 
a number of people are seen, idling. 

Signed at the lower right, René Biviorre. 
Purchased from the artist, 1893. 


By order of Prince & Naruan, Attorneys for owner. 


7303 Brag hth fume ltd fw 183 ~ Gt MAXX 


PETER GRAHAM, R.A. 


Scotcu: 1836— 


No. 49— SCOTTISH CATTLE 


/ a Oe Height, 20 inches; length, 30Cimches 
TRANSLUCENT white cloud-films veil a brillipnt we sky high above Scot- 


land’s hills, and denser vaporous masses lie white and gray below, closer over 
the summits, before one of which the moisture seems to be condensing in a 
light mist, in the distance. In the middleground on a rolling plateau a small — 
-herd of the long-horned, shaggy-coated West Highland cattle are grazing or 
ambling in deep grass, under a cloud-shadow. In the foreground in the sun- 
shine, at the foot of a broad, grassy slope, two members of the herd, one 
red and one tawny, stand beside a blue-gray brook, their shadows marked upon 
the verdure before them. 


Signed at the lower right, Pevzr Granam, 1880. 


Owner, Estate of the late Tuomas Hircucock, Esa. 


JERVIS McENTEE, N.A. 
AMERICAN: 1828—1890 


No. 50— ) AUTUMN 


: cs | Height, 20 inches; length, 36 inches 


Two children, in red and blue and brown, who have built a small fire ina clearing 
in the woods, are kneeling on the ground near it with their hands stretched out 
toward it. They are seen in the foreground, where the earth is brown and 
strewn with chips and leaves, near some greenish-gray rocks. ‘The woods 
about them are partly green and partly brown, and some of the trees are 
bare of leaves, and the sky and the air are cold. : 


Signed at the lower left, J. McK. (in monogram). 


Owner, Estate of the late Tuomas Hrrcucocx, Esa. 


HEINRICH WILHELM SCHLESINGER 
GERMAN: 1814— 


: No. 51— READY FOR A RIDE 


Fa a Height, 2834 inches; width, 23%, shee // p 


A smitinc young beauty with dark blue eyes and long Nae cheeks kissed with 
: pink, and powdered hair, is portrayed at three-quarter length, standing and 
| turned to the right, her face turned toward the observer. She wears a dark 
| skirt, and a gold-trimmed bright blue sleeveless jacket over a lace-trimmed 
: white waist of filmy material, and a three-cornered hat; and she is toying with 
| a riding whip which she holds curled in both hands. She is in strong sun- 
light against a dark brown background. 


Signed at the lower left, H. ScutesincEr. 


To be sold to close an Estate. 


LOUIS JOSEPH RAPHAEL COLLIN 
Frencu: 1850— 


No. 52— AT THE WINDOW 


/ 0 4 mat Ad Height, 30 nel stip (ae 


_THREE-qUARTER length portrait of a beautiful you a pale-canary 
lawn dress with short sleeves, its sole ornament a smpll spiay of blossoms at 
the throat. She is seated at an open window, turned toward the left, her 
right arm resting on a cross-rail and supporting her head, her face turned 
almost fully toward the onlooker, and she gazes straight at him with calm 
brown eyes. Her face is framed in mysterious wavy hair of reddish-brown 
and is seen against a mass of bright greenery at the beginning of a wood. 


Signed at the lower right, R. Corrin, 1898. 
Purchased from the artist, 1899. 


By order of Prixce & Natuan, Attorneys for owner. 


$95] Baighh. prow dilich Daw 199» Bi @ 8X o 


ANDREAS ACHENBACH 
German: 1815—1910 


No. 53— LANDSCAPE AND TORRENT 
(Panel) 


a ae mee Height, 231, inches; Lae yy 


EvipENTLY a commemoration of some catastrophe or memorable event. A 
richly wooded, wild landscape is presented, the earth seamed, rocky and un- 
even; in the dim distance are wooded hills. The heavens are overcast and 
lowering, and far off the air is charged as with persistent rain. In the middle 
distance some red buildings appear at the border of a body of water only an 
edge of which is seen, its expanse obscured on the one hand by rocky ledges 
and on the other by thick trees. Rushing forward from there are the tur- 
bulent waters of a river in flood or the tremendous spill of a dam-burst, the 
stream dashing in white tumult through a narrow rock-bound ravine and 
splashing new courses of its own amongst the trees and grasses of the lower 
bank. The foliage in places is yellow and brown, and the rocks and mosses 
are gray and brown and red in the foreground, where the light in the picture 


is strongest. 


Signed at the lower left, A. ACHENBACH, 1859; and inscribed at the lower right, 
Dn, 758. 


Owner, Estate of the late Tuomas Hircucock, Esa. 


pals oe Height, 22 inches; length, eee. 


ROBERT SWAIN GIFFORD, N.A. 
AMERICAN: 1840—1905 


No. 54— A LAZY DAY IN EGYPT, ON THE NILE 


In the foreground on the left three natives are seated o 


mud of the low, flat river bank, one of them smoking a long pipe which reaches 


the ground, a small column of gray smoke going up as from a fire lighted be- 
tween them. Beyond them in the blue river a dahabeah lies athwart the view, 
with other Nile boats back of it, all filled with people in bright colored dress, 


‘red, yellow, white and blue predominating, and toward the right another smaller 


boat is sailing slowly away. Beyond the boats, on an island or the farther 
shore, one of the monumental buildings of the land, with an immense dome, 
rises against a robin’s-egg sky, detached palm trees growing near it and numer- 
ous people standing or sitting on the shores about it, the whole seen in the 
haze of a hot day, the people languid. 


Signed at the lower left, R. Swain Girrorp, 1872. On the back the signature and date 
are repeated, with the title. 


Owner, Estate of the late Tuomas Hircucock, Esa. 


x 


JASPER FRANCIS CROPSEY, N.A. 
American: 1823—1900 


NOU 55 AUTUMN 


‘ a7 (ae Height, 20 inches; length, 38 inches Wy VW) 
Y- ee 


A sroap American landscape appears in typical, Mee autumn coloring, 
under a sky filled with billowing white, gray-white and brownish clouds of 
late afternoon. In the distance are high round-topped hills, which come for- 
ward on the right, bounding a broad valley which spreads across the fore- 
ground and far back toward the left. In the middle distance is a gray farm- 
house with long, slanting roof, and sheep graze about the rolling fields. Trees 
__ dotting the plains and bordering a winding brook in the right foreground are 
bright in red and yellow, brown and green foliage. 


Signed at bottom, to left of center, J. F. Cropsry, 1890. 


Owner, Mrs. Marxs ArnHEIM. 


BRUCE CRANE, N.A. 
AMERICAN: 1857— 


No. 56— OVER THE VALLEY 


Neg Height, 25 inches; length, 30 inches 


spring. Rail fences cut its clearings into fields—here and there a plpwed 
field showing brown amidst the green of flourishing grassy meadows. An oc- 
casional early apple tree is white with blossoms, while yonder woods have not 
yet shaken off the winter’s brown. In the distance are white farm buildings 
and vague rolling hills under the hazy sky of a fair spring day. 


Signed at the lower right, Brucr Crane. 


Exhibited at the first annual exhibition of the Society of Landscape Painters. 
Purchased from the artist. 


Owner, Mrs. Marks ARNHEIM. 


CHAUNCEY FOSTER RYDER 
American: 1868— 


No. 57— THE HILL ROAD 


oi 3) 0 ees Height, 25%, inches ; Wy Vy 31 er eo. 


A Gray road or footway among the si hen up a gentle incline before 
the eye, taking irregularly a course through a slight hollow between rounded, 
slowly-sloping grass-covered hillsides, the hillside on the right crowned by a 
grove of trees with dark dense foliage. In the sunlight in the hollow are slender 
trees with light green fees leafage, and along the path are scattered 
figures, walking. 


Signed at the lower right, CHauncrey F. Rypenr. 
Purchased from the artist. 


Exhibited in the eighty-sixth annual exhibition of the National Academy of Design, 1911, 
under the title, “The Crown of the Hills,” Catalogue No. 314. 


Owner, Mrs. Marks ARNHEIM. 


FRITZ THAULOW 
Norwecian: 1847—1906 


No. 58— WINTER, CHRISTIANIA 
(Pastel) 


,) noe Height, 32 oe 253, inches bed tte 


A narrow river or broad brook, cold and gray, ¢omes into view around a 
bend from the left, passing forward between snow-¢govered banks and out of 
the picture, its surface scarcely warmed by a single rosy reflection that comes 
from a red building—one of a cluster of snow-laden buildings in the near 
distance. Above the roofs a tall red chimney rises, sending black smoke into 
the chilly air. Midway of its visible course the stream is partly dammed by 
a fallen tree, and its surface is marked by eddies. 


Signed at the lower right, Frrrz Tuaviow. 


By order of Prince & Naruan, Attorneys for owner. 


[Bh basegfi fume SI. hak Af 19h Aethusng ) 


ISIS 


ERNEST JEAN AUBERT 
Frencu: 1824—1906 


59— CUPID’S MAGIC LANTERN 


A sMALL gray building occupying the right of the foreground, resembling a 
booth erected at a pomeliore and with a gay, indefinite scene beyond it on ‘the 
left, is decorated with amorini and inscribed “Diorama de Amour.” Through 
a peep-hole in the end a golden-blond young woman of generous proportions 
is looking within, while Cupid pulls a series of strings. Other fair young 
women await their turn, their light summer costumes effecting a soft harmony 
of color, and another Cupid appears among them. 


@ bbe s Signed at the lower right, Jeax-AvBeERT. 
Purchased from the wertere 1887. Soh bes -LBXX Sa 
From M. Knoedler § Co.'s sale, 1893; No. 185. —~B loco - 


By order of Prince & Naruan, Attorneys for owner. 


pbs. lsh fumw Seo-b blak Jee 2bf/gy~ $ Sxx.~ 


a ) “by er Height, 38, inches; ee, OIE © C GOLA ER ? 


WILLIAM MERRITT CHASE, N.A. 
AMERICAN: 1849— 


No. 60— HAPPY HOURS 


ee ) Goo Height, 40 inches; width, 24 oer | J / f 


In front of a Japanese screen that is grayish in tone and is bordered in blue 
and brown, a young mother is seen smiling over a solemn and bald infant, who 
is seated in a high chair, well buckled in. The baby, in white, is facing the 
spectator, mouthing a rattle, and has dropped to the floor a toy dog, which 
lying on its side there keeps company with a toy horse and wagon. The 
mother stands behind the chair, leaning over the child, both hands on its chair. 
She is in a black kimono lined with orange-red, and wears an Oriental cap 
about which her curling black hair projects. 


Signed at the lower right, Wm. M. Cyasr. 
To be sold to close an Estate. 


WILLIAM A. COFFIN, N.A. 
AMERICAN: 1855— 


No. 61— EVENING 


/ a9 


A vauuey or hollow, with a carpet of luxuriant verdure, extends be 

eye between low, rolling hills, on or above whose tops trees appear at either 

side. In the middle distance groups of trees with bushy foliage are growing 

in the valley, which beyond them is closed in by other trees over which is seen 

a the distant level top of a horizon ridge. Meandering through the valley is a 

____ footpath worn to the brown earth, and over the landscape twilight is settling, 
___with the new moon just visible in the still illuminated sky. 


Height, 30 inches; length, 40 inches 


CLOT 


‘¢ ri 


4 bea 


Signed at the lower right, Wm. A. Corrin. 


Owner, Grorce J. Corserr, Esa. 


aa JACQUES RAYMOND BRASCASSAT 
: Frencu: 1805—1867 


No. 62— LANDSCAPE AND CATTLE 


iy Height, 31 inches; length, 39% > A Oe : 
/oA — ee 


A FAR-REACHING agricultural chau is pictured under some curious light 
effects of a showery day. In the foreground are cattle—black-and-white and 
red-and-white— grazing or lying lazily in the grass, with other cattle and sheep 
doing likewise in the fields beyond them. There is a pool in the left foreground 
Zz where still other cows are coming and going, or drinking. Beyond it, a cot- 
tage and thatch-roofed barns are sheltered among trees, at the foot of a ridge 
of hills which border a series of broad meadows, and with them project into 
| the distance. The hills are in the shadow of a heavy black cloud that has 
| drawn across a blue sky, while the fields are in a greenish-yellow glow, as the 
| sun forces his rays out below the cloud’s lower edge. 


Signed at the bottom, in the center, J. R. Brascassar, 1858. 


From the Emerson McMillin Collection. 7/Y/3~ ihe pr5or 
By order of Moses Eny, Esa., Attorney for owner. 


CHAUNCEY FOSTER RYDER- 
AMERICAN: 1868— 


No. 63— THE MILL POND 


// 0 o6 Height, 32 inches; yp 40 inch ee Vi ror A % = 
A wipe pond, with baste wavering rather hg eel, # seems, dees a3:) am 


it is with innumerable reflections yet appearing smooth and calm, nearly fills 
the foreground and occupies the larger part of the picture. At the left of q 
the foreground a narrow strip of low shore comes into view, sustaining a few 
tall slender and irregular trees in light spring foliage. Across the big pond 
the opposite shore rises in a green and rolling hillside—a white farmhouse 
appearing at the left, and a further and higher hill or range of hills in the 
distance, thickly wooded. Close to the shore where the land is level several 
slim trees grow and a low white building is noted. 


Signed at the lower left, Cuauncey F. Ryper. 


Purchased from the artist. 


Owner, Mrs. Marks ARNHEIM. 


PAUL VIRY 


FRENCH: CONTEMPORARY 


No. 64— COURTIERS OF LOUIS XIII 


Be, r) 2 Height, 3214 inches; Baer a? ( 


Two court gallants, their faces expressing smiling self-sAtjsfaction, are de- 
picted at their ease on a long and elaborately carved bench 4n a court before 
a brilliantly ornate building. One is seated, examining a medallion portrait 
which apparently has been handed him by his friend, who les extended 
at full length on the bench, smoking a delicate long-stemmed pipe. Their 
costumes are mouse-gray and drab, purple, white, yellow and buff, and their 
hats have long plumes. One has shot some birds which le on the pavement. 
Blossoming vines and flowers trail over the balcony of the building and climb 
its wall, and the entire composition is filled with varied color and intricacy 


of detail. Pigeons appear before the balcony window, one with a heart-sealed 
message tied to its neck, 


Signed at the lower right, Pact, Viry, 1875. 
To be sold to close an Estate. 


CHARLES D. WELDON, N.A. 


AMERICAN: CONTEMPORARY 


No. 65— OLD DRESSES 


2 é re Height, 30 inches; length, e ie ih oars 


Tue interior of a house in the country is show Bi fee room with a rag carpet 
and patch-work rug occupying the larger part of the picture, an open door 
at the left giving upon an entry or hallway in which the head of a staircase 
and a small arched window are seen. Before an old mahogany dresser a 
young woman stands in a flowered gown of mother or grandmother, holding 
out the skirt as though about to take a formal step, while a younger girl with 
hair down her back is seated on an old leather trunk in front of her, from which 
has been drawn forth a medley of ancient finery, gowns of silk and satin, em- 
broideries and laces. 

Signed at the lower left, C. D. Wetvon, ’89. 


Owner, Estate of the late Tuomas Hrirercock, Esa. 


GEORGE H. BOGERT, A.N.A. 
AMERICAN: 1864— 


No. 66— AFTERGLOW 


] / f = Height, 274% inches; Bore ete 


One of the artist’s favorite tonal canvases, painted in full, 

colors with warm, deep browns predominant. The composition pictures a 
shallow, sluggish stream, coursing through a broad bed which takes a right- 
angle in the central middle distance, the bank on the right high, and that on the 
left low with bushy trees; and in the foreground someone in blue blouse and 


-a white hat is gathering driftwood at the water’s edge. The sun has set and 


an afterglow brightens some high clouds which shed reflected illumination over 
the foreground. In the distance are dark hills. : 


Signed at the lower left, Georce H. Bocrrr. 


Purchased from the Macdonald Art Gallery, 1909. 


Owner, Mrs. Marks ARNHEIM. 


WILLIAM MERRITT CHASE, N.A. 
AMERICAN: 1849— 


No. 67— A MYSTERIOUS CORNER 


G 46 Height, 321, inches; length, 4014 inches a 
false TF WARE 


Mysterious it might well be named, for it could be put to various uses and 
no doubt has been, this out-of-the-way corner of an old European town, and 
the old building which stands there, the ‘‘quality” in whose ancient bricks and 
still-clinging plaster and weathered gray stone foundation captured the at- 
tention of the painter. A corner of the building itself is shown, the walls - 
rising out of the picture and occupying practically all of it, above a narrow 
bit of cobblestone pavement of the foreground, the whole effect gray, relieved 
by the old-red of the bricks where they show, and a bit of green struggling 
up between the cobbles. 


Signed at the lower right, Wm. M. Cwase. 


To be sold to close an Estate. 


PINCKNEY MARCIUS-SIMONS 
AMERICAN: 1867—1909 


No. 68— THE CLASSIC LAND 


u mma oe Height, 341, inches; length, 5514 inches See thek. véi 
: Neg. 


“A viston of ancient Greece in the heyday of her glory. Statues of Minerva, 
and Venus unveiling herself, embowered in leafy groves. Her temples placed 
high on the steep Acropolis.” A phantasy, slightly Turneresque in color, of 
‘the realm of ancient greatness. The temples of the Acropolis blaze in white 
and red under a bright blue sky marked by a mass of rumbling dark clouds. 
Below is a fanciful garden of more gorgeous coloring, with dark Italian cypress 
trees to offer a strong contrast, and huge statues of the goddesses at either 
side. 


Signed at the lower right, Prnckney Marcrvs-Stmons. 


Lait Purchased from M. Knoedler & Co., New York. bold, Leb 28/1905" SMX + Lurene ho nll 
From the Emerson MeMillin Collection 1918-4 #/16 ~ $8 2oo+ He. Sialing 


By order af Moses Ery, Ese., Attorney for owner. 


LEON BOUDOT 
(Pupil of Frangais) 


FRENCH: CONTEMPORARY 


No. 69— MATINEE DE SEPTEMBRE—FRANCHE-COMTE 


ne Height, 53 inches; length, 77 inches ty (ee 
eee 5 SN (Lary. 


Across the background a high ridge, in parts thickly wooded and elsewhere 
exposing cleared grass-grown hillsides, rises boldly against a bright sky, the 
whole face of the ridge in shadow varying from dark depths to transparency. 
In front of the ridge the broad, almost level middle distance and foreground 
is comprised of lush meadows, fresh and green in brilliant sunshine, with 
numerous scattered trees casting their shadows forward. Into the heart of 
the landscape projects a stream or inlet largely choked with rushes and lily- 
. pads; two scows are lying in it, and on the sloping green bank near a couple 
of pollarded trees a workman is seated on the grass working at a board. 


Signed at the lower left, Bounor, ’88. 


Owner, Estate of the late Hon. Henry Hixon. 


SECOND EVENING’S SALE 


WEDNESDAY, MARCH 18, 1914 


IN THE GRAND BALLROOM OF THE PLAZA 


FIFTH AVENUE, 58TH TO 59TH STREET 


BEGINNING aT 8.15 o’cLock 


it 


Ce 


. : f - =e my 


JULES ADOLPHE GRISON 


Frencu: 1845— 


No. 70— THE GLASS THAT CHEERS 


& 7) pee Height, 91/, inches; width, ee d 


A merry man of middle life, iron-gray and florid, is sitting comfortably in a 
warm brown interior, easing and titillating the inner man. He faces the 
spectator, smiling broadly in solid enjoyment, his hand about a goblet of 
golden wine on the table at his elbow, a stone jug of replenishment at imme- 
diate service; and in his other hand is a long-stemmed clay pipe. Behind him 


a ’cello hangs against the wall. 
Signed at the lower right, Grison. 


Owner, Estate of the late Franx S. Bonn. 


a 


@ iO iis Height, 9% inches; width, 7 Ae Das 


EDUARDO ZAMACOIS 
Spaniso: 1843—1871 


No. 71— THE FLIRTATION 
(Panel) 


A 


A eray wall in which dark red bricks show, where the plaster has worn away, 
extends across the background, the edge of a brown entrance door being seen 
at the left, admitting to the building beyond. In a green embowered window 
in the center, a coquettish sefiorita wearing Spanish yellow and a black man- 
tilla is seated, leaning on the sill and looking out into the patio which forms 
the foreground. Here two men have been beguiling her with music. One in 
black remains seated, still lightly thrumming his guitar, while his companion 
in dark reddish-brown leans at the window, addressing the charmer. Flowers 
grow near the wall and pigeons are busy about the pavement. 


Signed at the lower right, Ko. Zamacors, 1865. 


Owner, Estate of the late Franx S. Bono. 


ERNEST JEAN AUBERT 
Frencu: 1824—1906 


————— 


as CUPID QUENCHING HIS THIRST 


Height, 8%, inches; width, 6%, inches ae ipa ee 


Curip with a feminine mass of 
pale golden hair tousled about 
his head, and white’ wings 
sprouting from his shoulder- 
blades, stands on tiptoe, nude 
and of the usual pulchritude, 
facing to the right and seen in 
profile. He is in the open, with 
light woods in the background, 
and with both arms he clasps a 
bulging brown rock, raising 
himself to drink of a rill that 
bubbles over its top to drop 
into a small pool at his feet. 


Pe Te a RR a RT AR mo 


Signed at the lower right, 
JEAN-AUBERT. 


To be sold to close an Estate. 


NARCISSE VIRGILE DIAZ DE LA PENA 
Frencu: 1807—1876 


x 


No. 73— THE PET 
(Panel) 


Ly —C/- : YH} 
Height, 51, inches; width, 4 inches OY epee ie 


A YOUNG lady is seated on a green grassy bank, brown at the foot, holding on 
her lap and fondling a small curly brown and white pet dog. She is turned 
toward the right, three-quarters front, her face seen in profile as she bends 
her head downward to look at the dog. She-has-rich brown hair and wears a 


: loose, flowing, white gown, broadly décolleté. Conventional landscape back- 


rs 


7s 


round of deep tones, with a glimpse of the sky. 
: : geri Signed at the lower left, N. D. 


Owner, Estate of the late Franx S. Bonn. 


. ot a ve Height, 5%, inches; length, 13%, inches 


CLINE by ta Sarunbaune Spat 4/419 x taking JOxK«, 


5524 


. 


IVAN POKITONOW 
Russtan: Asour 1840— 


NO. 745 “THE HUNTER 


- SLAM 
Tue fall of the year has come, the scattered nA: a low country with gently, 
rolling surface have dropped most of their leaves, and the brush over the wil 
fields is yellow and brown. Approaching a patch of brush, as he threads his 
way about green marshes traversed by shallow watercourses, a solitary hunter 
is seen, in the foreground, bending forward with ready gun. 


Signed at the lower right, 1. Poxrronow, ’86. 


Guo lalil, fas - Jeo MMAX y/ 
Purchased $x tz,1887, by M. Knoedler § Co. hold Odete Chau, Ib18 Sf 165% : 


From the Edwin Thorne Collection. 1918 vw # Tb. PUES. JM. Sanulaun, 


From the Valuable Paintings Sale, American Art Galleries, New York, 1913; No. 78. 


By order of Prince & Natruan, Attorneys. 


LUDWIG KNAUS 


GERMAN: 1829—1910 We 


No. 75— THE CITY GIRL 
(Panel) 


ff v 5 fs Height, 91% inches; width, 71, KOA Gi herr 


Heap and shoulders portrait of a pretty girl with blue eyes and wavy, light 
brown hair. She is turned toward the right, her figure three-quarters from 
the spectator; her smiling, slightly mischievous face is turned almost squarely 
over her right shoulder so that it is seen almost full-front. Two red rose- 
buds deck her hair, and she wears a many-colored waist cut low. Neutral 
background of light grayish tone. 


Signed at the upper left, L. Knaus, 1877. 


To be sold to close an Estate. 2 


BERNARD DE HOOG 
Dutcu: 1866— 


No. 76— MOTHER AND CHILD 


3 ay ‘S Height, 1034 inches; Ne "ANG 
7 


A youne mother with golden-blond hair, which is largely concealed beneath 
_ her white Dutch house-cap, is sitting at an open cottage window looking out 

upon a green garden, holding her chubby baby across her lap. She looks to 
the left, her face seen three-quarters front, with the sunlight streaming in on 
her and on her reclining child whose round head is also encased in a small 
white cap. The mother is full-faced with small dark eyes and pink cheeks, 
and she wears a reddish-pink peasant’s gown while the babe is in light yellow. 
On a wooden table in front of her is a glass jar of white flowers. 


Signed at the lower right, Bernarp pe Hoos. 


Owner, Estate of the late Eowarp R. Perxins, Esa., formerly First Vice-President of the New 
York Life Insurance Company. 


+ 
JEAN JACQUES HENNER (jr 
Frencu: 1829—1905 


No. 77— HEAD AND BUST OF A YOUNG GIRL 
(Panel) 


yes & OC So, Height, 10%, inches; width, 7% 4) Uae We OAN xy 


A youne woman with large, deep eyes, self-possessed in the assurance of 
knowledge and a controlled nature, looks at the observer steadily, her eyes 
shaded by the abundant mass of her beautiful, rich red hair. She is facing 

- the left, three-quarters front, and is seen head and bust, the shoulders nude. 
Her dark waist, edged with white at the breasts, is almost wholly covered up 
by a crimson cloak. The wonderful hair hangs loose and full below her shoul- 
ders, except that over her forehead and temples it is dressed—with a fond 
carelessness. 


Signed at the upper left, J. HeENNER. 
Purchased from Boussod, Valadon § Co., New York. 


Owner, Henry Dattry, Ese. 


JEAN LEON GEROME 
Frencu: 1824—1904 


No. 78— THE HALT 
(Panel) 


° ’ g¢ , 
af aU oe Height, 101 ey ee y 


SunsHINE brightens the upper wall of a plastered Moorish building, out- 
lining shadows there, while neighboring buildings throw into transparent 
shadow a stone-paved court below. Here a black-faced Moor, seated wrapped 
in his cloak against a wall, holds the bridles of a trio of Arab saddle-horses— 
a black and a gray with red trappings, and a sorrel with a green saddle and 
blanket and red headstall. At the left between the walls there is a glimpse 
of a turquoise sky. 
Signed at the lower right, J. L. Gtrome. 


Owner, Estate of the late Evwarp R. Perkins, Esea., formerly First Vice-President of the 
New York Life Insurance Company. 


NARCISSE VIRGILE DIAZ DE LA PENA 
Frencu: 1807—1876 


No. 79— LANDSCAPE NEAR FONTAINEBLEAU 


xk (Panel) 


<A 
3 Te Height, 7%, inches; length, 9, inches 


A tanpscaPe sketch of wild and open country freely 
as is found about the purlieus of a wood. The place is seen at tHe sunset 
hour, looking toward a sunset sky, and the broad stretch of brush and coarse 
herbage is in hues of deep brown, and grayish and brownish green, with a 
suggestion of a-water puddle in the near foreground reflecting a bit of gray- 
white sky. Some distance off low trees branch in silhouette against the 
horizon sky where it is lightest, while higher up the sky is full of smoky-gray, 
yellow, pink, mauve and greenish clouds. 


yy 
4 Ff 


rown with brugéh, such 


Signed at the lower right, N. Diaz. 


To be sold to close an Estate. 


JEAN FRANCOIS MILLET 


Frencu: 1814—1875 


No. 80— THE BAKER ee 


(A Study in Oil) 


f oe 5 a6, — Height, 10% inches; width, 8% $c) of, 

: » GLamAarr 
A powERFULLY modeled figure of a sturdy man, stripped to the waist, a heavy 
cloth draping the lower part of his body, stands before his open oven, which 

is at the left, its glare reddening his features and front. Back of him another 
baker, of solid physique, bends over a table, kneading the dough. 


Signed on the back, Francors Mitiet, 1848. 
By order of Moses Exy, Esa., Attorney for owner. 


Uys ushanass toatl syle £5 f bo + I. Eucla 


/ 


ALEXANDER H. WYANT, N.A. 
AMERICAN: 1836—1892 | 


No. 81— A BIT OF PASTURE 


fm We Height, 9 inches; length, 14 ipches x 5 
A sketcu of a bit of wild pasture land, a land of hills, not me iV; , a land 

_ for sheep, rough and picturesque. In the distance are vague hills/and mounds, 
gray and blue, and before them the rough and rolling land declines unevenly 
toward a pond, small lake or stream, in the left foreground; the herbage is a 
soft green and greenish-brown, and the water is dappled with reflections of 
shore growths and of a mottled gray, white and blue sky. 


ie Signed at the lower left, A. H. Wyant. 


a From the Wyant sale, Ortgies Galleries, February, 1894. -f GS p $07 Me. tear 


Owner, Estate of the late Dr. S. G. Perry, New York. 


D050 


599 2- lmnghh, Soups to hug WE 5-~ Jee 


ial 
~ 


= 


NARCISSE VIRGILE DIAZ DE LA PENA 
Frencu: 1807—1876 3 


INO AES cog. A POOL AT FONTAINEBLEAU 
= (Panel) 


One of the charming, secluded quarters of the forest is shown, a retreat, though 
the sunlight penetrates freely and cheers it. Trees at the left overarch, con- 
necting with others on the right of the picture, the arboreal arch itself 
presenting its shadowed side and throwing a gentle shade upon the fore- 
ground. Beyond this is a small pond, brilliant in sunshine which accentuates 
also the white bark of birches on the right, painting their reflections in the 
water. The distance is almost closed in by trees, a figure is suggested ap- 
proaching the pond, and gray and white clouds are visible in a blue sky. 


Signed at the lower right, N. Diaz. 


Purchased from Goupil & Co., M. Knoedler § Co. Successors. 


Owner, Henry Dattey, Esa. 


On! A 
UN) Height, 8 inches; CUT Rornrut-Ggee 


¥ 


Lea Nir bold, Mane Wecals Iarulf Sbe- fast | 


em ALBERTO PASINI 
_ Irarian: 1826—1899 


No. 83— AT THE SADDLER’S 


ee * Height, 11 inches; width, 9 inches 

Tue spectator looks at one side of a street of Moorish buildings, the gray and 
| sun-bleached walls presenting ornamentation in various strong or faded colors. 
Bright sunlight beats upon it, and over one of the roofs is seen a bit of the 
blue cerulean of the brilliant sky. A horseman in red fez is dickering with a 
merchant in saddlery over some red trappings for his handsome horse. 


Signed at the lower left, A. Pastnt. 
Owner, Estate of the late Fraxnx S. Bonn. 


GSW 4., night, Duce Saladin Siph1ib90. hee ANNK Jel. 4&8 liad huipdgo-$ SAX 


EMILIO SANCHEZ PERRIER 
SpanisH: 1853—1907 : 


No. 84— =A RIVER SCENE AT GUINGAMP 
la (Panel) ) . 


Height, 14 inches; width, 9 ii ae es - 
cone Lie 


- GReENIsH-cGRAY buildings with sharp-gabled dark drab roofs, some of these 
splotched with a mossy yellow, pile one above another on the far side of a 
river, under the domination of a tall gray church and interspersed with dense 
growths of garden trees. Below, under shelter of projecting roofs along the 
riverside, white-capped laundresses ply their busy trade, and the water of 
the river in which they work is a colorful mirror of reflections of roofs and 
buildings and the greenery, and of the gray-blue sky. 


Signed at the lower right, E. Sancuez Perrier, Gurncamp, 786. 


Owner, Estate of the late Epwarp R. Perxins, Ese., formerly First Vice-President of the 
New York Life Insurance Company. 


hp 


eh 


1 


ei 


es) EUGENE FROMENTIN 
Frencu: 1820—1876 


0. 85— ALGERIAN WASHERWOMEN 
: (Panel) 


Ont) ve Height, 101% inches; length, 13% inches te. Le 


On the left is a wood, extending far back into the distance; its trees of 
feathery but thick foliage, which flutters in gentle airs, rise out of the pic- 
ture, while far away at the right a light blue sky is filled with yellowish-white, 
gray and smoky clouds. In front of the wood are five stout-limbed Algerian 
women in trouser skirts, arms bare and legs bare to the shins, who have come 
down to the water to do their laundry work. One in red and one in blue, 
toward the right, are treading white cloths in a shallow stream of the fore- 
ground, another clad in white with a bundle of clothes on her back is approach- 
ing them, and another in blue and bending under a back-load is standing over 
one in white who is sitting on the ground at the edge of the wood rubbing 
some cloth in her hands. Both she and one of the active sisters in the water 


regard the spectator. 
Signed at the lower left, EK. Fromentin. 


Owner, Estate of the late Tuomas Hrrcncock, Esa. 


JOHANN GEORG MEYER (MEYER VON BREMEN) 
GERMAN: 1813—1886 


No. 86— MOTHER AND CHILD 


24-7 pe Height, 10 inches; eG "ae Me 


SEATED near a white-covered table with a teapot and bread on it, a young 
’ mother in a lavender waist and yellow-brown skirt is sewing. She faces the 
left, where light enters from a window not seen in the picture. In front of 


emerald-green, is seated on a stool at a carved wooden chair which is her 
table, where she is having her meal. She faces the spectator but has turned 
her head toward the right, holding up a book so that her mother may follow 
the pages and see how well she knows her lesson. Against the gray walls 
of the room, on shelves and nails, are seen dishes and articles of apparel. 


Signed on the chair-back, Meyer von Bremen, BERLIN.- 


Owner, Mrs. Marnxs ArNuHEIM. 


“_! 


her her small golden-haired daughter in a short-sleeved frock, pink and . 


s 


"i 


ETIENNE PROSPER BERN E-BELLECOUR 
Frencu: 1838—1910 


No. 87-— | UN BILLET-DOUX 
(Panel) 


) / 3 go Height, 13% inches; ee) I. : 
ca Vtew 
a 


THE spectator is eee fe the entrance of a park or great e, the earth 
of the foreground outside the gate a reddish-brown and dust-gray. Here a 
trooper in blue and red and white stands sounding the bell for admittance. 
Back of him, on the right, is the high gray garden-wall, with vines from 
-_ within coming over its top, and at the left is seen a part of the iron gate, 
through which the soldier is peering, and beyond it may be seen the trees of 
the park. He is unmounted and carries in one hand a sealed letter and a large 
bouquet. 


Signed at the lower right, E. Berne-Bewtecovr. 


Owner, Henry Dattey, Esa. 


HUGO CHARLEMONT 
Moravian: 1850— 


No. 88— STILL LIFE—FLOWERS 
(Panel) 


tay 0 de Height, 17 inches; width, 9 inches ; 
Fiowers and other objects are presented in a small collection on a table, in a 
bright, soft and agreeable light—cut flowers in a tall glass vase, a blossoming 
shrub growing in a jar, a plucked blossom. With the flowers are peacock 
feathers, a brass dish, a Japanese fan, portfolios and other articles; and the 
table is covered with a bluish-white cloth lying in loose folds. The walls of 
the room are gray and a yellowish-brown and at one corner some hangings 
come into view. 

Signed at the lower left, Hueco CuarLemont, 1879. 


Owner, Mr. L.. Crist DetmMonico. 


CHARLES EMILE JACQUE 
Frencu: 1830—1894 


No. 89— SHEEP IN STABLE 


x | 0 — Height, 15144 inches; width, Vy (%. of, 


Haur a dozen sheep are shown in the ee ‘ot the fold, or barn, all/headed. 
left to nibble at feed in a rack there, their feet buried in the straw A the stable 
floor. From an open door at the left the light falls across the unctuous, fleecy 
backs of the nearer sheep, and before it a lamb stands, looking at the spectator 
with the familiar Jacque expression. At the right a chicken drinks at a well 
sunk in the floor, and a shepherd’s hat and cloak hang over the door. The t 
whole canvas is in a mellow tone of creamy olive. 


i the Be Pig 


Signed at the lower left, Cu. Jacque. 


Y 
By order of Moses Exy, Ese., Attorney for owner. 


Vim buchanan. bolt lyle 314 § boo ee Ae blots 


Purchased from Goupil & Cie., Paris. 


ys J. FRANCIS MURPHY, N.A. 
| AmERIcAN: 1853— 


No. 90— SEPTEMBER LANDSCAPE 


Height, 121%, inches; length, 1614 w 
oe ens fOr 


A Fxart field in a clearing extends from the foreground as far as the eye sees, 
| - a bunch of trees appearing near at hand on the left, and a wood bordering the 
clearing from the middle distance onward on the right. The field is green in 
the foreground, becoming yellow in the middle distance, where on the right 
stand haystacks and a barn, and is succeeded in the distance by a brown patch 
of plowed ground. The foliage of the trees is touched with yellow and brown, 
and leaves have begun to fall. The blue sky is overspread with white and deep 
gray clouds. 


Signed at the lower left, J. Francis Murrny, 799. 


Owner, Estate of the late.Dr. S. G. Perry, New York. 


ALEXANDER H. WYANT, N.A. 
AMERICAN: 1836—1892 


No. 91— A PROMISE OF RAIN 


é 7 Height, 12%, inches; length, 17 i@ches O “4 
0+ 


A sricut blue sky with billowing white clouds téar the horizon is r 
being obscured by sombre gray and blackish rain clouds. A farmhouse with 
white walls and red chimney, closely surrounded by trees, in the right middle 
distance, and a patch of land about it, stand out in sunshine which strikes 
through a rift in the clouds, while elsewhere the landscape is under cloud-— 
shadows, and over a low hilltop on the left the dark rainclouds seem to trail 
across the land itself, they hang so low and dense, and in their gt oo 
promise the country a thorough drenching. 


Owner, Estate of the late Dr. S. G. Perry, New York. 


JEAN BAPTISTE CAMILLE COROT 
Frencu: 1796—1875 


No, 92—_ LANDSCAPE SKETCH VY) . 


uf 0 as Height, 11 inches; length, 161/ oe? ae : 


A rree of thick trunk but slender scraggly limbs grows to the left of the 
center of the picture, at the foot of a rough and sloping bank.” At the base 
of it a stout girl is seated on the ground near the edge of a lake or river 
which occupies the middle distance. The water is a soft pink and blue and 
gray with reflections of a lightly clouded sky, and a haze gives it a touch of 
mystery. The flat ground is a mass of coarse vegetation, and on the right 
are trees complementary to the tree on the left. The whole sketch done with a 
free, vigorous brush, as a motive to be preserved. 


, he % Pye Pees) é . 7 pan 
oy ee He Lenn eyes [aan p! = page, hon oat 
. i - ge Py 
ue hee 4 —— 4 a = 


\ 


From Boussod, Valadon & Co., Paris. 


Owner, Mr. L. Crisr Detmontico. 


fie 
“Fr 
1" 


. FREDERIC EDWIN CHURCH, N.A. 


| E AmERICAN: 1826—1900 
No. 93— AN INDIAN 
POO we Height, 111% inches; length, 17% inches : 


Leanine palm trees with gracefully curving fronds, and luxuriant green vines 
trailing from their tall, slender brown trunks, surround a silent watercourse 
where a solitary Indian paddles with smooth and noiseless stroke his bark 
canoe. Day is fading, a mist is settling over the swamp-like land; the sky, 
blue aloft, is a dull red in a thick cloud-bank along the horizon, and the 
sanguine tones of sunset tinge the quiet water. 


Signed at bottom to right of center, on a dead tree, F. E. Cuurcn, 1851. 


} . 


Owner, Mrs. Marks ARNHEIM. 


ANTON MAUVE 
Dutcu: 1838—1888 


No. 94— LANDSCAPE AND CATTLE 
(Water Color) 


cams oe reign 11 inches; P Be fa mn, Ee, 


Turee calves, grouped together for company. They have chosen a spot near 
a log fence on the left, beyond which a wood rises thick but its shade does 
not reach them. One, a black and white one, stands partly in the shade of 
the fence, headed toward the spectator but turning to look behind him. A 
white calf and a red and white one lie curled up in the sun on a bright green 
grassy slope. 


Signed at the lower left, A. Mauve. 


By order of Moses Exy, Ese., Attorney for owner. 


CARLETON WIGGINS, N.A. 
AMERICAN: 1848— 


No. 95— COWS AT PASTURE 


2 [St . Height, 15 inches; length, yoy) | 
fed with soft gray 


Broap meadows, flat and lush, spread out beneath a sky fil 

rain-clouds, through a rift in which one gets a glimpse of the blue beyond. 
In another spot the sun has broken through and whitens a stretch of the 
level land. Ahead of that in the middle distance the earth is in a cloud- 
shadow, and there a black cow that is looking off to the left stands near a 
white-faced red cow that is lying down. In the foreground, in a brighter 
light, a white cow is standing in a shallow stream, about whose edges the grass 
grows tall. She faces the left, and her head, turned slightly forward, throws 
her neck into shadow in contrast with her sunlit side. 


Signed at the lower left, Carteron Whicarns. 


Owner, Henry Dattey, Esa. 


Fee RN OS Tera 


as 
37 
‘, at 


sie 


IGNACIO LEON Y ESCOSURA 
SpanisH: 1834—1901 


No. 96— : ~ CORNERED 
(Panel) 


yt 
ao } 4 re Height, 1434 inches; AO Be inghes 


Tue corner of card players, the game being between a middle-aged man with 
short, upstanding iron-gray hair and sharp features, and a maudlin youth with 
glass and wine jug beside him. ‘The man is in green velvet, with ruff, leather 
boots, and spurs, and the younger man in gray with a broad white shoulder- 
collar and yellow stockings, his red hair prematurely graying. Their card 
table is the top of an ancient decorated chest, standing before a carved stone 
mantel-piece on which are Hispano-Moresque plates, and a third man, in red, 
who has entered the room to watch them, stands at one side, glass in hand. 


Signed at the lower left, Leon y Escosura, 1877. 


To be sold to close an Estate. 


oa J. FRANCIS MURPHY, N.A. 
AMERICAN: 1853— 


No. 977- x AUTUMN MORNING 


Y) { Saalay 
r Height, 12 inches; length, 19 inches 
WO eG xe Fi Lv 


Tue sky is dark and gray, and filled with clouds, which near the horizon are 
parting lightly and the sunlight is breaking through, streaking them with white 
and rose and sending a glow over the land. The scene is in an open country 
of uncultivated land, grass-grown, and in the foreground bordered by clusters 
of detached trees and the edge of a light wood. The trees and brush have 
turned yellow and red and brown with the advancing autumn season, and the 
grass too shows the autumn hue, save on the borders of a rivulet where it 


retains a fresh and vivid green. 
Signed at the lower right, J. Francis Murpny, °88. 


Owner, Estate of the late Dr. S. G. Perry, New York. 


Sees: 


NRI HARPIGNIES 
Frencu: 1819— 


NEAR HERISSON 
(Panel) 


Sid 
Height, 17 inches; width, 13 An shes (3 y 
tren hecho” 


Ricw emerald and other green hues of a luxuriant Teafage, ees with the 
gray and whitish-gray of the bark of stout and slender tree-trunks, and inter- 
mediate mahogany-browns, go to make.up the abundant verdant charm of 
this landscape of wild France. The greenery is all about, to right and left 
and on distant hills, while a brown path winds through the surface verdure 
of the foreground, and a solitary figure appears in it, gazing toward a bright 
lake visible in the middle distance, the whole under a brilliant sky flecked with 
small white cloud patches. 


Signed at the lower left, H. Harpienies. )¢ oc 
Purchased from Scott § Fowles Company. : 


Owner, Estate of the late Enwarp R. Perxins Esea., formerly First Vice-President of 
the New York Life Insurance Company. 


22h Snughh oy E balducll bo, Inu bY igo3- BARK» Sdh if tauphiom her fa BANXK~ 


FELIX ZIEM 


FRENCH: 1821—1911 


No. 99— ON THE BOSPHORUS Chemin) 


(Panel) 


S-O-D ot Height, 141% inches; length, AY inches a ae | 


~Ricw and brilliant in color, like the same artist’s paintings of Venice, the 
composition whose inspiration came from farther east glows in a scintillant 
atmosphere with warm and varied hues. The sea is a deep pulsating blue in 
the shadows, and dappled with fire and golden yellow in a pathway of light 
reflections from the orb of day that is sinking in a bed of rosy vapor straight 
before the eye. To right a sailboat is coming on, and on the left oarsmen 
are operating a long galley, while further back on the left a vast array of 
buildings are dominated by one of the famous huge mosques, which looks like 
St. Sophia or Suleiman. 

Signed at the lower left, Ziem. 


. 


By order of Prince & Naruan, Attorneys for owner. 


CHa ty Is. Sarunbaunns Hay 1/43 ashing ) FAXXX 


EMILE VAN MARCKE 
Frencu: 1827—1890 


No. 100— CATTLE 


(Panel) 


e 


¥ 3 eo 7) — Height, 141% inches; length, 211% Wah (3 
/ 


. 


THREE cows, a red one, a white one, and a black one with a white face, Bail 


been driven to a well by a youth in dark and light blue, with a brown cap} 
who is bare-ankled and wears sabots. He leans on the gray well-curb, goad 
in hand, looking at the spectator from the left. The red cow, with back to 
the observer, has her nose deep in the trough at the well-side; the white one, 
seen in side view, turns her dripping nozzle hitherward, and the black cow 
on the farther side of the well also gazes in the onlooker’s direction. The 
old-fashioned well, with drop bucket, is housed over with a thatch roof, and 
stands in a green farmyard, the living group just now in the sunshine, the 


background in the shade of thick foliage. 


Signed at the lower left, EM, van Marcxe. 


To be sold to close an Estate. 


/ 


Mtn 1 


AUGUSTE HAGBORG 
SwEDISH: 1852— 


| | No. 101— ON THE BEACH 
| (Panel) 


| : / j oe Height, 21 bees 16 Se Bore 


‘SEATED on a mound of netting and seaweed piled in a brown basket on a narrow 
beach is a fair-haired young woman of the fisher-folk, listening dubiously to 
the beguilements of a tall bearded man of the sea life who is standing before 
her. She is barefooted though with sabots, and wears yellow and green and 
white and red, and he is in patched brownish-black and wears a sou’wester, as 
he talks earnestly to her. Beyond them the gray sea is calm, and near shore 
reflects a large white cloud, and off shore are steamers and sailing craft. 


Signed at the lower left, A. Hacpore. 


Owner, Estate of the late Epwarp R. Perkins, Esa., formerly First Vice-President of 
the New York Life Insurance Company. 


5 a lien Si. 


JOHANNES HUBERTUS LEONARDUS DE HAAS 
Bewcian: 1832—1880 


No. 102— : CATTLE 


>. / 0 Cc Height, 141%, inches; length, 22 ey 


Broap, flat, green meadows spread across the folee & ren land in a 
familiar aspect of Holland. On the right a few trees are seen, and large-bodied 
cows—black, white and tawny—are grazing near them. In the immediate fore- 
ground a red cow with a white face is lying down, looking straight at the spec- 
tator, and a black and white bull is standing across the picture, stolidly but 
with eye alert. The sky is blue, spread with vaporous white curtains, and the 
sunshine is bright. 

Signed at the lower left, J. H. L. pe Haas, rr. 
To be sold to close an Estate. 


1097 31 Moewnth fw tjob= SLA 600. 


ETIENNE PROSPER BERNE-BELLECOUR 
Frencu: 1838—1910 


Uffest Morn. pf US... 


No. 103— THE CIGARETTE 
. (Panel) 
Height, 16 inches; length, 22¥; 
S ie sah Br a 


wer Casa SEs oo A ae ae ES A FrReEeNcH trooper, un- 
4 mounted, is seen in profile 
to the right in the act of 
' lighting a. cigarette, in 
front of a mounted mem- — 
ber of the service from 
whom apparently he has. 
asked a match, and who, 
while waiting, turns in his 
saddle to look behind him 
toward the right into some 
woods whence he has. 
emerged. The road in 
which the group stands is 
a dark sandy yellow, and — 
beyond it toward the left stretch out level green and cultivated fields. 


Signed at the lower left, E. Berne-Beriecour, 1900. _ 


Owner, Estate of the late Epwarp R. Perxins, Ese., formerly First . Vice-President of 
the New York Life Insurance Company. 


GLH 4» hh ieughh farm Mdliok luly 1908~ Zea MEXK +7 SAA Yat ti 90 - o% Cthmnas Buss: 


977K (TE b Othman aa Sila Ia lb, Orwell, nay 4)igoz. £UMS + 
JEAN BAPTISTE ROBIE 


Beucian: 1821—1910 


No. 104—. STILL LIFE—FLOWERS 
(Panel) 
ir tas Go me Height, 16 inches; length, 20/ingh 


(Brrr Ke 


A warce, informal bouquet of roses and other flowers, gorgeous in brilliant 
color in sunlight, is lying on a low, grassy bank bordering a pond or stream 
which makes the narrow foreground of the picture; the background is dark, 
as of shadowed underbrush. Rich, dark red and rose-red, glowing pink, white 
and green make up the chief colors of the bouquet, their tones repeated in 
softened liquid reflections in the water—where also a petal or two has fallen. 


Signed at the lower right, J. Rosie. 
Owner, Henry Dattey, Esa. 


¥ 
; 


a Te a 


OP ee 


a * 


EREICD.C.oMINOR:- NAS >< .¢ suck 
AMERICAN: 1840—1904 | : 


No. 105— OLD PASTURE NEAR NEW LONDON, 
CONNECTICUT 
(Panel) 


ve 
S ¢ C Sa Height, 16 ee 20 inches HLBLTL 


A Brown and rocky hillside of New England is pict ds on the right, a few 
trees crowning it and bushes growing in clumps along \the slope. At its foot, 
in the center of the picture, a slight hollow is fertile with fresh green grass 
and a shallow spring pool, while more gray rocks appear beside the water, 
and on the left, where they pile up near a short tree. Beyond, the pasture 
spreads away in sunlight under a blue sky largely filled with white, gray and, 
yellowed clouds. 

Signed at the lower right, Minor. 


Owner, Estate of the late Dr. S. G. Perry, New York. 


3 
3 


p’ , ALEXANDER H. WYANT, N.A. 


\" SY AMERICAN: 1836—1892 ' 


———— ee Nt ee ett eet ert ee aes 


No. 106— SUNSET 


, tee AS yy) 
3 U oe Height, 16 inches; length, 22 Vie aetetie 
TC ban: VV 


Brivuiant bursts of glowing yellow enliven a sky that is filled with active 
clouds and shows various tones of yellow, purple, gray and blue. In the dis- 
tance is a building, placed beyond a hill over whose top only the roof and 
chimney appear, rising dark against the bright horizon glow. At either side 
are trees, some low and thick, some tall and with the light from the sky pene- 
trating between their branches, and the open foreground is rough uneven land 
covered with velvety grasses, dark brownish-green, and weeds that display 
yellow and brown amongst the green. The field is threaded by a brooklet near 
whose banks some gray boulders appear. 


——————————— 


— 


Signed at the lower right, A. H. Wyant. 


From the Wyant sale, Ortgies Galleries, February, 1894, Catalogue No. 129.- $ a70- Se. Sanfauds i 


Owner, Estate of the late Dr. S. G. Perry, New York. 


ee 


JULES DUPRE 
Frencu: 1811—1889 


No. 107— FISHING VESSELS OFF THE FRENCH COAST 


UaCUZC ole Height, 18 inches; length, 26 Wan 


A STERLING painting of action in a seaway, where small fishing boats toss 
among the cresting waves—one of Dupré’s vigorous marines. There is plenty 
of wind, as the swirling sky shows, and the small yawl-rigged fishers—there 
are two of them in the near foreground—are pitching in the petty commotion 
of the waters. A larger vessel is indicated in the distance, also leaning some. 
The artist has been interested in the study of light and shadow among the 
sails, and in the nearer boat he has shown the figures of its easy-going occu- 


pants. 


. 


Signed at the lower left, Jurys Durrt. 


i By order of Moses Ety, Esa., Attorney for owner. {i ‘ 


bj Mushanan bolt 1914 B57 fi 1000 + Aire daca i 


= 
Ft ADOLF SCHREYER ; c 
Ce GerMAN: 1828—1899 


No. 108— THE COUNCIL OF WAR 


Height, 19 inches; length, 31 inches 
on Soo Chit Connie Oy 
Aras forces, dimly seen in middle distance, are disposed about a city on a/ 
rough plain and a broadly-sloping hillside which descends from the right. At 
the left, where the light is strongest, a square tower rises high above the flat 
roofs of the town, in the sunshine, under a blue sky dotted by a few gray 
clouds. In the foreground is centered the interest of the composition, in a 
group of chieftains, mounted, sitting their horses as Arabs can, each man a 
part of his beast. They are in council, two men arguing or discussing and 
two listening, while another is observing things taking place elsewhere, and the 
colors in their abundance of apparel and in their mounts are warm and brilliant. 


Signed at the lower right, Av. Scureyer. 


Owner, Henry Dattey, Esa. 


| FREDERICK ARTHUR BRIDGMAN, N.A. 
e c AMERICAN: 1847— 


No. 109— A HOT DAY AT MUSTAPHA 


| & — ae _ Height, 211% inches; length,,29 inches & 
8 30 Vora Vallance Cbd. 


f A Roomy interior is shown, with a broad double window, wide open, giving upom 
e an Algerian landscape white under a blazing sun, the vista ending with a 
glimpse of deep blue sea under a pale robin’s-egg sky. On a divan under the: 
window a languorous Oriental charmer in diaphanous dress is extended at full 
length, and on the floor another dark beauty in similarly light apparel is 
engaged at embroidery, while two children are amusing themselves, and their- 
| elders are diverted by two Ethiopian women who croon to the accompaniment 
of strings. 
| Signed at the lower right, F. A. Brineman.. 


From the D. S. Miller Collection. 


By order of Prince & Naruan, Attorneys for owner. 


i LL pr ya- 


JULIAN RIX 
AmeERIcAN: 1851—1903 


No. 110— THE DANCING BROOK 


3 / 1) Oe Height, 18 inches; nil i 


A pancrine brook in the central foreground issues 
the right’ where some stout trees grow, outposts i 


Rirch 


sunshine of a wood whose 


shadowy depths are seen at the edge of the picture. The brook races forward ~ 


in a series of short, sharp descents, whitening in foam, and spreads more 
quietly in the foreground where it reflects the clear blue sky and the gray 
and white cumulus masses that float low in the ether. On the left of the 
brook a tree casts its shadow towards the Lilliputian “falls,” and on the same 
bank in the middle distance a group of farm buildings stands overlooking 


green meadows. . 
i Signed at the lower right, Juttan Rrx. 


Purchased from the William Schaus Galleries. 


Owner, Mrs. Marxs ARNHEIM, 


LEON BAZILE PERRAULT 
Frencu: 1832— 


No. 111— UNA PAUVERINA 


i se Height, 134 inches; width, 17 inches | (2. Vin Pane 


A smau Italian girl of beautifully molded features stands barefoot on the 
_ gray pavement in front of a yellowish-gray wall, playing an accordeon for 
the pennies of passers-by. She is facing the spectator directly, looking at 
him quietly with no bitterness of poverty but patient acceptance of the life 
arranged for her. She has the olive complexion of her people and chestnut- 


brown hair, and is dressed in dark colors with a touch of red in the kerchief 


wound about her head. 
Signed at the lower right, L. Perravrt, 1890. 


Owner, Henry Dattey, Esa. 


rom behind a low bank on 


— 


LOUIS EUGENE BOUDIN 
Frencu: 1824—1898 


Now112— _ ‘CHERBOURG 


is oc-U << Height, 161% inches; length, 22 re ; he 


Tue roadstead that has been made into Cherbourg Harbor is shown here in all 
the picturesque effect of the busy days of sailing ships, when steamers were 
fewer, and tall spars, not giant bulk, made the conspicuous feature of a com- 
mercial waterfront. /The picture was painted in 1883, the year in which the 
artist was put hors concours at the Salon. The harbor is filled with sailing 
craft of many kinds. Across the foreground is the water of the broad en- 
trance, its ceaseless motion slight at the moment, reflecting in many hues the 
varied colors of the buildings on the shore, the high encircling hills, and the 
heavy cumulus clouds that are rolling majestically across the sky. The back- 
ground is the tall hills which partly surround the harbor, mainly green in full 
summer foliage, here and there russet where the soil is exposed, and dotted 
with occasional dwellings. At their foot the waterfront of the town curves 
through the middle distance, thickly clustered buildings showing at the left 
with red, green and brown tiled roofs of various shapes. At the center and 
to the right are more buildings, many of them obscured by the craft of many 
sorts which are grouped there. Square-riggers are so thick that their masts 
and spars seem almost a tangle in the perspective, while fore-and-afters with 
sails up add to the lively nautical picture. In front of the closely crowded 
cargo vessels, two heavy working sloops, their gray sails tinged with red, are 
making slow way about the harbor mouth. 


Signed at the right, EB. Sher? *83, CHERBOURG. 
From the Frederic Bonner Collection. /G/Ra~ BAI p fas 


By order of Moses Exy, Ese., Attorney for owner. 


ARIA 


at a 


THOMAS MORAN, N.A. 
AMERICAN: 1837 


No. 113— _sFIVE-MILE RIVER, LONG ISLAND 


aan Cae Height, 191%, inches; ay aye’ mf) )) ae 


Ir is something of a fisherman’s day—not too brilliant a light. The gray, 
placid river on the right is mottled by the light and dark gray clouds that 
fill the sky, and darkened by shadows of shore trees on the left. In the left 
| foreground a bare-legged boy is fishing from a small private pier, watched by a 
| little girl in a white sunbonnet, and an older girl is coming down through a 
meadow in front of a clump of tall green trees behind them. Lilies are blossom- 
| ing in the stream and a bird is flying over the water. In the middle distance cows 
| are grazing in a meadow by the waterside—some have come into the water— 
| and a single-masted boat without sails is lying at the bank. 


| Signed at the lower right, T. Moran, 1888. ; 
: Purchased from the artist. 


Owner, Mrs. Marxs ARNHEIM. 


ATTRIBUTED TO TENIERS 


Mee 1.1 A— FETE DE VILLAGE 


val 0 wang . Height, 22%, inches; length, a Pe. he LES 


Forty or more men and women of the fat Dutch peasantry are gathered for 
a celebration in the good old times in the yard of a tavern or house of refresh- 
ment, in the foreground and toward the left, their costumes full of mellow 
color. One couple are dancing to the music of a piper who stands on a barrel- 
head, a company seated about a table are eating and drinking, some of them 
hilarious; others are grouped about a tree, while on a green common at the 
right still other persons are coming and going—and anywhere amorous rustics 


embrace without offense. 


The painting has been classed as a Teniers, and on the back is a clipping from a catalogue 
in which it was recorded under the title “La Féte du Village,” by 'Teniers. 


To be sold to close an Estate. 


VICTOR PIERRE HUGUET > 


Frencyu: 1835—1902 


No. 115— THE HALT IN THE DESERT 


ste 6 o° Height, 21 inches; length, 26 inches 4, /3 
e, re F 


A company of native travelers, turbaned, and in whit and brow 
have halted at an oasis.in the desert under a blazing sun, and ente¥ved wit 
their horses a shallow stream. Some of the riders remain on their mounts 
and others have got down to stand in the cool water or to do some light 
washing, while one man on a white horse is already riding away. Beyond 
the bounds of the oasis are hot, red-sandy hills. 

Signed at the lower right, V. Hucuer. 


Owner, Henry Datrey, Esa. 


Me 8 oO — Height, 20 inches; length, 3 


GEORGE INNESS, N.A. 
AMERICAN: 1825—1894 


No. 116— BACK OF MY STUDIO: MILTON-ON-HUDSON 


A parntine of Inness greens of rich quality, im a transition period between 
his early high finishes and later loose impress¥onistic freedom of brush, and 
when he still held to bold outline of his tree-trunks and branches. The com- 
position is taken from a luxuriant, overgrown orchard and open wood, allowed 
to go attractively wild, back of his studio in the country—the grass deep 
where sunlight can strike it and undergrowth thick. The abundance of foliage 
and herbage fills the picture, no sky is seen, and against the green and yellow 
vegetation stand out the brown trunks of low, scraggly trees. In the distance 
a figure is suggested, approaching under the low branches. 


Signed at the lower right, G. Innxss, 1878. 


Purchased at the Inness sale, New York, February 12-14, 1895; Catalogue No. WA he cos Ma. Leatucen 


Owner, Mrs. Marks ARNHEIM. 


GEORGE INNESS, N.A. 


AMERICAN: 1825—1894 


NOmal las “GOSSIP”: MILTON-ON-HUDSON We Ene 
ane Height, 20 inches; length, 30 énghes C : ‘ 
ELE ee He AD ee plhvrnw 


Tue grass is a rich green, 


an Inness green,—on a knoll of gentle rise, which 
is surrounded by trees ancient and rugged, and trees young and slender, their 
deep green foliage almost connecting with the shrubbery below and rising 
quite out of the picture, making with the undergrowth a background of green- 
ery. A half-light is diffused and scarcely produces shadows. In a path which 
comes up over the knoll a blond milkmaid stands leaning against a slender tree, 
talking with an idle youth who is seated on the grass of the easy slope, and 
who has been whittling a stick. ‘The maid wears a pink waist and gray-white 
apron and carries her milk-pail. The gray wooden milking-stool is behind 
her, and two cows can be seen dimly, further away. The young man, who 
wears no coat, is in gray shirt and black trousers, and wears a black slouch 
hat, and he has paused in his whittling to pass the time of day idly with the 


not unwilling maiden. 
Signed at the lower right, G. Ixwess, 1884. 


Purchased at the Inness sale, New York, February 12-14, 1895; Catalogue No, 4m. 135- ftio-M 


Owner, Mrs. Marks ARNHEIM. 


c 


‘VN “SI9DM NAGIY ‘(CP AQ ‘“AUOLOVY AVA], OMLNVWITTIAA “STL ‘ON 


JULIAN ALDEN WEIR, N.A. 
_ American: 1852— 


No. 118— WILLIMANTIC THREAD FACTORY 


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: ; F Height, 241, inches; length, 3314 inches 
pee eee 
Here industry, or the home of industry, is made picturesque. Not expending 
himself on too much detail of the factory itself, the artist has let the building 
be seen in a kindly effect of light and line, its grayish-white mass rising beyond 
a rolling, grass-grown hillside and standing out against the higher, tree-crowned 
hills, whose green slopes are populous with the houses and other buildings of 
the bustling New England city. Shapely trees and bushes, and bits of color 
in the sward, dot the rolling foreground. A severe sky—a narrow strip of it 
—is seen above the high hills of the town, a few cirrus clouds drifting across 
the blue. 
é = ‘ Signed at the left, J. AtbeN Wet. 
From the Frederic Bonner Collection. (9/2 ~ #. 39-4 Bf boo ~ 


By order of Moses Ety, Esa. Attorney for owner. 


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G. KUHL 
f German: 1850-— 


st aera aa Re 


No. 119— THE CONNOISSEUR 
(Panel) 


i=. ) S 4) ‘—_ Height, 20 inches; width, ay inches EOC Z, 


A xapy with a great abundance of red hair dressed in/f high and backward- 
projecting peach-basket effect, and gowned in varying Yhades of red and pink, 
is seated in reclining attitude and at her ease, across the picture, facing the 
right. She holds on her lap a painting at which a man leaning over her 
shoulder points as he studies it, while an older man in front of them addresses 
them. He is in blue coat and small-clothes, has one hand behind his waist and 
the other extended as though with a delicate morsel between thumb and finger, 
and he bends forward in the pose of one opening new delectable vistas to 
treasured friends. The gray walls are hung with pictures. High at the 
re right a mass of green foliage is introduced. All is in bright sunlight. In 
front of the seated lady a large brown and white hound stands, his back to 
the spectator, nosing a Japanese fan which his mistress holds idly. 


y Signed at the lower left, G. Kut, MuncHen. 


Owner, Henry Dairy, Esa. 


ALEXANDER H. WYANT, N.A. 
AMERICAN: 1836—1892 


No. 120— ON THE OHIO RIVER 


(7 oe Height, 22 inches; len 
In the foreground some reddish-gray ge e end of the picture, where, 
at the left, a red bull stands at the foot ofa tree looking out over some lands 
on a lower plane, which are partly covered with thick woods and partly divided 
into cultivated fields. Below them still the river winds, a pale blue band, in a 
serpentine course through the valley. On it is a side-wheel steamer, and across 
the stream a farmhouse is situated at one of the river’s bends. 


, 34 inches 


a 


Signed at the lower right, A. H. Wyant, °67. 


From the collection of the late Charles H. Stebbins, who obtained the picture from the 


artist. We 
6 
From the Emerson McMillin Collection, 1018.< Alok M788 Ml. Llelaeg 


By order of Moses Ery, Ese., Attorney for owner. 


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PAUL JEAN CLAYS 
Berean: 1819—1900 


No. 121— INTERIEUR DU PORT, OSTENDE 


or pe | r 
dy $7 yo Height, 24 inches; length, 30 inches » /s | 
v >: Cae ; 


A Basin of restless water, disturbed by the ceaseless activity of shipping anf 
its small-boat accessories, is a mottled mirror of varicolored reflections, und¢r 
a fair blue sky overspread with fleecy patches of white and mauve-gray cloud. 
From an indefinite somewhere on the right a wharf projects, and shipping 
clusters around it with sails of many forms and many colors, and hulls heavy 
and varied and painted at discretion. People throng upon them, and other 
persons are seen in small boats, and on the left other vessels attach to a lesser 
wharf. 


Signed at the lower right, P. J. Crays. 


Purchased from Arthur Tooth § Sons, New York. We. 


Owner, Estate of the late Enwarn R. Perxins, Esa., formerly Virst Vice-President of the it 
New York Life Insurance Company. | 


BRUCE CRANE, N.A. 
AmeERIcAN: 1857— 


No. 122— WINTER MORNING 


ae Fen ge> Height, 25 inches; length, 30 te 


oe awe 
A sroap and level cornfield is seen on a winter day under a mantle of white. 


It is bounded on the far side by a ridge of highér land whose flat top gives a 
level horizon against a dull, cold, gray sky. In the foreground toward the 
right the field is cut by a narrow ditch or streamlet, the water partly frozen 
and snow-covered. Stubble in the lines of low corn hills projects above the 
light fall of snow, and the withered cornstalks in the shock stand about the 
field, the edges of some of the stacks yellowed by the morning sun. 


Signed at the lower left, Bruce Crane, 


Exhibited at the first annual exhibition of the Society of Landscape Painters. 
Purchased from the artist. 


Owner, Mrs. Marks ARNHEIM. 


PONT a ESS IN 


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JULES DUPRE 
Frencnu: 1812—1889 


No. 123— THE COMING STORM 


ae ce Height, 25 inches; length, 31 BOLL er AN 


EveryTuine in the picture has been subordinated to the study and represent- 
ation of a wonderful sky under the approach of a storm. The scene below 
is in a flat, pastoral country, with green grass and tree-groups, cottages, barns 
and haystacks, but details are subdued, and merge in low, sombre colors or 
shadow, and distance is vague.. Only in the foreground, where there is a pond 
on the border of the rich meadow, is there a strong light, coming from a patch 
of bright cloud in the midst of the dark storm-forces, the light reflected in 
the water and from the backs of cows standing in it to drink. The clouds, a 
menacing deep gray, are swirling and in masses and move with velocity. Only 
once is the blue of the ether beyond them visible; they have overspread all 
else of the heavens and exhibit many tones and gradations in their vaporous 
depths. 

Signed at the lower left, J. Dupré. 


Purchased from Williams § Everett, Boston. 


Owner, Henry Datiry, Esa. 


KARL PIERRE DAUBIGNY 
FRENCH: 1846—1886 | 


No. 124— CANAL SCENE, HOLLAND 


/d ho Height, 1934 inches; lepgth, KO 


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Tue waters of the canal are mottled in many colors, from the buildings and 
trees which line the farther side where they rise in dark shadow against the 
glow of an after-sunset sky. The whole shore seems lined with windmills, so 
near together do they rear their tall, dark forms with the long, heavy arms. 
At the left is a large freight boat, and far at the right more masts are seen 


in the distance. 
Signed at the lower left, Kart Davsieny. 


From the Dun and Morton Estates sale, 1912; No. 117. 


By order of Prince & Naruan, Attorneys for the owner. 


/2765', Jahiro tie ade Ip binenbaun Maa G27 


FRITZ THAULOW 
Norwecian: 1847—1906 


No. 125— THE AWAKENING OF SPRING 


: ae Height, 251% inches; nose & 
= 7) seas a 


A RIVER variously. branching, and running well up its low banks in the time of 
spring floods, crosses the landscape and sends a broad arm forward to fill 
the foreground and pass out of the picture. Its waters are rippled, and reflect 


_ the gray and white of the sky, the brown of the fall reeds that line the banks 


and project through the shallows, and the fresh, inviting green of the new 
season’s grass and budding leaves. Beyond the river are farm buildings and 
sprouting green fields, and orchard trees in early spring blossoming. 


Signed at the lower right, Frrrz THavtow. 


Owner, Estate of the late Epwarp R. Perkins, Esa., formerly First Vice-President of the 
New York Life Insurance Company. 


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ADOLF SCHREYER 
GERMAN: 1828—1899 


No. 126— #£=.IN FLIGHT FROM THE WOLVES 


‘ ;. y : Height, 24%, inches; length, 3614, inches__/ 
ie Sos7 Wi Yu. 


Iw a small but heavy Russian sleigh drawn by several horses, a traveler throug! 
the winter wilds of the northern country is pursued by wolves that are not 
seen in the picture. His attendants, mounted on two of the half-dozen horses, 
are urging them to their best efforts, and the man in the sleigh has wheeled 
about and aims his gun over the back of his vehicle. He is bundled in furs; 
the road is steep with snow, and the air is filled with the swirling particles, 
which obscure the background save where on the right the edge of the wood 
is seen, 

Signed at the lower left, Av. Scureyer. 


To be sold to close an Estate. 


EVERT PIETERS 
Dutrcu: 1856— 


No. 127— THE FISHERMAN’S WIFE 
(Water Color) 


oo ) Coe Height, 25 inches; length, ype 


Sue sits at the left, the fisherman’s wife, on a gray wooden bench at a gate in 
‘a gray wooden fence, and is facing the right as she works at her sewing or 
knitting. She wears a lavender waist and a blue skirt, and sabots, and at her 
knee a tow-haired child in an orange-brown skirt plays with a blue doll. Be- 
hind them is a green sand dune and in front of them chickens are feeding, 
and straightaway past them from the spectator runs a sandy path down to 
a broad beach where fishing boats have been run up from the distant sea. 


Signed at the lower right, E. Piervers. 


Owner, Estate of the late Epwarp R. Perxtns, Ese., formerly First Vice-President of the 
New York Life Insurance Company. 


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CARLE VERNET 
Frencu: 1758—1836 


No. 128— BAY OF NAPLES 


Ce aoe 


A FOREGROUND in shadow is made up of rocks along a low, rough shore. 
Seated, standing or reclining on them are several men and women, some in 
gay and some in sombre apparel, one muscular man almost nude. One person 
points out over the blue bay, where it is light, but most of the people are 
occupied more or less with each other, though lassitude is general. On the 
right a fishing boat is lying, a small boat near her and people in both, and 
someone is wading ashore with a shoulder-load of shell-fish. In all there are 
some twenty figures represented. On the left a blasted tree leans out before 
a towering crag, above which rises a castellated building. Strong sky of light 
and dark clouds. 


2, Height, 281% inches; lengt 


Signed at the lower left, Carte VERNET. 


Authenticated by Dr. W. R. Valentiner, of the Metropolitan Museum, New York. 


Owner, Mrs. Marxs ARNHEIM. 


CHARLES EMILE JACQUE | ne 


Frencu: 1813 


1894 | N . 


No. 129—- SHEEP Nie 


Height, 2534 inches; length, 32 inches 


rsd Ty alee Pye: 


A LARGE flock of sheep, their rich coats a yellowish gray in a subdued light 
after sundown, are moving slowly across a meadow, or a grassy field in a some- 
what wild land, some of them nibbling at the grass as they go. They are well 
bunched together, occasional ones raising their white noses above the dark 
backs of their companions. ‘They are working toward the left across the fore- 
ground, and their shepherdess, a sturdy woman of middle age, is standing in 
front of them, her watchful dog beside her. Across the middle distance a low 
ridge with rocks in front of it is surmounted by lines of trees which rise dark 
against a clouded sky, the clouds lightened and tinged with colors by the van- 


ishing sunset. 
Signed at the lower left, Cu. Jacque. 


Owner, Estate of the late Tuomas Hrrercock, Esa. 


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BERNARDUS JOHANNES BLOMMERS 
Dutcu: 1845— 


aia nana 


\ No. 130— THE YOUNG NAVIGATORS 


ni / aed) << Height, 36, inches; width, 2814 _inghes / 
‘ Vy: Wye Lf" are Og tir-L— 


Intro shallows of the foreground off a brown sandy beach a buxom Dutch ( 


peasant girl has waded to accompany a small tot in skirts and a bare-legged 
urchin, who are having first lessons in sea service. The boy, in white, rose- 
| pink and blue, has rigged a fine Dutch toy boat out of a sabot, with a cleat 
| nailed to the toe for a bowsprit and a patch of yellow material for a sail; and 
the baby girl looks down at it in the water, holding a long wooden spoon and 
| upheld by the older girl, whose dress is a harmonious mixture of soft colors. 


In the distance are various sail. 
Signed at the lower right, Buommerrs. 


Purchased from Arthur Tooth § Sons, New York. 


Owner, Estate of the late Enwarv R. Perkins, Esa., formerly First Vice-President of the 
New York Life Insurance Company. 


CHARLES SPRAGUE PEARCE, A.N.A. 
AMERICAN: 1851— h 


No. 131— RETURN FROM MARKET 


oY Sait Height, 3914 inches; width, BN Sf Dade: & yj ce i 
: ‘ & 26 ee 
A DARK-HAIRED French girl, not in her first flught of youth, is standing in a 
bright light in the foreground, in a well-worn festpath along a silvery-white 
river which is marked by dark tree-shadows projected from the farther shore. 
She wears a white waist figured in purple, long white apron and white sun- 
bonnet, and carries on one arm a basket of rosy and yellow apples. Her other 
arm is akimbo, hand resting on hip, and she is turned slightly to the left. 


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Signed at the lower left, Cuartes Spracur Pearce, Avvers-sur-Oise. 


794% Purchased from the artist, 1895. JA#w - je OSXX + 


By order of Prince & Naruan, Attorneys for the owner. 


GEORGE INNESS, N.A. 


Ry 
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AmERIcAN: 1825—1894 


No. 132— LANDSCAPE 


a Height, 291, inches; length, 44 inches A 
e307 — YP: Crrtdlhrt, 


A COMPREHENSIVE canvas, at once filled with action and tranquillity, color, 
atmosphere and variety. The sky is tumultuous with rioting varicolored clouds 
which have almost obliterated the blue on the right, while on the left they have 
the depth of a black storm. In the foreground green hillsides descend from 
either side—that on the right in sunshine, that of the left in shadow; and in 
the shadow sheep are grazing and humans repose. The broad gulch where the 
slopes meet descends still farther, in the direction of the middle distance, where 
a spacious valley spreads out, and beyond is a glimpse of the sea. 


Signed at the lower right, G. Inness, Rome, 1873. 


Purchased from Frank W. Bayley, Boston, 1911. $ce- BP OXKK 


By order of Prince & Natuan, Attorneys for the owner. 


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JOSE FRAPPA 
Frencu: 1854—1904 i 


No. 133— THE CARDINAL’S BIRTHDAY—THE TOAST 
(Panel) : 


4} (i ; : 
/ ~) Height, 28 inches; length, 434, inches : | 
el ) 
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His Eminence is seated facing the right, receiving with deprecatory gestufe 

8 Sts 8 
and happy smile a toast proposed in his honor by a white-robed young cano 
of the household who, standing at a neighboring table, faces him and raises 
aloft a tall glass of golden wine. Another cardinal, and a fat and beaming 
monsignor, who pats his glass affectionately, are seated at the table, and a 
French monsignor, in his deeper purple, and a French cardinal, are standing, 
and sharing smilingly in the general felicity. The surroundings are those of a 
palace, and are kept subdued in contrast to the splendor of the lordly vestments. 


Signed at the lower right, Joss Frappa. 


Owner, Estate of the late Eywarpv R. Perkins, Esa, formerly First Vice-President of the an 3), | 
New York Life Insurance Company. 


/OBGSG Mengleh pom Mlirh. Yur qea-—Les AMXXX., Scld fh hae talk - pun 
/1 374 - Mined has Iofige7-+ Solt, Ea. OPP Uful 1907 « NSH 


BRUCE CRANE, N.A. 
AMERICAN: 1857— 


No. 134— SUNDOWN 


S ag Pees Height, 30 inches; length, 4414, inches 


A Broap stream occupying almost all of the foreground is covered deep with 
bluish-white snow, save toward the left where close to the shore the snow is 
saturated with water in a few pools and turned a grayish-green. The irregular 
shore line here is low, and marked by brown reed-like grasses and short dried 
bushes which show above the snow-covering of the land. Across the back- 
ground the scene is bounded by a low and broad hillside, snow-covered except 
where brown woods rise above the white blanket. The sky is cold and gray, 
yellowed aloft where rays of the departing sun still penetrate the clouds, 
ir and the foreground snow is tinted by a faint reflection of the yellowish color. 


Signed at the lower left, Bruce Crane. 


Owner, Estate of the late Dr. S. G. Perry, New York. 


ig, a ae Height, 36 Ma Svs 


~~ 7 
yr \ KMILEK VAN MARCKE 
Frencu: 1827—1890 
No. 135— AT THE BARS 


e spectator, 


Cows and sheep—the sheep led by a ram—are coming towar 
passing through a gateway in a gray fence that crosses the picture in the 
middle distance, its broad boards permitting only glimpses of the cattle still 
to come, which are indicated stringing along on the farther side. A French 
peasant-woman in dull colors brightened by a red neckerchief, who has let 
down the bars, stands leaning on the fence and looking over at the coming herd, 
a child at her feet, while in the foreground is a boy in a green-blue blouse who 
has two dogs with him. Beyond the fence are tall thick trees, and the fore- 
ground is sunny, mottled with shadows, while the animals and figures are some 
in the sunshine and some under the veil of the tree shadows. 


Signed at the lower right, Em. Van Marcke. 
To be sold to close an Estate. 


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ADOLFEF SCHREYER 
German: 1828—1899 


RUSSIAN HORSES IN WINTER 


Cuoss in the foreground three horses are huddled in the shelter of a low build- 
ing and a stockade extending out from it, the building and extension crossing 
the picture and presenting a wall of a warm yellowish-brown. In front of it 
the ground is covered with a few inches of snow. One of the horses, a sorrel 
and white, is hitched to a rude sleigh, next him is a black, and at the left a 
gray horse is saddled with many trappings. Beyond the high fence and low 
adjacent roof, the snow has drifted in enormous banks up to the fence-top, 
only the higher portions of the house and the gables of other neighboring 
buildings being visible above the level of the drifts, while the air is a smother 
of the wind-driven fine flakes. Out in the storm the tree-trunks are white, while 
in front of the house and wall other sturdy trees retain their grayish-brown 
on the hither sides of the trunks, and at the roof-ledge appear masses of brown 


vines, remainders of the fall. 
Signed at the lower left, Av. ScHreyeEr. 


Purchased from Goupil & Company, M. Knoedler & Co, Successors, 


Owner, Estate of the late Tuomas Hirciucock, Ese. 


ay Height, 35, inches; length, GE VY) atl. 
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WILLIAM ADOLPHE BOUGUEREAU 
Frencu: 1825—1905 


No. 137— SAVOYARD BOY 


‘ = ool Ae 


A BARE-FOOTED boy in knee breeches is seated’ on a brown chest in a room whose 
walls give an olive and brown background. Long, wavy, blond locks parted in 
the middle fall about his face almost to his shoulders, and his head is turned 
toward the left, the face seen three-quarters front. He wears an unbuttoned 
red waistcoat over a white shirt which is left open at the neck, his loose white 
sleeves are rolled up, a red sash or belt encircles his waist, and his breeks are a 
buff-brown. One leg is crossed over the other and he holds against his knee a 
mandolin which he has been playing, his fingers still resting on the frets. 


ie pan Fgh Pe Height, 391% inches; widt 


Signed at the upper left, W. Boucurreav, 1870. 


Owner, Estate of the late Tuomas Hircucock, Esa. 


BENJAMIN WILLIAM LEADER, R.A. 
Enceuiso: 1831— 


No. 138— SUMMERTIME, WORCESTERSHIRE 


lA v; 0 oe Height, 28 inches; length, 


(Beek 


A BEAUTIFUL, expansive and varied landscape/stretches away before the spec- 
tator in every direction, under a light blue summer sky largely filled with white 
and pale lavender-tinted clouds. ‘The green country is rolling land, high on 
the right, an undulating plateau occupying the foreground, supporting a line 
or screen of trees in the central middle distance, to left of which one looks 
across a vague and varied valley to a misty distance of low hills. Through a 
footpath across the foreground field, where green rye and grasses, poppies, 
daisies and odd weeds grow promiscuously, comes a woman accompanied by a 
pet dog, picking occasional spires that are ready at her hand. 


Signed at the lower left, B. W. Leaner, 1866. 


Purchased from Arthur Tooth §& Sons, New York. 
Owner, Estate of the late Evwarp R. Perxins, Ese., formerly First Vice-President of the 
New York Life Insurance Company. 


OLD ITALIAN SCHOOL 


(Attributed to ZuccARELLI, an eighteenth century 
Italian artist who worked largely in Venice) 


No. 139— A FANTASY OF THE RUINS 


v) 7 ” ye Height, 25% ees th, A5Y% inche Z ; / i 
CiassIcaL ruins mount at either side RY ure, col 4 in stone — 


or marble strewing the ground in the cnt a ruins marble palaces or 
temples in a wooded and mountainous country, the marble. time-stained and 
mellow. About the ruins are several figures, the men bare-footed, listening 
eagerly as a smiling female on a ledge above them recounts somethings chet holds 

and beguiles them. 


Owner, Mrs. Marxs ARNHEIM. 


JASPER FRANCIS CROPSEY, N.A. 
American: 1823—1900 


No. 140— PASSING SHOWER ON THE HUDSON | 


/ ; Height, 27 inches; length, 52 in The) 
pag 6 


In the foreground a rugged green and stony hillstde slopes from the right to 
a valley across which a bay or bend of the broad Hudson is seen, the valley 
bounded on the left by rounding hills, where among flourishing trees are many 
houses and barns. ‘The broad bottom of the valley is a green hayfield where 
the hay has been cut and raked into mounds. A load of it is just being drawn 
off by a brown team, and several persons are seen in the field. The river is 
being blown into small white-caps by a stiff breeze, numerous boats are to be 
seen on it, and over it the sky is blue,—with white cumuli piled above the 
horizon. Far at the left over the Palisades a black storm is passing, and 
against its sombre background a double “‘“Bow of Promise” is set in the heavens. 


Signed at the lower right, J. F. Crorsey, 1889. 
Purchased from the artist. 


Owner, Mrs. Marxs ARNHEIM. 


EMILE VAN MARCKE 


yo 37 “ Frencu: 1827—1890 
No. : A FARM NEAR ETRETAT 


LOVELY day of summer on the French coast; pinkish-white clouds float 
lightly in a turquoise sky; far away on a quiet blue sea white sail are seen at 
intervals, the observer looking off seaward from a high plateau in a pleasing 
farming country. The nearer scene is bucolic and intimate. The foreground is 
a part of a farmyard, carpeted with rich green grass and bathed in kindly sun- 
light. On the left a gray-plastered barn with a thick roof of soft brown thatch 
throws its shadow on the turf, and at its corner a peasant is watering a donkey. 
Out in the sunlight straight in front, a sturdy red cow with white underbody 
is standing across the line of vision, looking away toward the sea, while a man 
milks her,—a young woman looking on with an infant in arms and a small 
boy at her side. She wears a red skirt and the boy a blue blouse; a milk-can 
at hand reflects a pearly-gray and white light in the sunshine. A dog and some 
chickens have gathered around, and two goats are lying on the grass. Beyond 
the barn are tall trees of feathery but thick foliage, and a house is seen amidst 


them. 


Signed at the lower left, Em. Van Marcke. 


Owner, Estate of the late Pierce Arcuer, Esa., PHILADELPHIA. 


Height, 36 inches; Dy 3% We ay 
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GIOVANNI MUZZIOLI 
Irauian: 1854—1894 


No. 142— THE FEAST OF FLORA 


ee Height, 38 inches; Reding = 


Tue court of a palace of classical achitecture is given over to the feast of 


Flora and all is gay. Flowers bedeck the pedestals of statues, garland archi- 
tectural details, adorn young women and lie in confusion on the mosaic pave- 
ment. From a marble altar incense fumes drift gray across the marble facade 
of huge pillars, and before them about marble steps beauteous maidens dance 
flower-crowned in joyous abandon, their robes blue and red and white and 


black. At the right a female procession passes in front of the palace, playing 


musical instruments, and at the left within recesses more happy people are seen. 


Signed at the lower right, G. Muzziort. 


Owner, Henry Datiry, Esa. 


at 


LI 3ERT BIERSTADT, N.A. 
—~— American: 1830—1902 


SIERRA NEVADA—MORNING 


Height, 541, inches; length, 84 inches (7? A ohh. 


_and seamed flanks of the great mountain range rise in majestic 
he background, penetrating the clouds which roll tumultuously 
ess: over " the peaks. At the foot of the range a aan blue 


ches oe at in the middle distance, while much of the lower landscape of the 
ground is still in partial shadow, as are recesses amongst the clouds. 


Signed at the lower right, A. Brersrant. 


ne, rsncea in the year 1879 for the late Robert Graves, Esq. 
al it From the Robert Graves Collection sale, New York, 1887. 4 4394 g. NSO -4 
Owner, Rotate of the late Hon. Henry Hutton. 


THIRD EVENING’S SALE 


THURSDAY, MARCH 19, 1914 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.15 o’cLocK 


JOSEF WOPFNER 


TyroLtean: 1843— 


No. 144— ~3A DIFFICULT LAUNCHING 
(Panel) 


ae) we 1 Height, 4 inches; length, 6% inches | A Q 
Four weatherworn followers of the sea are getting a dory out through a stiff 
surf. ‘The dory is in the immediate foreground, headed out and to the right, 

_ with two of her men pulling their utmost on the bow oars, the other two, ’mid- 
ships and aft, standing and pushing their sweeps with all their strength. A big 

_ wave combing just at the bow throws its spray high in the air above men and 


boat, and at the left a point of land and a lighthouse are to be seen. 


Signed at bottom, to right of center, J. Worrner. 


Owner, Mr. L. Crist DEtMonico. 


HUGO OEHMICHEN 
GERMAN: 1843— 


No. 145— A CHILD ‘ 
(Panel) 


2 
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ar ma 0 ee Height, 64%, inches; width, 4% inches \) (3 hie heap. 
Ff De 
P 


A smaut child is pictured at half-length, standing at the corner of a green- 
covered table, against a dark reddish-brown background. Its flaxen hair shows 
golden yellow tints, and the body of the small human is clad only in a white 
shift which is dropping from one shoulder. The face is full and round and the 
large wise eyes look abstractedly downward. 


Signed at the wpper right, H. Orumicuen, 


To be sold to close an Estate. 


A. BERTZIK 


GERMAN: CONTEMPORARY 


No. 146— HUNGARIAN GIRL 
(Panel) 
5 4 — Height, 734 inches; width, ¥ inches 


= LAAVMN AN 
A HANDSOME Hungarian girl with large dark eyes, pink cheeks and red lips is 
portrayed at half-length, facing the right, three-quarters front. She wears an 
elaborately ornate headdress, adorned with pearls, and princely robes of rich 
colors—pearl-gray, golden-brown and deep green, with gray-brown revers and 
slashings—abundantly syle and she looks calmly and serenely at the 
spectator. 


sighed. at the upper right, BerrziK. 
Owner, Estate of the late Franx S. Bonn. 


7083-1 sre 44 Murnane Hts bgpAMsn. old A. shad fis pe Be 


ROBERT DE CUVILLON 
Frencu: 1848— 


No. 147— THE MANDOLIN 
(Water Color) 


<aC Height, 81%, inches; width, 5 uy 


Acainst a background of green—a green wall with eometrical | ornament—a 
languishing beauty is seen standing on a blue and white marble floor, playing 

mandolin. She wears a thin, low-cut white waist, mauve skirt, and pale green 
sash about ample hips, and a purple cloak which is thrown open. A mass of 
hair is done high above her head and bound in a jeweled gold band. ; 


Signed at the lower left, R. pe Cuvrti0n, 1888. 


Owner, Estate of the late Franx S. Bonn. 


A. DE BENSA 


CONTEMPORARY 


No. 148— SPORT ON THE TURF 
(Panel) 


2 / iy oo Height, 6 inches; length, 1014 inches (Cat¥ 
be) , = Go 
: A RUNNING race in which at least half a dozen horses are engaged is going on 


a 


-__ on a turf course on the left, the racers coming forward. In the foreground and 
ae extending back on the right along the low fence or rail is a moderate-sized 
company of spectators, a group who came with a four-in-hand conspicuous in 

> the a 


Signed at the lower right, pp Bensa. 


ss Owner, Mrs. Apecove C, Jounston. 
os \ 
ze ad ea 


fo ALEXANDRE MARIE GUILLEMIN 


Frencu: 1817—1880 
No. 149— SOLDIER BOY 


(Panel) 


, 4 | | Hei res AR We Pe 
= se eight, 91, inches; width, 74% inche wh 
| oo” LAA 


A youne girl “dressed in part of a man’s military uniform is ai feeere yel- 

lowish-gray and olive walls in the corner of a plastered room. She is barefoot, 
is in gaiters or leggings and grayish-buff breeches, an open blue waistcoat and 
& soft white shirt. Her long yellow-brown hair hangs down about her shoulders, 
and she wears a soft felt hat, the brim turned down all around and a feather 
in the band. Her red coat is lying crumpled in a broken basket at her feet. 
She holds in her hands a piece of a loaf of bread which she is about to cut, and 
she looks with a sad wistfulness up at the picture of an elderly zouave on 
4 the wall. 
; Signed at the lower right, A. GuiLteMIN. 


From the Edward M. Knox Collection. 1906 ~ HT x BES Miles Meshes 


Owner, Mrs. Marxs ARNHEIM. 


RALPH A. BLAKELOCK, A.N.A. 
AmeErican: 1847— 


No. 150— LANDSCAPE 
q g 2 Height, 8% inches; length, 12i 


Tue dark green foreground surrounds a little hollowé/in the center of whicll a 
are indications of puddles. At the right stands a ree whose round-shaped, 
compact mass of foliage presents a mottle of dark green, grayish-green and ~ 
cream. Another tree near the center and a third at the left are similarly 
represented. In the distance lie faint blue hills, over which is a surge of a 
warm creamy vapor. ia 

Signed at the lower rahe mare BLaKELocK. © 


; a 
From the Peter A. Schemm Collection. “W/4 EGS PISs Nig Milewe, , 


By order of Mosrs Exy, Ese., Attorney for owner. 


OEE ENE POOL EN LIT LRT EN ERO 


FERDINAND HEILBUTH 
7 GERMAN: 1826—1889 


No. 151— IN THE FIELDS 
(Panel) 


Sao ve Height, 8%, inches; es 13 in tt ee f yy 


A miu pond, silvery gray, with light and es ¥C reflections of surround- 
ing thick woods, fills the larger part of the picture, bordered in the foreground 
by green fields where blossoming wild flowers grow. The trees of the wooded 
background open to the left of the center, disclosing a red mill beyond the dam, 
whose hue tints the water lightly, and a bit of gray and blue sky. In the green 
and flowery foreground a young woman in gray-white and pale blue, carrying 
a red basket, is walking in the sun, her white parasol folded at her side. 


Signed at the lower left, F. Heusurn. 


To be sold to close an Estate, 


WARREN SHEPPARD 


- CONTEMPORARY 


No. 152— MOONLIGHT AT SEA 


; f Po. oe Height, 114% inches; width, 91 inches y (Lath 


A LARGE square-rigged ship with a full spread of canvas is seen coming head-on 
in a whole-sail breeze on a bright moonlight night. She is in a moderate sea 
and rolls gently, dipping a little to port with the wind on her starboard quar- 
ter. Her tall sails rise black against the light of the full moon which is seen 
_ above and behind her, its reflections brightening the water around her, and 
her side-lights gleaming above the dark hull. In the shadowy distance is 

another sail. >| 
Bs Signed at the lower right, WarreEN SHEPPARD. 


Owner, Mrs. Marks ARNHEIM. 


W. B. BAIRD 


CONTEMPORARY 


No. 153— SPRINGTIME 
(Panel) 


jus 4b Height, 914 inches; ot} ase gia Ol 7 


A srout bay mare with black mane and tail and black knees is standin 
green grass in the sunshine, looking briskly to the right. In front of h 
her wabbly but frisky colt, of lighter hue, facing the left. And back of them 
all the way across the picture, bushes and fruit trees are brilliant in white and 
pink blossoms. - 


Signed at the lower right, W. B. Barren. 


Owner, Mrs. AdeLate C. JOHNSTON. 


WG 


a pee Height, 91%, inches; length, eo CL 
Some handsome ducks, white and beautifully colored, are sunning themselves 


ARTHUR FITZWILLIAM TAIT, N.A. 
AmeERIcAN: 1819—1905 


No. 154— CHICKENS 


() a2 : Height, 914 inches; length, 131, inches 


Our in the bright sunshine, in soft feather-grass near some coarser and taller < 
vegetaons a brood of chicks—black, yellow, white and mottled—are attempt- _ 

ing a “grown-up’s” dinner of yellow corn, an ear of which they are surrounding 
in keen infantile interest. One has mounted the ear and eels loosened a 
kernel raises his head high to see if he can swallow it. 


+ Signed at the lower right, A. F. Tart; N,A.; N. Ws 89. 


Owner, Mrs. Marks ARNHEIM. 


ARTHUR FITZWILLIAM TAIT, N.A. 
American: 1819—1905 


No. 155— DUCKS 


in the sand beside a shallow pond. Beyond them is a background of grass and 
shrubbery and flowering weeds. Around them are about a dozen fluffy duck- 
lings of variegated coats, some chasing after some small object floating in the 
water. 

Signed at the lower right, A. F. Tarr, N.A.; N. Y., 89. ~ 


Owner, Mrs. Marxs ARNHEIM. 


us 


un sent sahil 
; 


G (/ — Height, 101%, inches; Be 1 


GEORGE HERBERT McCORD, A.N.A. 
AMERICAN: 1840—1909 


No. 156— IN HOLFORD VALE, ENGLAND 


A zarceE plastered cottage, partly with red tile roof and partly thatched, 
stands in bright sunshine against a background of tall green trees of dense 
foliage. Its end walls are white in the brilliant sunlight, while those of the 
front take a pinkish-lavender tone in the clear shadow, and it is fenced in by 
a high brown stone wall from a sandy-yellow road where black and gray 


chickens are pecking about and a stodgy English countrywoman adds her brown 
shadow to the sand. 
. =} 


Signed at the lower right, G. H. McCorp, A.N.A. 
Owner, Mrs. Avetaipe C. Jounston. 


AUGUSTE TOULMOUCHE 
Frencu: 1829—1890 


No. 157— WAITING 


as Height, 12% inches; width, 92 inches (3 i 


In a French room with dark red walls and polished floorYa young woman with 
languid eyes and large features is seated alone on a sofa. The sofa, uphol- 


stered in flowered stuffs with blue and gray ground, stands in front of a blue 


flowered screen, and the young lady sits with her back three-quarters to the 
spectators, her face seen in scant profile to the right. She is sitting with 
her back to an arm of the sofa, her feet stretched out upon the seat, and she 
wears a lavender-pink décolleté gown and holds spread out a white fan. 


Signed at the lower right, A. 'Toutmoucue, 1873. 
To be sold to close an Estate. 


a Anne 


THEOPHILE EMMANUEL DUVERGER 
Frencu: 1821— 


No. 158— “THE CALL” 
(Panel) 
0) ibe Height, 14 inches; width, 1V4/ inches Bi | 


| Ir is the last great call and has come suddenly to a young woman seated ayfongst 
| pillows and wrappings in an armchair. Her attendant has dropped her work ~ 
| upon the floor and falling to her knees offers a cup of medicine, which the in- 
valid cannot take; and a young man who loves her stands behind her chair, 

agonized in his helplessness, and looking upward where light streams into the " 
room from a high window, a final plea on his parted lips. The walls and dra~- 
peries of the room give an olive-brown and green background. \ a 


Deere eee 


SST YT 


ata ct 


Signed at the lower left, Duvercrr. — 


To be sold to close an Estate. 


HERMANN HERZOG 
GERMAN: 1832— 


No. 159— NORWEGIAN MOONLIGHT 


Cee ve Height, 14 inches; width, 12% mae: (3 a eee 
A MOUNTAIN stream, narrow and with the forcé of a small eto into 
view at a high horizon, tumbling over a cliff and rushing forward dewn a gully 
or natural open flume, in a pinkish-brown and gray-white smother of tossing 
foam, under the light of a full silver moon. On its banks are three mills, one 
high on the left and one midway below it, the other at the foot of the fall — 
on the right in the foreground, each showing a reddish-yellow lamplight through 
a window. On either side are tall green conifers, and a spire of smoke rises 
from a chimney. ; 

Signed at the lower right, H. Herzoe. 


Owner, Estate of the late Franx S. Bonn. 


. 


Amarth 


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UNKNOWN 


No. 160— AT THE WINDOW 


(Panel) 


A YOUNG mother in a white satin gown, décolleté, trimmeW with blue and with 
a wide, lace-bordered Elizabethan ruff, is sitting in a carved armchair uphol- 


stered in green and gold, before a wide window. She is turned toward the left, 


three-quarters front, and is seen in a strong light, her face in profile as she 
looks brightly up with animated expression at a standing cavalier who with 
his hand resting on the window-sill leans toward her. He is in brave sixteenth 
century costume, his spurred boots with deep cuffs and lace tops. At the lady’s 
knee is a child in pink. The window gives upon a park wherein another build- 
ing 1s seen. | 


To be sold-to close an Estate. 


L. BARTOLUZZI 


ITALIAN: CONTEMPORARY 


No. 161— - VENICE 


isha Height, 17 inches; width, 84 oe (24¥ 


A sTreet and-canal extend straight away from the spectator, the narrow fonda- 
menta on the left partly in shadow of the houses, the water on the right bright 
blue under a glowing sky and mottled by Peatctions of yellow and brown sails 
of various boats. Buildings closing-in the distance are pink and white with 
green blinds, and trees grow in the gardens. On the sidewalk are various 


figures. 
Signed at the lower left, L. Barro.uzzt. 


Owner, Mr. L. Crist Deimonico. 


Height, 11 inches; length, 141%, inches ) /9. Noes ype 


FREDERICK ARTHUR BRIDGMAN, N.A. 
AMERICAN: 1847— 


No. 162— MOORISH LADY R 


eee pacts Height, 14 inches; width, 101%, inches (/ 


Sue is young and fair, with 
large, tired eyes which look 
dreamily at her observer, and 
sensuous mouth, the lower part — 
of her face scarcely veiled by the 
white gauze which enwraps it and 
winds in many folds about her 
brown-haired head. She is pice 
tured at three-quarter length, 
seated and facing the front, her 
right elbow resting on a yellow 
cushion, the hand supporting her 
leaning head at the temple, while — 
her left hand crossing her breast — 
lightly clasps her upper right 
arm. She wears soft gray and 
greenish silken robes ornamented 
in blue, red and green, and is 
seen with the light falling from © 
the left and against a dark- * 
greenish background. 


Signed at the lower left, F. A. Bripeman. 
To be sold to close an Estate. 


LOUIS MOELLER, N.A. 
AMERICAN: 1855— 


No. 1632 “NEWS FROM THE FRONT” 
] 0 aoe Height, 12 inches; length, 16 inches 


THREE countrymen are seated lazily on the ground about the foot yy. a (Se 
only a few feet of whose gray trunk is visible in the picture, a couple of idle 
shovels leaning against a brush fence at one side. Two of the men are listening 
while the third reads to them some interesting news from a newspaper, the 
reader and one of his auditors smiling over it while the other man seems much 
less happy. The sunlight is bright and the men’s slouch hats partly shadow 


their faces. 


Signed at the lower right, Lovuts Morvier, N.A. 
Owner, Mrs. ADELAIDE C, JOHNSTON. 


PETRUS VAN SCHENDEL 
Dutcu: 1806—1870 


No. 164—THE APPLE WOMAN—Cayoieuicur Errscr 
(Panel) 


ee . 
— 
S O . Height, 16 inches; width, 12 inches Sd. = 


Ir is night, and the seller of apples, a young woman of matronly aspect, has a 
candle burning over her basket of ripe red fruit, the light from the brilliant 
flame illuminating not only the apples but as well the features of the merchant 
and of a woman who is pricing her wares. The apple woman is seated on the 
left, facing to the right and seen in profile. She is modestly dressed and wears 
an apron and a string cap. Her customer, in bonnet, veil and dark street 
cloak, stands facing her, turned three-quarters toward the front. 


| Signed at the lower right, P. van ScHENDEL, 1862. 


Owner, Estate of the late Franx S. Bonn. 


UNKNOWN 


FiLemMisH: E1GHTEENTH CENTURY 


No. 165— A SCENE IN THE NETHERLANDS 


Soe Height, 13 inches; length, 17 inches (ee 


In the foreground a bush-bordered road skirts a small lake “which expands 
from a canal or river, and on the left an exquisite in silk and short-clothes 
is walking with elegant deliberation, while at the right is a bumpkin in charge 
of three head of cattle, followed by a barking dog. To left of the lake is a 
park of young trees and numerous figures are seen in that direction. Beyond 
the lake is an extensive establishment, with houses, stables and windmills, en- 
closed within brick walls and reached by a brick bridge of many arches. A 
horseman is coming over the bridge and two persons are out on the lake in 


a boat. 


| Owner, Coronet S. Harrison, Kent, England. 


ARMAND CHARNAY 


FrencH: CONTEMPORARY 


No. 166— BOATING PARTY 
4 U or Height, 1214 inches; leng 8, # isa 


Tue foreground is occupied by a pond, lake, or the expansion of a/fiver, below — 
a broad dam over which the water falls in white foam. In the middle distance, 
beyond the dam, is an ancient gray mill with slanting roof, seen against a 
high green and yellow. wooded knoll, and on the right of it some tall trees — 
whose light foliage is autumn-tinted partly screen round-towered buildings, ~ 
gray, red and brown. On the lake whose rippling surface is dotted with parti- 
colored reflections and green leaves of lily pads, a party of eight women and 
children are out in a long green punt, which a woman in black is poling. A boy _ 
leaning over the side has just netted a big fish, and a lot of ducks disturbed 
by the commotion are hastening shoreward, while several persons on the 
land look on. : ae; 
Signed at the lower left, A. Cuarnay, 
To be sold to close an Estate. a 


— 


L. M. KILPIN 


EncuisH: CONTEMPORARY 


No. 167— ENGLISH LANDSCAPE 
: (Water Color) 


3 So Height, 13 inches; length, 191%, inche (Seryaet ine 
Turovueu a broad valley which on the right is Whe, y wooded hills of ee 


gentle slope a sinuous river takes its wandering course amidst fertile meadows. 
A single sail is seen on the stream, and in one of the green fields haymakers 
are busy. In the distance an important building group appears in a mild 
purple haze, and in the foreground a narrow footpath leads through a sloping 
green field thickly dotted with blooming wild flowers, down to a bend of the 
river. 

Signed at the lower right, L. M. Kirrry, ’01. 


Owner, Estate of the late Epwarp R. Perkins, Ese., formerly First Vice-President of 
the New York Life Insurance Company. 


| 
H 
) 


J. VAN COUVER 


Dutcu: ConreEMPORARY 


No. 168— _ THE WINDMILL 
“ Height, 18 inches; width, 14 gyre Oe oy 
A ratx windmill of polygonal structure and conical form with roun ke top, 


rises boldly near the center of the picture, on the left of a canal or river which 
is gray with reflections of clouds that almost shut out a bright blue sky. The 
mill has several stories, and its walls are greenish-gray and brown, and 


rusty, and its dark shadow comes forward across the water. About are boats, 


and gable-roofed cottages, and in the distance are indicated other buildings 
of a town. ; 
5 Signed at the lower left, J. vax Covuver. 


Owner, Coronet S. Harrison, Kent, England. 


LEON RICHET 
Frencu: 1847—1907 


No. 169— A FARM POOL 
(Panel) 


/ /_ Height, 14 inches; length, 20 wie or ee) 
RL 


Iw a clearing in a wild part of France a shallow pond appears in the cen be ye 
of the picture, its mirror surface almost black in the shade of trees near 
its borders and bluish-gray where it reflects the clouded sky. To left of it 
in the middle distance a substantial gray cottage with brown thatch and 
red tile roofs stands in the shelter of thick trees. Blossoming bushes appear 
in front of it, and more trees across the line of the horizon, and approach- 
ing it from the pond is a peasant woman whose blue, red and white costume 


is mirrored in the water. 
Signed at the lower right, Lton Ricuer. 


Owner, Cotonet S. Harrison, Kent, England. 


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HENRY PEMBER SMITH 
AMERICAN: 1854—1907 


No. 170— A SPRING MORNING 5% 


GS Height, 14 Leer ite 7 Ta rs Yt, é 


SLENDER trees are sending out fresh young leaves and larger trees are in- 
fuller leaf, and all is green and luxuriant on a sunny spring day. Grass 
and weeds and wild flowers flourish in the foreground, and the purple blos- 
soms of a vine appear against the foliage of a tree. A narrow stream flows 
across the landscape in the middle distance, and beyond it the land rises © 
in a low hillside with a cluster of trees growing near the center. 


Signed at the lower right, Henry P. Smiru. 


Owner, Estate of the late Dr. S. G. Perry, New York. . 


WALTER CRANE, R.W5S. 
Encuisu: 1845— 


No. 171— THE OLD BRIDGE 
(Water Color) 


eee Height, 15 inches; length, 21 inches . 
4 g g . 


Aw old bridge of red and mottled brick extends across the picture, spanning 
in two low and broad arches a sparkling shallow river. On the bank of a 
low grassy island that projects into the stream from the foreground a man 
in outing clothes sits fishing, his dog beside him, and at the left a man has 
brought two horses into the water to drink, riding one of them. On the bridge 
an old man stands looking down over the rail and two women are walking away. 


Signed at the lower left with the artist’s monogram and signature, and dated 1908. 


Owner, Coronet S. Harrison, Kent, England. 


eee se oe = ree 


=G, BETTINGER 


CoNTEMPORARY 


“THE DOCUMENT BUREAU 
(Panel) 


SS Height, 18 inches; erat, 1434 inche 
L with long curling brown locks, in all the ae tes of his t i 
is paying a visit to an elaborately carved cupboard wherdin are 
mes of parchment documents. He turns to look over his shoulder 

if, anyone has entered the room, which brings his face into view and 
; that study is not exclusively his pursuit and that documents indeed 
oy good things. From an upper shelf his Eminence is withdrawing 


Signed at the lower left, G. Brrrincrr. 


chased from the artist, 1902. Lox. Les ASKX4 
order of Prince & Naruan, Attorneys for the owner. » 


PAUL SEIGNAC 
Frencu: 1826—1904 
No. 173— THE CARD HOUSE 


(Panel) 
y, Sue) Ge Height, 1534 inches; length, 19 


inches 
j 7 
. 


Four small French children, three girls and a bé y, are amusing themselves 
in a cottage room which has gray plastered walls and brown tiled floor. They 
are gathered about a wooden table, in the light of an open casement window on 
the left, the boy seated, a dark-haired girl holding a blond baby sister on her 
lap, opposite, and a brown-haired girl standing behind the table and build- 
ing a house of playing cards while the others look on. On the walls are 
military pictures, and sundry utensils of stone and metal arranged in subtle __ 
harmonious values. 
Signed at the lower right, Seienac 


To be sold to close an Estate. 


EDWARD L. HENRY, N.A. 
AMERICAN: 1841— | 


No. 174— WAITING FOR THE FERRYMAN 


3 y 4) oe Height, 13% inches; length, 23 eH () ae 


A HIGH spring carriage with folding side-steps which are let (down, drawn 
by a team made up of a white and a brown horse, is standing’athwart the 
view in a country road paralleling a river. Out in the stream a man is labori- 
ously poling an old flat-boat which is the primitive ferry of the place. An 
old-fashioned man and ar old-fashioned lady in her finery are standing near 
the carriage and a boy and a young woman remain seated within it. 


y WL 


Signed at the lower left, E. L. Henry, 795. 


By order of Prince & Natuan, Attorneys for the owner. 


EK. W. GANNETT 


AMERICAN: CONTEMPORARY 


No. 175— STILL LIFE 


2 ee j Height, 14 inches; eee ro. 
e, a 


SEveERAL large, fine-looking, juicy onions are lying in a small pile on a floor 
or table—perhaps at the side of a bin. The floor is gray, and the back- 
ground one of brown boards. The onions themselves, in their own reddish- 
brown, pale green and white coats, brilliant white where the outer coatings 
have been removed, lie partly in the sunlight and partly in transparent shadow, 
and a few of the long bright green leaves or stems by which they have been 
plucked up remain with them. 


>} 
line 
Owner, Grorce J. Corperr, Esa. 


Signed at the lower right, E. W. Gannerv. 


PHILIPPE BENOIST 


FRENCH 


No. 176— NAPOLEON’S TOMB 


i Height, 20 inches; width, 15 inches ae 2 
7 . 
TH 


picture of a magnificent shrine shows the Rotunda of the church at’ the 
Invalides at Paris, and is of historic and architectural interest. The people who 
have gathered here have uncovered their heads, for in the sarcophagus below, 
guarded by sculptured angels and surrounded ae Dathle ae of Fr ace sleeps 
—if that active and ambitious spirit can the Man 
of Destiny. 


e Signed at the lower right, Pu. Benorsr, 1863. 


From the William B. Bement and Emerson McMillin Collections. 
By order of Moses Exy, Ese., Attorney for owner. 


Wdlaan. 18. Bonin brtt Yur hoth 1899-41274 PISO 7 “é. Siw Sulla 
Syren Ie bull holt. Just horh 19/8 120-4 BAAS, po. Listing 


GEORGE HERBERT McCORD, A.N.A. 
American: 1840—1909 } 


No. 177— AUTUMN LANDSCAPE 


ae Height, 16 inches; length, 20 WL, + - * 
PO aC © AD tae 


In the left of the foreground the remaining a on a stout but scrag; 
tree is brown and red after the first frosts, and under the tree a boy and _ 
girl are nut-gathering. The ground here is in transparent shadow of a small 
and open wood. Over the tops of the trees the sunlight strikes down on a broad — 4 
open yellow-green field in the middle distance, where a large gray farmhouse oe 

two red chimneys is seen against more distant trees. 


Signed at the lower right, G. H. McCorp, A.N.A. © a 


Owner, Mrs. Ape.aipe C. JOHNSTON. . BEN 


ARTHUR HOEBER, A.N.A. 
AMERICAN: 1854— 


No. 178— LOW LANDS 
(Water Color) 
ee Height, 15 inches; length, 22 inche (? ae 
_ Vr. borne 


Au about, wherever the eye sees, the land is low and quite flat, relieved by 
gently rolling surfaces. On the right in the foreground a light green meadow 
comes down to winding water whose surface is bright with reflections of light — 
grayish-white clouds that overspread all the sky. Across the water white — 
buildings with red roofs are glimpsed beyond low green banks, and in the right 
middle distance at a bend in the stream some scraggly trees grow near the © 


water’s edge. 
Signed at the lower right, Artuur Hoeser. 


Owner, Estate of the late Dr. S. G. Perry, New York. 


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CHARLES WARREN EATON, N.A. 
AMERICAN: 1857— 


No. 179— MOONRISE 


; = i oe Height, 16 inches; length, 22 eee 2) BROS 


Pate yellow, and bright, the full moon is rising while yet it is daylight, her 
golden orb just appearing above a horizon band of purplish-gray cloud tinged 
with mauve. Her light makes a golden path of reflections across the water 
of a small pool in the foreground, which lies a cool bluish-gray in the midst 


of a meadow of long deep grass. Against the cloud bank a house is silhouetted, 


and on the right shadows deepen amongst trees growing at the foot of a low 
ridge. | 
f: Signed at the lower right, Cuas. Warren Eaton. 


Owner, Estate of the late Dr. S. G. Perry, New York. 


JAMES McDOUGAL HART, N.A. 
AmeERIcAN: 1828—1901 


No. 180— TREE IN THE MEADOWS 


Height, 15 inches; length, 23 inchef) of. ) 
wag ’+ f | oe tecdorg 


A wIDE-sPREADING tree with graceful branches and near the center of the 
composition, beside a small pond or shallow wandering brook in a broad meadow 
tract where many cows have pasturage. They are grazing all around, or 
lying by the water’s edge, or seek the grateful shade of the tree. Elsewhere 
are more trees, thick ones which throw the left of the picture into shadow, 
and detached ones far out across the sunny meadows. 


Signed at the lower left, James M. Harr. 


Owner, Mrs. Marks ARNHEIM. 


KASTMAN JOHNSON, N.A. 
AmeERican: 1824—1906 


No? 18]-— - THE FREEDOM RING 
+7 Come | Height, 17% inches; ie inches 


Tuis painting is essentially historical, and of most direct 
It is a pictorial epitome of Abolition days in the North, a chromatic re 
cence of one of the most picturesque and forceful figures of the time. Henry 
Ward Beecher caused it to be made. A few remaining oldsters may remember 
the intense enthusiasm of that February episode of 1860 when Mr. Beecher 
“sold” at auction in Plymouth Church, Brooklyn, “Little Pinky”—tinctured 
daughter of a white father—to prevent her being sold in the far South by 
her owner. 
“Rain never fell faster than the tears of the congregation,” and the pretty — 
child was “bought” many times over. Into the basket of payments was thrown 
a valuable ring—its giver the later famous writer, Rose Terry Cooke—and 
Mr. Beecher, picking out the circlet and placing it on Pinky’s finger, made the 
solemn pronouncement: “With this ring I do wed thee to Freedom!” 
That the event might be suitably commemorated, Mr. Beecher subsequently — 
in person took Pinky for sittings to the studio of Eastman Johnson, then in 
University Place. 
In the picture a small, bewildered girl is seated on a fur rug on the floor, near 
an open chest which stands against the wall, and looks wistfully and pensively 
at a ring so large that it has been placed on the first finger of her right hand. 
She has a mass of brown hair and wears a dark striped skirt and waist and a 
bright red sacque or cape. 

Signed at the lower left, E. JoHwnson. 


Owner, Estate of the late Tuomas Hrircucocxk, Esa. 


WILLIAM H. BEARD, N.A. 
_American: 1825—1900 


No. 182— HOME FROM THE POLLS 
Har27 — —¢ Height, 16 inches; length, 24 ey QB ee 


One of the series of satirical caricatures in which the artist “made a monkey 
of man. Home to his dooryard comes an enthusiast who has been to the p if 
his clothes in tatters, one eye closed, a crowd of hangers-on who have followed 
him leaning on the board fence in gaping curiosity still unappeased. His old 
_mother grabs him, shocked, his father stands in judicial pose aside; small 
brothers and sisters stare ae yawp. With monkey faces terribly human, all. 


Signed at the upper left, W. H. Brarp, 1895. 
By order of Prince & Naruan, Attorneys for the owner. 


M. ANGELO HAYES 


IrisH: CONTEMPORARY 


No. 183— -| THE NOONDAY REPAST 
F (Water Color) 
3 Se WS = Diameter, 25%, inches 


A ptowep field of rolling land extends across the picture 
beyond it, the top of a farm-house is visible, with smoke 
chimney. In the foreground a young farmer is seated on a grass patch eating 
his dinner which has been brough to him by a young woman in a striped 
waist and wearing a red shawl, who sits beside him. His black and bay team 
are feeding at the same time. 


Ber mer 
, fond at the left, 
urfing from the 


ie On the back a certificate with the artist’s signature showing that the picture won 
a prize at the Dublin Art Union Evhibition, payable at the Royal Hibernian 
Academy. 


Owner, Coroner S. Harrison, Kent, England. 


CHARLES F. PHELAN 
AMERICAN: 1840— 


No. 184— SHEEP 
lA 4] ot. “4 Height, 1534 inches; length, 23%, iy Peeve 
In a green meadow bordering a yellow grainfield a rail a of sheep are 
seen in subdued sunlight, on a day when many gray clouds almost conceal 
a bright blue sky. Half a dozen of the animals, with thick brownish-gray coats, 
are grazing in the foreground, and others are lying in the grass in the middle 
distance beyond a bushy and leaning tree. Beyond the grainfield is a group 


of farm buildings. 
Signed at the lower left, Cuas. F. PHeran. 


Owner, Estate of the late Dr. S. G. Perry, New York, 


JULIAN RIX 
American: 1851—1903 | 


No. 185— ROAD ALONG THE WOODS 


D754 Height, 18 inches; lengt > 6 inch F 
= AM 


THE specta or. 
looks throu 
clearing, where the 
uneven ground is 
green in varied 
tones, largely dark, 
and dotted with 
dark brown patches. 
On the right, in 
middle distance, are 
dark. woods, while 
nearer at hand on 
the left a line of 
trees projects into 
the picture, strong- 
ly outlined against 
a greenish-blue sky filled with active white and tinted clouds. Leading from 
the foreground a gray earthen road winds past the projecting trees, and in the 
distance loses itself in the forest. 


Signed at the lower right, Jutian Rix, 797. 


Owner, Estate of the late Dr. S. G. Perry, New York. 


WILLIAM MARK FISHER 


AMERICAN: CONTEMPORARY 


No. 186— THE SHEPHERDESS 


lo () ‘s Height, 16 inches; length, 23% ee ; 


{ 
J Nee 


In a somewhat wild and broken country a broad tract slopes gently forward, 
cut transversely by a narrow brook and supporting various bushy and slender 
trees and some bunches of field flowers. A flock of gray sheep are grazing 
toward the right, and in front of them some white ducks are waddling up out 
of the stream. In the foreground toward the left a stout peasant woman 
has gathered tenderly into her arms a new lamb, while a ewe sticks close to 


her side. 
Signed at the lower left, Marx Fisner. 


Owner, Henry Dattry, Esa. 
’ 


J. G. BROWN, N.A. 
2 American: 1831—1913 


No. 187— THE YOUNG PEDDLER 


Sov = Height, 24 inches; width, 16 aa Gs &, 
oa : : eee ac le 


A urtLe black-haired girl with large, 
dark, tired and wistful yet smiling 
eyes, whose hands show labor, is 
seated on a box beside a small fruit 
stand which she is attending. A red 
scarf or shawl is thrown over her 
head and her green skirt is torn. Her 
figure faces the front, her head is 
turned slightly toward the left. Her 
fruit stand contains apples red and 
green, oranges, grapes and bananas, 
and an additional supply is in a bas- 
ket underneath. 


Signed at the lower left, J. G. Brown, 
N.A., 1886. 


Owner, Estate of the late Enwarp R. Prr- 
Kins, Esa., formerly First Vice-Presi- 
dent of the New York Life Insurance 
Company. 


HENRY PEMBER SMITH 
AMERICAN: 1854—1907 


No. 188— LATE AFTERNOON 


Height, 16 inches; length, 24 inc 
i aie. : : ie Ry ow we 
Tue foreground is in shadow. Just beyond it on the right an ancient oak ~ 
in the sunshine throws its shade upon a low gray cottage with a brown roof 
and red chimney, toward which a woman old and bent is moving slowly. 
Both tree and cottage stand at the head of a body of water which passes 
out of the picture in the left distance, its shore on the right, beyond the 
house, lined with trees which share in the sunlight, their forms reflected in 
the water. Light clouds move in a pale blue sky, and in the shadowed fore- 
ground a bit of water is gray with reflections from above—an offshoot of the 
larger body, or the pool of a spring issuing from under a purplish-gray rock 
in a rough field of wild growths. 
Signed at the lower left, Henry P. Smirn, ’85. 


Owner, Estate of the late Tuomas Hircucock, Esa. 


HUBERT SALENTIN 
Prussian: 1822— 


No. 189— THE LETTER OF RECOMMENDATION 


/ ay) Kon Height, 23 inches; Oe pre) tenn 


Tue interior of a dusky blacksmith’s shop is lighted from a window on the 
left. An aged smith has turned his back to the window and rests against the — 
bench under it, to read a letter of recommendation presented by a sturdy 

youngster who stands with arms behind him bravely awaiting judgment. He 

wears a green jacket, red waistcoat and brown breeches, and a white cap, 

and his “duds” are rolled in a plaid bundle that he has set on the floor at 
his feet. The blacksmith, who is reading the letter intently, has his shirtsleeves 

rolled up and wears a yellow brown waistcoat, a cap, and a leather apron 

suspended from his neck and belted. 


Signed at the lower left, H. Satentin, DvussexporF, 1863. 


To be sold to close an Estate. 


HENRI A. LAISSEMENT 


FRENCH: CONTEMPORARY 


No. 190— ‘THE CARDINAL’S PHOTOGRAPH 


/2e0 = Height, 25, inches; width, oe inches 
6 BM\_ 
Unver the arches of a large glass-roo ed ae nd the spreading 


fronds of palms, a camera is set up on its tripod, pointed“ in the direction of 
the spectator, and a tall cardinal is making the exposure. He is old and of 
rugged features and he smiles encouragingly as he bids his sitter look pleasant. 
His efforts are encouraged by two brother cardinals sitting on a bench amid 
blossoming flowers beside him, both of whom wear sympathetic smiles. 


Signed at the lower right, H. LatsseMEent. 
/1097§ ~ Purchased from the Hust h 1906 ~Mfed, fad av JUASXX% 


By order of Prince & Naruan, Attorneys for the owner. 


JAMES G. TYLER 
AMERICAN: 1855— 


No. 191— STORM ON LAKE ONTARIO 


7, “eS Height, 17 inches; length, 30 ae ay 
gens pe 


_ Tue great lake is heaved into rough billows which are driven shoreward in 
the direction of the spectator, combing in long, irregular lines of white he 
they come in, and their body hue changing from deep, dark blue to emerald- 
green. At the left they dash against a pier, the drift and smother reaching 

high above it, where a man standing near a signal post peers out at a 
schooner laboring under shortened sail not far off a lee shore. 


Signed at the lower right, James G. Tyter. 


“Owner, Mrs. ADELAIDE C. JoHNsTON. 


AES Ps 


seni ecsas_innacathdt ees eneinen the tan toe ca canal iead dae teeta eon tate ee 
7 ee he ¥ = brs, . 
= 2, ve pce, mie ed. a b 
te Tk “ Ke ary See ae 


SARKIS DIRANIAN 


AMERICAN: CONTEMPORARY 


No. 192— THE GIRL WITH THE GREEN EYES 


ee 
4 me attractive young woman is seen at half length “BF inst a conventional back- 
ground of dark green touched with red-brown and yellow. With her figure 
turned slightly toward the left and her head poised over her left shoulder 
i she looks smilingly at the observer from her bright green eyes, her left hand 
iz raised to her chin. Her long light brown hair is allowed to fall loosely about 
& her nude shoulders, where it mingles with a flame-colored shawl and her filmy, 
décolleté waist, and the broad upturned brim of her large hat lets the light 


fall brightly on face and figure. 


~ 


Height, 28% inches; width, 21 “y 


Signed at the lower right, Sarkis Drrantan. 


Misb~ Purchased from the artist, 1907. hor. BNX%X 


By ordee of Prince & Natuan, Attorneys for the owner. 


W. BILDARY > 


No. 193— THE HUNTING PARTY 
(Panel) 


= Height, 264, inches; width, 211 jmyhes 
Peau: 


THE spectator looks upon a wild country, on the Cea he: tall trees, 
on the left a wooded knoll; in the distance more wooded hillsides. In the 
middle distance, coming up a rough road around the corner of the hill on 
the right, a mallant hunting party in bright costumes are galloping homeward — 
from the chase, toward a park gate which appears in front of the knoll on ~ 
the left, the approach to the gate being a narrow bridge over a brook. Here _ 
an attendant is sounding his horn to announce the return, and others are 
coming up fetching the falcons and hounds. a 


oy ae 


Signed at the lower right, W. Biipary. 


To be sold to close an Estate. 


JOHN BAGNOLD BURGESS 
Encuisyu: 1830— 


No. 194— SPANISH LETTER WRITER 


) via Height, 20 inches; length, 28 (3 he 


Tue ancient scrivener sits facing the spectaigh yr, behind a table Aton in a 
paved passage abutting on a crooked Spanish ae The feather end of his 
quill is poised at his lips as he squints at a love-lorn dark-eyed maiden who is 
at a loss to tell him what she wants to say. An old wife whispers in the 
writer’s ear, a young woman offers suggestions to the confused girl, and other 
young girls and women are enjoying her perplexity, while a young man leans 
against the neighboring wall, near its corner beyond which some donkeys — 
i and persons are seen in the street. Nine figures appear in the group about 
the table, most of them in brilliant Spanish colors. 


Signed at the lower right, J. B. Burcess. 


Owner, Estate of the late Tuomas Hitrcucock, Ese. 


JULIUS ROBERT BEYSCHLAG 
Durcu: 1838— 


| (195— THE LOVERS 


NU 
0 da 
- a a we. ‘ Height, 28 inches; width, Bee 4 


UNG man in Betts and velvet cloak and cap, and a fAjr pe lady im 


ae oe a Book. rest on a rustic bench where the lovers have been 
ning. He is engaged in carving initials within a heart in the bark of 


1 ancient birch, his inamorata leaning affectionately on his shoulder. 
. WeSe 


= fi~s Signed at the lower right, Rosert BryscHuac. 


Be Owner, Estate of the late Tuomas Hrrcucocx, Esa. 


EK. LOYAL FIELD 


AMERICAN: CONTEMPORARY 
4 No. 196— GLEAM 


Height, 20 inches; length, 30 i 
aay ve eee eS ey iC / nth 
at Sj 


Humste cottages with thatch and tile roofs are seen at) the left of a quiet 
country road on the outskirts of a village, a gleam Wf’ the last light of 
day illumining the face of one and parts of roofs, and a patch of the grass- 
bordered road where a solitary man in a heavy cart is driving slowly home- 
ward. In the foreground is shadow, and at the foot of the road the village 
is dim in the dusk. 

Signed at the lower right, E. Loyar Frerp. 


Owner, Mrs. AveLAipe C. JOHNSTON. 


SARKIS DIRANIAN 
AMERICAN: ConTEMPoraRY 
No. 197— AMONG THE ‘FLOWERS 


Height, 21% ch length, 


= Ces. 
7° BLOND-HAIRED young woman with delicate pink c eels a 
eyes, is seated before a mass of greenery and flowers, making 
sleeves of her bright orange-vermilion waist are rolled up— o the 
she holds in her teeth a string with which she is tying a bun 
while others lie across the blue apron on her lap. : 


a 


By order of Prince & Naruan, Attorneys for the owner. 


551 bnighhe from Attics, tov 19074 $NNX 


JAMES E. GRACE 


¢ 
EneuisH: CONTEMPORARY — 


No. 198— HENLEY ON THAMES 


feet yee Height, 20 inches; length, 30 
Srtvery birch trees in the right foreground 

foliage before a sky where mauve clouds mingle with white and gray, 
bent and graceful branches lean over a back-set of the river which o 
the rest of the foreground and extends to a middle-distance marshy : 
Grasses and reeds green and yellow project over the surface of the 
and ducks are swimming in it, and in a rich meadow beyond cattle are w 
ing, and blue hills bound the distance. 


Signed at the lower left, James E. Grace,, 


Owner, Estate of the late Tuomas Hircucocx, Esa. 


pa bes spat eat ed felt dia ful Tham i= may " aoe yn ~ 


ALFRED CORNELIUS HOWLAND, N.A. 
AMERICAN: 1838—1909 


No. 199— AUTUMN LANDSCAPE 


my /) Be Height, 301% inches; width, 244), ine “ta yy 
a; ae 


In a partly shaded foreground a shallow, limpi Brea aetsiets Eebhinig over 

stones. On the right a young girl is seated on a grassy slope near a group of eu 
slender trees, a younger child standing beside her, and on the left at the foot 
of a bank a tall and bushy tree rises dark against a bright sky filled with 


soft gray clouds. Beyond in a sunlit meadow cows are feeding and in the 
distance can be seen a white farm building. 


Signed at the lower right, A. C. Howtann. 


Owner, Estate of the late Tuomas Hrrcncock, Esa. 


ALBERT INSLEY 


AMERICAN: CONTEMPORARY 
No. 200— THE CLOSING DAY 


rn 4) 0 Height, 20 inches; length, 32 inch Bice. 
~—/ 


An open stretch of wild land appears in a fading light. At the left. 
of a wood comes into the picture, with gray rocks at its border, on 
of a grassy hollow in which a streamlet appears in the immediate 
The trees of the wood are partly green and partly turned to 
yellow, and detached trees and surface growths in the dim d 
out a greenish-yellow against the darkening sky, or reveal dull vee 
in the deepening shadows. 


Signed at the lower jee 


Owner, Estate of the late Dr. S. G. Perry, New York. 


FRITZ THAULOW 
Norwecian: 1847—1906 


PRAT RER RICE INE BE SOE MRE emt I 


No. 201— A VENETIAN CANAL 
(Panel) 


NX 
Ces Saree Height, 33 inches; w “Gp lrG re 8 oe 


Tue dark green water of a canal which fills the 7 and occu c 
a considerable portion of the picture is dappled broadly and_ heavily with — 
varicolored reflections of the walls of palaces and houses which extend across — 
the view, backward in a diagonal line. The ancient walls are cream-yello . —- 
dark red, rich green, brown and of various purples and pinks. Three : a a 
the tall picturesque posts of several colors stand near the foreground at t | 
right, and next them is a gondola, with the gondolier worse in it. 

brief patch of sky is visible over one of the roofs. 


Signed at the lower left, Fritz THAvLow. 3 
+ 


Owner, Coronex S. Harrison, Kent, England. 


FRANK DE HAVEN, A.N.A. 
AMERICAN: 1856— 


No. 202— DAWN 


Ba oe Height, 24 inches; length, 39 inches z (3 
: / Site, 


A xarcE but low gray farmhouse with a velvéty green apd brown roof, the 
house built as an elbow and with an additional wing, is perched on the 
brow of a hill, and the spectator sees it against a deep blue sky with nebulous 
clouds, just brightening in the first rays of the morning sun. The house 
itself and the broad hilltop which forms the foreground remain partly in 
the dusk, while the dark trunks of scraggly trees are yellowed where the 
early rays of the rising luminary reach them. 


Signed at the lower left, F. Dr Haven, 1900. 


Owner, Mrs. Apetaipe C. Jornston. 


( | RUDOLPH EPP 
GERMAN: 1834— 


No. 203— THE GREEN HAT 


Height, 364 inches; width, 22 fiches , 
we | . (F ee ores) otro 


A BRicHT-FACED young lady hardly out of girlhood is seen head and bust, 
her figure turned to the left, three-quarters front, and her head turned to 
the right as she looks over her left shoulder at something some distance 
from her. She has large brown eyes and brown hair. Her hair curls about 
her temples, beneath a large green felt hat trimmed with a red flower and a 
white feather, and hangs in a long braid which is brought over one shoulder. 
Her brown waist is trimmed with red and green and she has a striped silk 
kerchief about her shoulders, loosely knotted and lightly revealing her bust. 


ee o So we oem 
" F 3 . é a 
y we 48 t 


Signed at the lower right, R. Epp. 


Owner, Mr. L. Crist DetmMonico. 


WALTER BLACKMAN 
American: 1847— | 


No. 204— THE EVENING HOUR 


ce finca dl oe 
Tue waters of a broad harbor are placid at be evening hour, 
face just rippling sufficiently to split the fading Itght of departi 
the shimmer of the golden moon, which is rising in the full just | 
horizon, into multicolor Pe under a sky where strange su 
linger. A harbor light appears, raised on a clump of spiles, and it 
tance a low, hazy shore, while here and there lying quietly on the 
dark boats with lateen sails of red, yellow and gray. 


Height, 36 inches; une 8 inches 


Signed at the lower right, Warter Bi 


Owner, Estate of the late Epwarp R. Perxrns, Esea., formerly First Vice-Pre. 
the New York Life Insurance Company. 


JOHN T. PEELE 
Encuisu: 1822—1897 


No. 205— CHILDREN AND KID 


Height, 281, inches; length, 374 
3 Joyg g /: g 

Two bright little girls, one with reddish-golden and the other 
brown hair, are out in the fields on a bright summer day whey 
clouds pass across a deep blue sky. One, kneeling on the groun at the Too 
of a tree, who wears a rich green skirt, and a gray hat with a feather onda 
a pink ribbon adorning it, has thrones a chubby arm over the back of a_ 
brown kid, the other arm encircling its neck, and she looks smilingly over 
pet’s back at the spectator. Her companion, hatless and in a red dre 
is reclining on one elbow on the ground, munching an apple which she om 
holds up to tempt the kid to a nibble. La 
Signed at the lower right, J. T. Peete, 1862. 
Back of canvas inscribed: “Children and Kid,” | 
painted by J. T. Peele, Eastfield Hoi 

Douglas, Isle of Man, Feb. 1862. 4 


Owner, Estate of the late Tuomas Hircucock, Ese. 


E. VAN LEEMPUTTEN 
Berean: 1850— 


Jag 206— PLEASANT PASTURES 


ag, ae Height, 2514 inches; length, a AYA Y 


ae pastures of the Lowlands fill the foreground and middie /Aistance, and 
fat sheep with rich brownish-gray wool—one with a black face—are grazing 
or lying down comfortably in the deep grass. A shepherdess in black, with 
blue apron, scarlet shoulder-wrap and white Dutch cap, stands amongst the 
muttons, looking off to the sea or broad river which skirts the pastures 
on the left, her dog’s gaze taking the direction of her own. Out there a 
steamer is moving slowly, and farther off some sail are seen near a distant 
___ low point of land. On the right beyond the pastures the distance is taken 

'- up by the skyline of a large city. The day is sunny, and masses of fleecy 
cloud tinged with color float before a robin’s-egg sky. 


Signed at the lower right, EK. Vaw Leempurren. 


Owner, Mrs. Marks ARNHEIM. 


CLEMENT A. GRANT 


AMERICAN: CONTEMPORARY 


No. 207— | THE OLD WITCH 


foee ss Height, 28%, inches; length, 48 iyi 
CCM ob ee 
Spreap before the spectator is a broad flat ee of hee ry grayish-gréen 
with stubbly wild growths, here and there colored with the blossoms acy 
flowers. It is bordered in the distance by bush or low woods, and in the 
_ foreground on the left the trunks of a bifurcate tree rise out of the picture. 
A sense of stillness pervades the scene. It is twilight and the crescent moon 
is in the sky. In a winding road across the moor three young ladies, their 
gowns blue, white, green, pink and black, stand solemnly in the foregr ound, 
one trying to comfort a companion, while from the middle distance a bent old 
woman with a basket on her arm turns and looks with sinister intentness after 


them. 
Signed at the lower right, and dated 1877. 


To be sold to close an Estate. 


JAMES G. TYLER 
- American: 1855— _ 


No. 208— PLOWING THE OCEAN 


ry, / 0 oe Height, 291% inches; length, “Ye g / 


THE sea is tossing in heavy billows and the spray is blown from thei 

The water is full of shifting color in the varied refraction of it 
movement. Coming on close aboard is a three-master steamship, pl 
good speed through the waves and heeled well to port with the | 
mounting above her rail. She has set her fore staysail and topsail 
spanker, black smoke is issuing from her red-banded SEE 5 and a sea 
seen at work on the fore mainyard. 


= 


Signed at the lower right, James G, 7 


By order of Princt & Naruan, Attorneys for the owner. 


HENRY PETERS GRAY 
AMERICAN: 1819—1877 


No. 209— TITIAN’S MISTRESS—A Copy 


3 Se vs Height, 40 ENT 30 eae ae 


THREE-QUARTER length portrait of a handsome young woman with ovaj/ face,t — 
large eyes and small mouth, olive complexion with faintly pink cheeks, and 
pale lips. She is standing, and facing the left, three-quarters front. Her 
curling chestnut-brown hair is parted in the center and bound about her head — 
with silken ropes, and she wears jeweled earrings with pearl drops, and a a 
long linked neck-chain which falls to her waist. Her décolleté gown, lace- A 
edged, which reveals a full breast, is of rich stuffs, with puffed and slashed 
sleeves, and its colors are the colors of tapestries and of jewels. Dark 
neutral background. 


t 


4 
0 


Signed at the lower left, Gray, rrom Titan. 


On the back of frame is written: From Signor — 
Gray to Borgo San Frediano, Firenzi,— 
27th. May, 1872. 


Owner, Estate of the late Tuomas Hircucock, Esa. 


FOURTH AND LAST EVENING’S SALE 


FRIDAY, MARCH 20, 1914 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.15 o’cLocK 


Mere ED DE HAAS, N.A. 
AMERICAN: 1832—1895 


a : ; OO i? oe 


No. 210— ON A DUTCH BEACH 
| (Panel) 


iz 7 — Height, 4 inches; length, 6 inches of. 


On the left a long low strand projects irregularly into a gray sea, afshallow 
arm of which comes up to the limits of the foreground, its broad ripples 
: whitened by reflections of the sunlight. The low beach is a rich red-brown, 
tinged with green, and seen at low tide, and sailing ships are beached there, 
with numerous people of the fishing population observed at various pursuits 
all around. In the distance higher land borders the sea on the left, and the 
sky is filled with clouds of differing hue. 


by ays . 


Signed at the lower left, M. F. H. pr Haas. 


Owner, Estate of the late Eowarp R. Perkins, Esa., formerly First Vice-President of the 
New York Life Insurance Company. 


ROBERT FREDERICK BLUM, N.A. 
American: 1857—1903 


No. 211— THE CRITIC 
(Water Color) 


ua iS “S Height, 8 inches; width, SY. inches eG rf , 
tnn*w : AALW 


One of the little water colors of the sort which Blum’s a friends always 
liked, this one in gray tones and green, with mere touches pf other color, but 
full of artistic expression. A bewigged gentleman in pale green is seated, facing 
somewhat toward the right but with his back to the spectator, eyeing as a con- 
noisseur a tall ovoid gray vase which stands against a more or less gray-green 


tapestry or wall-hanging. 
: z. aa Signed at the lower right, Brum, 1877. 


By order of Moses Exy, Esa., Attorney for owner. 


RUDOLF GUSTAV MULLER 


GERMAN: CONTEMPORARY 


No. 212— A MOORISH GATE 
(Panel) 


“ ‘al —_ Height, 7 inches; Vi ee 


A Facade of Moorish architecture crosses the picture, a wall on : the 
finishing at a tall gate near the center whose superstructure ee 
the wall, while on the left a lower adjoining building yields a elmpss 
its roof of spires and towers beyond. The gateway is beneath a p 
arch, over which its tile-faced wall is rich with varied color. On the } 
ment below are several turbaned figures, two seated under an awning 
a merchant’s booth and others in the shadow of the gate, outside which 
a camel. The sunshine is strong and the sky a deep brilliant azure. 


Signed at the lower left, Rup. Gusr. Morier, 
Owner, Mr. L. Crist DetmMontco. : 


VICTOR CHAVET 
Frencu: 1822— 


No. 213-- LA BIBLIOTHEQUE 
(Panel) 
ss Height, 13, inches; width,53, inghes 
In his private library a well-set man of Qi, maturity stands Seda 


He is clean shaven and bewigged, and clad wholly in greenish-gray, ee a 
white stock and lavender stockings. He faces the observer, leaning with his’ ba 
left elbow on the bookcase, one foot carelessly crossed before the other, and P 
is in a strong interior light. Bookcase and wooden floor are brown, and “a 

room is brightened by red cushions and draperies and the red, green and — 


gold bindings of the books. 


Signed at the lower right, V. Craver. 
To be sold to close an Estate. ; 7 


~ 


————EeEEeEeEeEeEeEeEeEeEeEeEeEeEeEeEeEeEeEEEpaEe=E=>SEeEeEeeEeeeee ee aa aaa... 
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MAURICE LEVIS 


FRENCH: CONTEMPORARY 


No. 214— LE MOULIN DE BOUTIGNY 
: ; (Panel) 


ao alle age 51% inches; length, 81% inche 
pie {3 W444 1K 


A sHattow mill pond occupies the foreground, grasses Provecting up/through 
it and white water lilies riding on its smooth surface. The wate} is blue, 
mirroring a pale turquoise sky, and dappled with brilliant reflections of grass, 
trees, and the white, yellow, brown and gray buildings which rise on its 
farther shore. At the left are poplars and in the distance hazy blue and 
brown hills, and the whole presents a charming bit of French landscape on a 
lovely summer day. | 

ax Signed at the lower left, Maurice Livis. 


Owner, Coronet S. Harrison, Kent, England. 


GUSTAVE COURBET 
Frencu: 1819—1877 


No. 215— THE LITTLE GOATHERD 


ag) habs Height, 71/, inches; length, 9% my YY En barte 


On the mossy and level grass plot of a dell, ek neta a goat has lain 
down in weary rest and turned to look at the spectator, while her kid grazes 
behind her. Back of the two animals, at the edge of the brush, a little girl 
in a white cap and waist and a yellow petticoat is wandering away from her. 
quiescent charges, with a bundle of flowers, grasses or fagots which she has 
busied herself. gathering. 

Signed at the lower right, G. Courser. 


By order of Moses Ery, Esa., Attorney. 


Yom Kuch Authanan Coll 191% for fleo-7 Ys. até 


R. OTTENFELD 


ConTEMPORARY 


No. 216— - ARABIAN WARRIOR 
(Panel) 


p vee Height, 9 Ta j inches Ce 


A man of firm " fooeaeee : 
swarthy complexion stands fac 
ing the spectator, in a sto 
paved court surrounded — 
ornate architecture in brillia 
colors. The pavement and cer- 
tain walls are a grayish-brow: 
while behind the warrior a buil 
ing is ornamented with blue and 
bluish-green tiles, and displays 
a rich topaz- yellow, and in 
front of it are copings or balus- 
trades of geometric tracery. 
The man is clad in red and — 
adorned with furs and a tall 
feather, and _ carries hele 
~ sword and dagger. 


ee ot 


MEAN 


Signed at the lower right, R. Or- 
TENFELD, 792. 


Owner, Estate of the late Franx S. 
Bono. 


JEAN LEON GEROME 
Frencu: 1824—1904 


No. 217— FEMME SE TENANT EN REPOS 


Jr oo Height, 7 inches; length, 9 "a ae Wd) 


A wWEARY young woman of robust figure is ened ona rote her head agains 
an arm on the left, and she is seen head and bust. She rests against a 
cushion with a copper-red covering and gold ornamentation, her head turned 
full to the front, and the light reaches her from the left and above. Her 
apple-green waist and white underwaist are lightly open at the breast, and 
her head is enwrapped in a diaphanous mantle of white over a pink scarf, 
a fold of the mantle acting as a transparent veil over the lower part of her 
face. 


a 


4 


Owner, Cotonet S. Harrison, Kent, England. 


i 
; 
| 
: 
1 . 
: 
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4 


WILLEM VAN DE VELDE 


Dutcu: SeveNTEENTH CENTURY 


No. 218— THE MOUTH OF THE RIVER 


(Panel) 


Bare £ Height, 7% inches; length, 1034 inches 


Vere 


eS A BROAD river occupying the foreground extends on the left to the distant 
sea, the shore line in the background being a stretch of the Netherlands, dotted 
_ with the ever-present windmills. The river is in gentle motion, and its bright 


surface is filled with reflections of sky and billowing clouds, and of sailboats 


- plying its ape reaches. In the foreground men are rowing a long, heavy 


boat. 
a Signed on the boat in the lower left, W. V. D. V. 


{ 
H 


Owner, Cotonet S. Harrison, Kent, England. 


WOUTERUS VERSCHUUR 
Dutcu: 1812—1874 


No. 219— STABLE YARD 
(Panel) 


Height, 8 inches; length, 10 inches ze. (Ke ee 
H/g = 


A rat and comfortable looking gray and bay team, drawing a canvas-covered 
load of straw or grain, has entered a gray-walled stable yard, passing under 
a rustic arch, and a farmer in a green coat is about to take off the harness. 
A peasant woman in white cap and red skirt stands in front of the horses, 
and a laden donkey is standing patiently at one side. The sunshine plays on 
the group, while a part of the loaded wagon is under the shadow of the 


entrance arch. 
Signed at the lower left, W. Verscuvvr. 


Owner, Estate of the late Franx S. Bono. 


ADRIAAN VAN OSTADE 
Durcu: 1610—1685- 


No. 220— THE KNIFE GRINDER 
(Panel) 
= Height, 8% inches; length, 10% a 


an infant in arms, ae at her side another ee child } holds out : 
knife toward the absorbed grinder. About the floor are chickens and a 


Signed at center of bottom, AS 


< Owner, Coronet S. Harrison, Kent, England. 


BERCHEM AND VAN DE VELDE 
NICHOLAS BERCHEM ; 
Dutcu: 1620—1683 


ADRIAAN VAN DE VELDE 


DutcH: 1635—1672 or 
No. 221— LANDSCAPE AND CATTLE 
= (Panel) 


we 0g ee Height, 8% inches; length, a inches 
Some cattle are depicted in a rough, mountainous country, as they ei 
making their way down a slight decline from a high and broken foregrout 
toward a middle distance depression which may be a meadow or might be 
a lake. Cows black, white and red, and sheep grayish-black and tawny-br 
are followed by a man who carries his blue coat on a staff over his shoulder, 
a dog running at his heels. The broken country is green and brown, with — ; 
gnarled and stunted trees, and in the distance are purplish-brown mountains. — 
Landscape by Berchem; aes: by Van de Velde. 


7 a " 


Signed at the lower right, Brrcnem. 
Owner, Coroner S. Harrison, Kent, England. 7 


THOMAS BARKER 
(BARKER OF BATH) 


Eneuiso: 1769—1847 


Nor 222— COWS DRINKING 


3 gt ob Height, 9 inches; length, 12 in ie 1 ape al fs 


Rove ocatains. in the background send some a peaks against a heagiily 
clouded sky, wherein is a burst of light toward the left. Below is a river, 
into which a high point of land projects from the left, a group of buildings 
standing at the water’s edge and two. cows standing in the stream near by. 
On shore in the foreground a bare-footed boy is watching them. 


Owner, Coroner S. Harrison, Kent, England. 


FERDINAND JAN MONCHABLON 
Frencu: 1855—1903 


No. 223— VILLAGE DE CHATILLON (VOSGES) 
(Panel) 


=e LL 1) Re. Height, 934 inches; length, 13%, ipches 


SunsHIneE floods the landscape and a haze of warm early Sainte veils 
all but the nearest objects, veils without concealing. A pastoral river winds 
between moist meadows, where the grass is a fresh yellowish-green, spotted 
with the shadows of feathery trees and hedges, and of cows that are grazing. 
In one field a woman is watching them. In the middle distance, seen partly 
against a distant hill of the background, the many-roofed village extends across 
the picture, spires of smoke issuing from many of the chimneys. 


Signed at the lower right, Jan Moncuasion; and at the lower left is the record of the 
2 work: CE 163. 


By order of Prixce & Naruan, Attorneys for the owner. 


107 bl barighth forms Suuriuatidlra fey [905% Zeke AXKK 


a 


GEORGE HERBERT McCORD, AN. \. 
AMERICAN: 1840—1909 3 


No. 224— NOVEMBER LANDSCAPE = 


F J ot Height, 10 inches; length, poyorer y 
iN 


OVEMBER, but not yet the melancholy days, for the Hand 
| warm color. Trees on the right are rich in autumn red, gr 

a fresh bright green, and cows under the shadow of | 
standing lazily in a stream. But in places trees and hi 
and wind-tossed clouds are swirling in a sky of a cold blue. — 


Owner, Mrs. Apetaipe C. JoHNSTON. 


~ 


LEON RICHET 
: FRENCH: 184:7—— 


Now225—— THE FISHERMAN’S HUT. 
/ ( a ve Height, 101% inches; length inehes 


A tow, whitewashed cottage, with steep, roughly thatched roof, stands 
seashore, partly overshadowed by a tall tree and partly surrounded by s 
trees and bushes. From the foreground a broad, stony road, along 
advances a fisherwoman with a net over her shoulder, leads to shallow 
where the waves come tumbling in upon a broad, sandy beach. A 
strip of sea beyond in the distance is dotted with fishing boats, an 
sky is filled with great rolling summer clouds. 


Signed at the lower right, Lion Rr 


By order of Moses Exy, Esa., Attorney for owner. 


“ 
; 
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CESARE DETTI 
: Iratian: 1848— 


No. 226— THE VIRTUOSO 
(Panel) 


3 2 oa (4d Height, 14 inches; width, 814 nA (2 aD ; 
Fi 7 
Onn 


In a room of luxurious furnishings a 
pleased and proud yet affable man, 
devotee of the violin, is facing the 
spectator, turned somewhat toward the 
right, discoursing music upon his in- 
_strument. He is in silks and satins, 
pink knee-breeches and _ low shoes, 
wears a ruff and stands in somewhat 
stately manner. His dark hair is 
‘long and his face of warm complexion. 
His music before him is on a table 
having an intricately ornamental cover- 
let. 


Jfocne tables ts ne ia ab tans 


> 


Roto 


Signed at the lower left, C. Deri, 86. 


Owner, Henry Dattrey, Ese. 


EE EE Se ee ae eee pe ey Sern) 
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LOUIS RUIPEREZ 


q 
: 
; 
: SPANISH: CONTEMPORARY 


: No. 227— RARE BOOKS 
| (Panel) 


- 
wee 7 = Height, 13 inches; width, 91% inches er ee 


In the corner of an art gallery and library several gray men of the age of 
wigs, in brilliant coats and short-clothes, are seen deeply interested in art 
and bibliography. One, in yellow, with his back to the spectator, is observ- 
| ing the paintings on the wall, among which hangs a scene galante, while two 
| in red are studying under a glass a volume which a man in a rare mixture 
of soft colors has taken from a shelf to show to them. 


Signed at the lower left, RvIpPerez, 1864. 


To be sold to close an Estate. 


i» 


ETIENNE PROSPER BERNE-BELLECOUR> 
Frencu: 1838—1910 


No. 228— THE SENTINEL 
. (Panel) 


ot-7 abe Height, 14°34 inches; width, oe y (>. Eee 
“ay 


A TROOPER with helmet and spurs, blue jacket, red breeches dt tedtnee riding . 
leggings is pictured. in profile to the right, standing alone in a field. His ie 
hands are clasped over the muzzle of his musket, whose butt rests on the 
ground. He is standing in the corner of a plowed patch, with grass and 
other green vegetation between him and large stacks of brown grain or 
straw. 


Signed at the lower right, E. Berne-Betiecovr. 


Owner, Estate of the late Epwarp R. Perkins, Ese., formerly First Vice-President of the 
New York Life Insurance Company. 


ARTHUR HOEBER, A.N.A. 
AMERICAN: 1854— 


No. 229— TWILIGHT 


o* ~ ; . 
a bi ey Height, 10% inches; length, 13%, inches Ly Lhe A : 
A. (es 


_ A wanperiIne meadow brook cuts up irregularly a rough field where the grass 
grows coarse and long, interspersed with patches of shorter and softer lie 
of lighter green. In the middle distance a line of trees on the left and a 
single group on the right rise in silhouette before a sunset sky, their masses 

_ dark, the sky visible below their branches. A band of bright and mottled 
yellow appears along the horizon, and higher up in the pale sky a deep 
bank of solid gray clouds whose upper peaks are tinged with pink. 

. ae 
{ 


Signed at the lower right, Arruur Horser. 


Owner, Estate of the late Dr. S. G. Perry, New York. 


ALFRED STEVENS 
Betcian: 1828—1906 


No. 230— LE BATEAU A VAPEUR 
(Panel) 


Height, 13%, inches; width, 10% Oe ff ra) 


w the immediate foreground at the left a small patch of sh was hie seen, 
at the border of a wide sea whose green and mottled waves ds they come 
__ shoreward comb in white foam and reflect darkly their own shadows. In the 
- middle distance a black steamer with a red flag leaves a long trail of dark 
smoke in her wake, and beyond her are sailing boats with white, gray, yellow 
and brown canvas and black hulls, under a sky in which a huge curtain of 
~ gray clouds flushed with pink almost shuts out a brilliant deep blue sky. 


F Signed at the lower left, A. Srrvens. 


Owner, Cotones, S. Harrison, Kent, England. 


J. BERCK-HEIJDE 


Dutcu: SEVENTEENTH CENTURY 


No. 231— AMSTERDAM 
(Panel) 


a ih os Height, 11 inches; ae oi ae 


Tuis interesting and well-known composition pictures a canal of the famous — 
Dutch city, with the Oude Kerk and the Groenmarkt on the left, and a line 
of trees along the bank, or street. Drawn up at the bank are a number of > 
market boats, with heavy Dutchmen in and about them and others on shore. 
In the middle distance a bridge crosses the canal—whose waters are a mirror 
of their green, gray, brown and red surroundings—to a paved street on the 
right, and numerous figures are seen on the bridge itself and on both sides 
of the stream. A municipal portrait of an elder oe in a clear and mellow 
atmosphere. 


From the H. T. Hope Collection, London. 

Mentioned in Waagen’s “Art Dreaedy es of Great Britain,” Vol. ie p. 123. 
From the collection of Sir W. Curtis, Bart., 1847. . 

From the collection of Lady Page Turner, 1903. 

From the collection of Arthur Kennedy, Esq., 4 Cambridge Terrace, London. 


Owner, Coroner S. Harrison, Kent, England. 


JAN WYNANTS 
Dutcu: 1615—1680 


No. 232— LANDSCAPE WITH FIGURES : 


[tae Height, uy, inches; length, 1634 ne ae fe Les 


A vIVERSIFIED landscape is pictured, distant hills, uneven country in the middle 
distance, and in the foreground a narrow stream winding about a high, ex- 
posed bank, close behind which are low thick woods. On either side of the 
stream people are seen, one man on horseback, one or two fishing, while a 
woman with a basket has thrown herself on the ground for a rest. 


Signed at the lower left, WyNAntTs. 


Owner, Cotonen. S. Harrison, Kent, Lngland. 


WYNANTS AND LINGELBACH 


JAN WYNANTS 
Dutcu: 1615—1680 


JOHANNES LINGELBACH 


? GERMAN: 1623—1674 


No. 288— — LANDSCAPE WITH FIGURES 


: (Panel) 


. ) sie ae Height, 11 inches; length, 151% "A ACA: Bs 
; shorn -t9 


Lanpscare by Wa ats hnies by Lingelbach. A gray river in a green 


- pastoral country comes into the picture in the right foreground. A _ boat 


with three figures in it is seen, and beyond it a cattle pasture stretches off 


_ to an indefinite distance, supporting far away a line of trees. On the left 
_a country road leads over a stone bridge and along the edge of a wood, 


and on the bridge several persons have paused in idle gossip. 


Owner, Coroner, S. Harrison, Kent, England. 


PAUL JEAN CLAYS 
Betcian: 1819—1900 


No. 234— DUTCH FISHING BOATS 
(Water Color) 


2 3 J re Height, 12 inches; length, 17% inches Ge % 


Har a dozen heavy Dutch sailing craft of the fisher type are shown pretty 
well in a bunch in a choppy sea. Their hulls are black and brown, and their 
canvas white, gray, yellow, brown, pinkish-brown, dark red-brown and al- 
most black, standing up against gray-white clouds spread thickly over a 
bright blue sky. 


Signed at the lower right, P. J. Crays. 


Owner, Coroner S. Harrison, Kent, England. 


WORTHINGTON WHITTREDGE, N.A. 
AMERICAN: 1820—1910 


No. 235— LANDSCAPE 


. yo Height, 11 inches; length, 221%, inches Eg 
Tue sun is setting behind a mountain range of the background, the sky above /(/ 
the peaks aglow with yellow, and high above float tenuous cloud-patches 
touched with flame, while below the mountains lines of foothills are partly 
obscured in a mist of evening which is stealing over the valley and a broad 
plain. Here in the lowlands, on the border of a river, Indians have set up 
their tepees in a small grove, squaws are cooking things over a fire built on 
the earth—one seems to be scratching the ground in a field near by—and a 
company of braves on horseback are fording the stream on their way home. 


Signed at the lower left, W. Wurrrrepce, 1867. — 


Owner, Estate of the late Tuomas Hrrcucock, Esa. 


’ 


GEORGE HERBERT McCORD, A.N.A. - 
AMERICAN: 1840—1909 


No. 236— - OCTOBER EVENING 


4 0 “ve j Height, 14 inches; length, Ye W f 


Aux of sunset that lingers is visible in orange touches at the edges of fleecy 
clouds high aloft, while a bright twilight keeps the landscape aglow. Woods 
are in the background on the right, and yellow-brown fields at the left, and 
in the foreground green grass surrounds a crystal pool and borders a stream. 
It is a warm October and some cows are drinking in the water, under a tree 
whose leaves are turned to red and brown. 


Signed at the lower left, G. H. McCorp, A.N.A. 


Owner, Mrs. ApetaripE C. JoHNSTON. 


GIZA VON MESZOLY 


HunGaArRIAN: CONTEMPORARY 


2 ON A A NI A A I I a 


No. 237— LA FERME 
(Panel) 


& 


° 
zo. ‘Se Height, 12 inches; length, 21 ase £ we Z 


Gray farm buildings with brown thatched roofs stand in the middle distance 
on the left, in a tract of farming land, and in a wandering field-road leading 
from the foreground a lot of ducks are making toward them. Several figures 
are seen along the road, near a clump of trees beside it in the center of the 


picture, and several other persons are laboring in a field on the right. 


—| Signed at the lower right, Mrszory. 
Owner, Henry Datriey, Esa. 
PS 


WALTER CRANE, R.W.S. 
ENGLISH: 1845— 


No. 238— THE KEEPING ROOM 
' (Water Color) 


c* Height, 15 inches; length, 20% AAV . 
oe ove 


Aw attractive English country room—this happens to’ be in a farmhouse in 

Essex—flooded with the bright light of day from a broad window, or a suc- 
~ cession of windows thrown into one. The plastered walls are a rose-pink, the 
ceiling is heavily beamed and the floor is tiled. A large circular dining table 
i? holds a green jar of yellow flowers, and at a desk by the window a woman 
z in white is writing in a large record book with a long quill pen. 


bt le i 


Signed at the lower right with the artist's monogram, and dated 1908. 


Owner, Coroner S. Harrison, Kent, England. 


EDWARD L. HENRY, N.A. | 
AMERICAN: 1841 


No. 239— A CHIP OF THE OLD BLOCK 


¥ / 0 vo Height, 12 inches; lengt VUE. : Up : be 
a . () 4 A : 7 


Twiticut is passing and the hens have gone to roost in a corner of a SH 
yard enclosed by a gray rail fence. Corners of sheds appear, and a choppirg- 
block where fire-wood is prepared lies between two small shelters for hens si 
with chickens. And under the fence rail comes creeping through the gloaming _ 
a smiling young African, stealthily, on all fours. 


Signed at the lower left, E. L. Henry, 798. 


By order of Prince & Natuan, Attorneys for the owner. 


CHARLES C. CURRAN, N.A. 
AMERICAN: 1861— 


No. 240— HEAD OF A YOUNG WOMAN—A Srupy 


S25 oe Height, 15% inches; width, 154% , inches 


Heap and shoulders portrait of a young woman with delicate neck and full 
figure, in the nude. She is pictured as reclining somewhat against a mass| 
of bluish-green leafage, and she faces the right and is seen in profile, her 
figure three-quarters front. She has a mass of long copper-red hair, which is 
let down and curls in waves back of her shoulder and forward over her left 
arm, and she has lightly bound it over her brow with a laurel chaplet. Her 
figure is lighted and the nearer side of her face is in transparent shadow, 
mottled with reflected lights. 


Signed at the lower left: A srupy, Cuas. C. Curran. 


Owner, Estate of the late Dr. S. G. Perry, New York. 


ARTHUR PARTON, N.A. 
AMERICAN: 1842— 


No. 241— APPLE BLOSSOMS 


/ 7 Y) ve Height, 12 inches; length, 1734 inches 


On the right a red-chimneyed white farmhouse with brown roof comes into 
the picture, standing up against a turquoise-blue sky. From it the land 
slopes gently toward the left, carpeted in rich green, and in the left fore- 
ground appears a shallow gray pool. The field contains numerous apple trees, 
mainly gnarled and bent and low, and they are ablaze with pink and white 
blossoms in the sunshine, their branches mottling the grass with shadows. 
In their shade soine cows are resting. Wild flowers dot the grass with 
bright yellow near the water, and in the distance, beyond the trees, one gets 
a glimpse of a red barn. 


Signed at the lower right, ArtHuR Parton, 


Owner, Estate of the late Dr. S. G. Perry, New York. 


"5 bey cages fetepeeen > 
¢ ta ' 
hi 


LOUIS J. M. PERREY 
Frencu: 1856— 


No. 242— PORTRAIT HEAD 


/ ° Height, 18 inches; width, 15 inches 
fol a 3 3 3 VIL p 


A roune lady with lustrous hazel eyes and wavy black hair is portrayed hea 
and shoulders facing squarely to the front and looking directly at the ob 
server, with the implication of a ready smile. Her long tresses are let down 
and overhang her shoulders, being bound only by a band over her head, and 
are adorned conspicuously with two rich red roses. Her purplish-brown 
gown, in classic folds, which exposes her white breast, is bound and ornamented 
with sapphires and emeralds. She is in a strong light, against a dark and 


colorful background. 


Signed at the upper left, L. Prrrey. 


Owner, Mr. L. Crist DELMOoNICO. 


burn Rens a ae 


EMILE MEYER 


Frencuo: ConTEMPORARY 


No. 243— THE FESTIVE BOUQUET 
(Panel) 


ie 
Ze J — Height, 18% bgt bge th Beg: inches Gee /} ff 


A rotTunp cardinal with graying hair and Leh y purpled face has just 
emerged from one ornate room of a magnificent palace—seen through a half- 
opened door—and entered another with marble columns and tapestried walls. | 
Here he stands facing the spectator, in a broad light, halted in surprise and — 
admiration before a brilliant bouquet of red, pink and yellow roses, piled high 
in a basin-topped, ormolu-mounted stand. 


Signed at the lower right, Eire Meyer. 


By order of See & Narnan, Attorneys for the owner. 


iheb- Baugh bleh tin, Aeb-teflget » des AS ES 


FREDERIK HENDRIK KAEMMERER 
Dutcu: 1839—1892 


No. 244— LA MODISTE | 
— 

/ } 4 ve Height, 20 inches; widt 3 inches eae ; 4 
One of the pretty little blond milliners of Paris, of a slightly earlier age. tha i} - 
this, is portrayed at full length, standing in momentary pause while crossing 
a street in the direction of the spectator. She is clad in pearl-white from the 
feathers in her flaring hat to her slippers, the gauze stockings permitting her 
ankles to appear in flesh tints as she holds her full skirts daintily up on 
one side, her hat box in the other hand. Behind her persons in the costumes — 
of an elder day are near the stalls of the bowquinistes on the parapets along the 
Seine, for the scene is on one of the Paris quais. 


Signed at the lower right, F. H. Karmoerer. 


Owner, Henry Datrey, Esa. 


LOUIS GABRIEL EUGENE ISABEY 
Frencu: 1804—1886 


eR ee ee Ra a 
: f4¢ Se a) 
: we 


No. 245— FLORA 


oF ee . 
Sle aS 


id 0 Ls Height, 213, inches; width, 161, ae Oth’ 


< 


_Berore a conventional woodland background with floral details, and a glimpse 
of a dark greenish-blue sky beyond the leafage, a young woman is depicted in 
head and shoulders, turned slightly to the right and facing almost fully 
front. She is of pensive expression, with red lips slightly pursed, and her 

_ humid gray-green eyes are lined with red, as she sits in a wilting attitude, 


. * 2) * a 
oot bball vinsy ets 


ha her head poised at one side. Her brown hair, parted in the center and wavy, 
Du is garlanded with flowers, and her filmy dress of soft stuffs is grayish-white 
and green. | 


Stamped at lower right, Ventre E. Isapey. 


Owner, CoLoneL S. E. Harrison, Kent, England. 


NICOLAAS BASTERT 


Dutcu 


No. 246— A WINTER EVENING 
(Water Color) 


3 oy Of Height, 161, inches; length, 24 ene 


A snow-coverep road with low cottages to right and left; a two-wheeled cart 
is going away from the spectator and in the distance rises a church spire. 
The sky is Be yellow with cold gray clouds. 

Signed at lower left, N. Basrerr. 


From the Boussod, Valadon Sale, New York, 1902. -# B39 p box % GM. yas gi 


By order of Moses Exy, Esa., Attorney for owner. 


SG Maeganun SG AFA I JO4 A Gls 


LYELL CARR 
American: 1857—1912 


No. 247— IN HIS STUDIO 


a Height, 16 inches; length, 20 inches ieee 
ols Vn Vurtre 
Tue interior of a painter’s studio of the modest sort is shown with walls and 
floor dark brown and gray, an old-fashioned cylindrical stove boldly in evi- 
dence, a sketching-box near it and a metal dish lying on the floor. Some 
sketches of dogs hang from a beam on which a shotgun is suspended, and on 
a table is a jar of brushes. In front of the table, toward the right, his back 
to the spectator, the artist is at work on a landscape. He is getting gray 
and shows a bald spot, wears a gray blouse-shirt and black trousers and is | 
seated before his easel in a rush-bottomed chair. nee 


Signed at the lower left, Lyer1 Carr. 


Owner, Mrs. Marks ARNHEIM. 


ATTRIBUTED TO 
ANTOINE WATTEAU 
Frencu: 1684—1721 


No.§248— “TREADING A MEASURE” 
(Panel) 


ati), a 
/ teal Height, 17 inches; MA |: es S, Ltn | 


In the marble court of a palace a brilliantly clad company is bh seated 
or standing at either hand, watching a gallant in brown velvet and a lady 
in red and complementary green do a dance in the center of the floor. On a 
balcony are three musicians who are playing. The walls are rich and mellow 
in color, and the warm harmony is continued in the foliage and the general 
landscape which is seen through the open arches of the handsome court. 


Owner, Coronet S, Harrison, Kent, England. 


JULES DUPRE 
Frencu: 1811—1889 


No. 249— THE WINDING ROAD 


J ee Rigcatie ciohess lengilg 21%, inch LO ALO 


- 


A MELLOw canvas of full, rich tones, picturing a placid French landscape at 
evening—a thatched cottage at the left, with a tall tree standing guard over 
it, as it seems, and a winding road curving gracefully from the foreground 
about its other side. Lesser trees are seen scattered in the distance, and the 
surface growths on the level earth at either hand are green and brown and 
yellow, along the sides of the road. | 
Signed at the lower left, J. Dupri. 


By order of Moses Ety, Esa., Attorney for owner. 


Ibn buchanan, Boll 19h f5's B/l00 24 b-X. sylvectd, 


ae 


Austrian: 1845—1901 an ¢ ‘ 
No. 250— DUTCH LANDSCAPE 
} (Panel) 
al A= Height, 14 inches; length, 25 inches 


- the foot of the road, the sunlight in a bright mist or haze illumines a green 


EUGEN JETTEL | 


- 


In the middle distance, near the center of the picture, an old brown wind-— a 
mill, its lower story white, rises conspicuously against a grayish-blue sky in 
which grayish-white clouds abound along the horizon. Near the windmill, — 
on the right, a white cottage or barn is overtopped by a huge haystack and 
‘stands partly in its shadow, while in the distance is another windmill with 
other neighboring buildings. A pastoral stream, emerging into view near the 
large windmill, leaves the picture in the right foreground, and a stout Dutch 
peasant, knee-deep in the water, is fishing in it. The flat land around is 
green and brown, and cattle and ducks are seen here and there. 


Signed at the lower right, Eucen Jerret, 1874. 


Owner, Estate of the late Franx S. Bonn. 


ARTHUR PARTON, N.A. 
AMERICAN: 1842— 


No. 251— . SUNLIT VALE 


HF 0 ve) Height, 161% inches; length, 23 inches YM LG We 
» J (j 


On the left of a country road, which on the right has no fence and is one 
with the green fields adjoining, a high-gabled farmhouse stands in the shelter 
of tall and dense trees, just within a gray stone fence. Cottage, trees and 
the whole broad foreground are in shadow, while in the middle distance, at 


valley bounded in the distance by rounding hills. Gray rain-clouds of a 
showery day float low over the vale. 


Signed at the lower left, ArvHur Parton, N.A. 
Sap 


By order of Prince & Naruan, Attorneys for the owner. 


EMILIO SANCHEZ PERRIER 
fot SpanisH: 1853—1907 


No. 252— BORDS DE L’OISE (CHAPONVAL) 


(Panel) (RA 
Height, 16 inches; width, 124%, inches Qua 


Tue river shown here is nar- 
row, running from the fore- 
ground back toward the right, 
its silvery surface just rippled 
in a light breeze. The right- 
hand shore is visible only in a 
low grassy bit immediately in 
the foreground, while the op- 
posite shore on the left is 
formed of a high bank carry- 
ing throughout its length a 
luxuriant growth of thick, 
fresh green grass and bushes, 
with various trees. Boats 
holding fishermen are nosed 
against the bank, whose green 
reflection shares the river with 
reflections of a fair blue sky 
and white clouds tinged with 
mauve. 


PRM PO ars ener Emenee, or ene Soe 


Signed at the lower right, E. 
Sancuez Perrier. 


Owner, Estate of the late Enwarp R. Perkins, Esa., formerly First Vice-President of the 
New York Life Insurance Company. 


WILLIAM H. LIPPINCOTT 


_AMERICAN: CONTEMPORARY 


No. 253— RENEE 


A LITTLE lady of French type, a blonde with golden hair falling to her shoul- 
ders, is dressed in the multicolored and padded garments of an earlier day, 
beruffed and bejeweled, and is shown at half-length turned toward the right 
but facing the spectator. She leans against a table with a coverlet of blue, 
gold-fringed, and wears a purplish-red cap girdled with jewels and adorned 


with pompons. 
Signed at the lower left, Wm. H. Lirrrxcorr, Parts, ’81. 


Owner Estate of the late Tuomas Hircencock, Esa. 


4 é > ¢ se Height, 24 inches; width, 13% inches WE aw: brnvty 


if 


PIERRE PATEL 
Frencu: 1605—1676 


No. 254— A SCENE IN THE ITALIAN LAKE 
COUNTRY 


- Oe r - 
ye 6” Height, 17 inches; ALA ia @ ve 


TaLL mountains in sunlight are in the distance, under a blue sky with many 
gray and white clouds, the sunlight coming from far at the right. At the © 
foot of the mountains a broad river passes, circling toward the foreground, — 
and before them a bridge of many arches crosses the stream toward a double- 
towered church on the left, sailboats being seen at the banks. ‘Trees on 
both sides of the river and an ancient mill on the right—whose wheel is 
turning—throw the foreground into partial shadow. Here a man fishing 
from the bank with rod and line is just taking a fish from the water, while a 
young woman in blue and white, seated on a rock, is waiting to add it to a 
basketful at her side. A fisherman is working in his sailboat near at hand, 
and toward the left other persons are out in boats, fishing. 


Attribution confirmed by Dr. W. R. Valentiner, of the Metropolitan Museum of Art, New York. 


Owner, Mrs. Marxs ARNHEIM. 


CARLETON WIGGINS, N.A. 
AMERICAN: 1848— 


No. 255— LATE AFTERNOON 


fol 0) tees Height, 16 inches; length, 22%, inches ee CL 


Tue gray river, flowing across the picture, is filled with colorful reflections 
of gray and white buildings with reddish-brown roofs, deep green grass and 
tall green trees, which are grouped on the farther side of the stream and all 
warmed to a yellow glow by the late rays of the summer sun setting behind 
the spectator. Far at the right a gray bridge of many arches crosses the 
river, the moon—still white in the light of day—is seen high above it in 
the sky, and in the cooler shadows on the water near the bridge a man is 
seen sculling a boat. 


Signed at the lower right, Carterton WiceGrINs. 


On the back is the title “Late Afternoon at Meudon, Loing River,” and the artist’s sig- 
nature. 


Owner, Mrs. ApeLAIE C. JoHNSTON. 


~ CONSTANT TROYON 
Frencu: 1810—1865 


No. 256— FOIRE CHAMPETRE DANS LIMOUSIN 
ota Height, 19 inches; length, 25%, inches 


Aw early example of the man who came to be the great cattle painter, and 
highly interesting as a biographical note. Under a bright blue sky with 
white and smoky-gray clouds, an ample farmhouse is seen at the left with 
a brown thatch roof which supports various green growths, its white-plastered 
walls lined by exterior beams. In front of it is a fruit tree in bearing, with 
various figures seen beneath its shade, and beyond it on a green lawn are 
many persons merrymaking, the women and girls picturesque in tall conical 
white caps. In front of the cottage door in the foreground a man has cap- 
tured a duck, and two of the revelers there and a stout person in the door- 
way are waving a welcome to some newcomers not seen in the picture. 


sf Signed at the lower left, C. Troyon. 
This early work of Troyon’s is said to date from 1835-38, and to be the last of his 
compositions that include no animals. 


From Bernheim, jeune et fils, Paris. 
Exhibited at Frankfurt-am-Main, No. 4456, 


From the Laird Collection. Previously in the Mitchell Collection, the owner purchasing it 
from Maclean, of the Haymarket, London, who bought it in Paris, it is believed direct 
from the artist. 


Owner, Coronet S. Harrison, Kent, England. 


EK. LOYAL FIELD 


AMERICAN: CONTEMPORARY 


No. 257— LANDSCAPE 


— i i ; length, 24 inches e / 
ais Height, 20 inches; lengt Wes y t Ne 
Ar the foot of a broad and wandering path leading straight from the shadowed : 
foreground through a green field left to grow wild, a group of cottages or . 
farmhouses are seen in the middle distance, in the sunlight. At either hand 
are trees in the varied colors of autumn, and in the sunshine some cows are 


feeding. 
Signed at the lower left, E. Loyay Frexp. 


Owner, Mrs. ApeLawEe C. JOHNSTON. 


GEORGE HENRY BOUGHTON, N.A., R.A. 
AMERICAN: 1884—1905 


No. 258— PASSING INTO SHADE 
4 7 2 
) - Height, 24 inches; width, 18 inches /) 
UT eon ee ere 


’'wo women, old and wrinkled, in peasant garb, one using a cane, are trudg- 
ing slowly forward in a leaf-strewn path which has brought them across a 
field and to the open spaces at the beginning of a wood. The sunlight ap- 
pears behind them and still touches their wearied but kindly faces, and, in 
life’s decline together, they are about entering the shaded spaces of the wood, 
whose brown leaves of autumn crackle under their slow sabots. One is in 
brown with a black shawl and purple cap; her companion, who smilingly 
lends her feeble support, is in blue and red with a white cap. 


Signed at the lower left, G. H. Boveuron, ’84. 


Owner, Estate of the late Tuomas Hircucock, Ese. 


a we 
—_.* 


a 


JOSEPH R. WOODWELL 


AMERICAN: CONTEMPORARY 


No. 259— - HAVANA HARBOR 


é 0 te Height, 20 inches; length, 25 inches 7 4 | ye ae 
STNG 


_ Tue high point of land at the gateway of Cuba projects from the right an 
the foreground out into a sea that is blue and green and mottled with ee 
foam, under a gray sky. Below gray walls of the fortifications the rocks 
are rich in varied deep color, and the mottled sea at their foot becomes darker. 


Signed at the lower right, J. R. Woopwei1; and at the lower left inscribed: Havana, 
1905; Marcu. 


Purchased from the, artist, 1905. Wow- B OXK 
é f 


By order of Prince & Naruan, Attorneys for the owner. 


GIUSEPPI SIGNORINI 
Iranian: 1857— 


No. 260— THE CARDINALS 
; (Water Color) 


ye Height 19 inches; length, 27% inches By 7) Lees. 
HREE cardinals in their brilliant, gorgeous robes, are “seated about a table 
in a magnificently appointed room, drinking their chocolate. ‘Two are shaven 
and one has a full gray beard; two wear skull-caps and one his biretta. 
The floor has luxurious rugs, the table an ornate coverlet, and the walls 
have rich tapestries. Two of the cardinals are giving themselves wholly to 
the enjoyment of the beverage, and the third interests himself in a book of 


illustrations as he sips. 
Signed at the lower right, Giuseppr SigNorint, Pants. 


Purchased from William Schaus. 


Owner, Mrs. Marxs ARNHEIM. 


PIERRE DE CONINCK 
Roe s 1828 7 


No. 261— AT HER STUDIES 


ae 0 ye Height, 281/, inches; Diane ‘li% ay O. fos. 


A LarGE-EYED little girl of dark complexion faces the spectator from Rail 4 
a green-covered table which crosses the picture. She is seen at half-length, 
one hand on the pages of an open book lying with several other volumes on — 
the table, where also are pens and ink, a watch and chain, a coin and a 
folding measuring-stick. The child’s lone black hair, parted in the center, 
sweeps down over her forehead and falls back of her shoulders. She is dressed 
in dark green trimmed with seal-brown, and has one hand up to the light 
bluish-green bow at her white collar. . 


Signed at the upper rien} PDs ‘Coumen 


Owner, Mrs. Marks ARNHEIM. 


ALBERT DE VRIENDT 
Betcian: 1843—1900 


No. 262— DEVOTION 
(Panel) 


VAN aM a he Height, 26 inches; width, 20 phe pe igh 
6 Ge 


OvursipE a large red brick and stone building which forms the background, 
a small company of pious persons of various station are at their devotions 
before an outdoor shrine. At the left a young woman in an elaborate, slashed 
and embroidered, dark brick-red gown kneels on the green grass beside a 
tree, her hands clasped in prayer before the shrine which is not seen in the 
picture. Back of her a seated gentleman in rich apparel holds a burning 
candle, a lady beside him in luxurious garments reads her prayer-book, and 
behind them a young girl in a huge white headdress is standing. Over them 
a heavy roof on posts provides shelter. Near at hand a young woman with 
her head wrapped up holds an infant. 


{ 
ia 
— 


Signed at the lower right, AtBERT DE VrienpT, 1867, ANvERs. 


Owner, Henry Dattey, Esa. 


EK. MUNIER 


FrencuH: CONTEMPORARY 


| No. 263— CHERRIES RIPE 


: ye Height, 29 inches; width, 2314 inches he . Lf, ys | 
AG team : 7 OP AY 4 


A youneé woman with very light brown hair and pale blue eyes, her light 
complexion only slightly warmed by pink, leans against a stone parapet before ( 
a mass of forest greenery or luxuriant park foliage and herbage. She is 

seen at little more than half length, with brown skirt or apron, greenish- 

blue bodice and white underwaist, sleeves rolled up above the elbows, her arms \ 
enfolding a brown wicker basket filled with freshly gathered red cherries 
which rests upon the parapet. The cherries are bedded upon fern leaves, | 
an overflow from the basket lying upon other leaves on the stone. 


Signed at the lower right, EK. Munter, 1873. 


Owner, Estate of the late Tuomas Hirencocx, Esa. 


FRANK DE HAVEN, AN.A.. 
AMERICAN: 18o6— 


No. 264— EVENING WALK 


e Y 1ooe Height, 23 inches; length, Q7 nee a os 


SHELTERED in a broad hollow among low hills a lonely fermhoneete is seen - oe 
the right, a single-story wing of it coming forward prominently. This is 
an ancient frame structure whose weathered boards and shingles are full ae . 
soft colors, green, gray, mauve and various tints, blending in Nature’s mellow _ 
harmony with the red, brown and glowing yellow of overhanging autumn 
foliage, which catches the last rays of the unseen sun setting behind the 
house. Approaching the rickety gate in a weather-worn fence is a lone 
woman in ‘a blue sunbonnet, moving slowly away from the spectator in a well- — 
worn path, and in the distance bushes are turning purple in the evening — 


shadows. 7s i 
Signed at the lower left, ¥. De Haven, 1897. — 


Owner, Mrs. Avetaiwe C. Jounsron. 


LANFANT DE METZ 


FRENCH: CONTEMPORARY 


No. 265— THE NURSERY 


/ / ( boost Height, 24 inches; length, 31 are 
- LU@ 


Tren small blond children are in a spacious hall in a eos building where | 
Catholic sisters are in charge of them. Two of the youngsters are in cots 
and other are playing with dolls and toys about the floor, amusing them- 
selves, or at the cribside helping to amuse those in bed. A brown-robed 
young sister sits among them, knitting, and another is passing with a pot 
of some beverage. ‘The walls are painted with religious pictures. The whole 
is characterized by a careful management of light—the daylight—in a large 
and varied interior. 

Signed at the lower right, LANrANT ve Metz. 


Owner, Henry Datrey, Esa. 


JASPER FRANCIS CROPSEY, N.A. 
AMERICAN: 1823—1900 


No. 266— LANDSCAPE WITH BROOK 


aa Height, 38 inches; width, 20 inches y) , [? 
| 4 ja rr eid AV oe ae 


A Guimpse into a well broken up wooded country when the trees are full 
of color. In the central distance a narrow brook makes its appearance, 
coming down a miniature falls in a valley or ravine among the trees and 
dropping into a pond or small lake, which continues to the foreground be- 
tween rocky and wooded shores. ‘The lake is so broadened in ‘the middle 
distance that the whole scene is flooded with light. The water mirrors the 
gray rocks and the grayish-blue sky, and the pink and brown, green, yel- 
low and red of the leafage. 


Signed at the lower left, J. F. Cropsry, 1894. 
Purchased from the artist. 


Owner, Mrs. Marks ARNHEIM. 


HORACE WOLCOTT ROBBINS, N.A. 
AMERICAN: 1842—1904 is 


No. 267— | LANDSCAPE 
s on (= Height, 24 inehde> a 36 inches 
Rounp-roprep and peaked mountains, with broad slopes, and narrow valley YS, fs = 


encompass a lake in the wilderness. No building i is in sight, and the only ‘sl ign 
of hfe 1 is a politany, fisherman, seated lazily in the stern OF his brown: row 


covered, some in shadow and some taeeds a Selon green in Beis iT 
water is marked by silvery ripples in a he breeze, and the blue oe is fh 
of white and light gray clouds. 


Owner, Estate of the late Tuomas Hircucock, Esa. 


CLAUDE HAYES 3 es 


EncuisH: ConTEMPORARY 


No. 268— HAYMAKING ON CHRISTCHURCH 
MARSHES f 


(Water Color) 


— ¢ 
& 0 Oe Height, 26/2 inches; length, 37% Ce yy Te 


Marsu lands spread over a broad space, extending across the picture, and 
bordered in the distant background by rounded hills of field and wood. The 
marshy meadows are covered with an abundant growth of hay, green and 
yellow and gray, and a number of men and women are out gathering it. 
One wagon already has a large load. In the foreground a man is mounted 
on one horse of an unhitched team and a woman worker stands beside him. 


Signed at the lower left, Cuaupe Hayes. 


Shown at the International Exhibition, Buenos Aires, 1910. 
Shown at the International Fine Arts Exhibition, Rome, 1911. 


Owner, Coronet S. Harrison, Kent, England. 


CHARLES EDOUARD DELORT 
Frencu: 1814—1894 


No. 269— CATCHING BUTTERFLIES 


2 3 0 oe Height, 26 inches; length, 361, inches va A Lee 
VVPA- Fo 


Ow the left an old man in a red-brown coat with lace cuffs stands in the tall 
grass at the border of a lily pond, in the act of netting a butterfly. Behind 
him, near the center of the picture in the foreground, a younger man, like 
the elder wearing a white wig, and clad in rich green velvets and striped 
stockings, is seated on the broad green slope leading down to the water, en- 
grossed with a fair and attentive beauty in pink and white, to whom he is 
showing some captured butterflies—for he too is an entomologist, his fly-net 
resting over his shoulder. 

Signed at the lower left, C. Detort. 


To be sold to close an Estate. 


EDUARD GESELSCHAP 
Durcu: 1814—1878 


No. 270— A MUSICAL EVENING 


pon PAs Height, 321% inches; width, 251% inches . " 
/ 4} SS ie -. f) 


A woman in a rose-pink waist cut low at the neck and a wide-flowing skirt, ar ar 
wearing an ornamental cap with broad strings tied in a bow under her chil By 
is tee in the midst of children gathered at the piano for a short evening's © 
amusement. She holds a pudgy baby on her lap, who has been “playing” 
the piano and now watches the antics of a jumping- Jack which a brown-haired 
boy causes to perform, while a golden-haired girl is clapping her hands and 3 ‘ 
another child looks at the infant—the faces of all happy. ‘The group is seen aS 
under the light of an overhead lamp, in an otherwise dark interior of rich a 
crimson and green draperies. ras 


by Rg = 


i 
My! 
3 
i 
if 


Signed at the lower left, KE. GesetscHap, 1867. 


Owner, Mrs. Marks ARNHEIM. \ cae 


GENOESE SCHOOL 


EIGHTEENTH CENTURY ’ 


No. 271— JOHN PREACHETH 


aaes Height, 36 inches; width, 29 incl 
Sao TAN 
— . 


Tue scene is the interior of a temple, the foreground in shadow, the lamp 
burning overhead. In the background, beyond double pillars, the further 
walls are seen in subdued daylight, and a sculptured figure of Moses hold- 
ing the Two Tables of Stone, at which he points with one finger, appears in 
a niche. In the foreground shadows are gathered a small company of elders 
and great men, aged for the most part and in rich apparel, studying books 
and scrolls and in discussion, while a young man in a pulpit declaims to them 
with gesture and strong emphasis—John the Forerunner making his start- 
ling announcement. Mary is below him, in a blue mantle, her hands clasped 
as she looks up at him, and beside her Joseph stands looking at her and 
marveling, his hands wide apart in amazement and wonder. 


Owner, Mrs. Marks ARNHEIM. 


EDOUARD RICHTER 


Frencu: ConTEMPORARY 


ne 27 GALLERY OF THE LOUVRE 


f so ae Height, 39 inches; width, 3114 na DA YL er coe 


A MIDDLE-AGEp lady in a voluminous gray satin gown in the style of the ’60’s 

and later, and wearing an expansive black lace shawl-waist over the satin, 
stands near a door leading from one gallery to another, turned three-quarters 

away from the spectator with lorgnette raised to her eye. A younger woman 

in dark red with many flounces, at her left, leans on her shoulder and is seen 
three-quarters front, facing the right. Across the doorway to right of the 
couple a guardian of the palace is sitting down, elbow on knee and chin on 
hand, holding his chapeau on the other knee. The top-light of the first 
gallery plays upon the women, and directly through the doorway is a large 
‘window in front of which a sculptor’s group on a table is seen against the 
outside light.- 43 

te. utes Signed at the lower right, Ep. Ricuter, 1869. 2 

From the James H. Stebbins Collection, New York, 1889. -# 324 1 £776" ha. dawn, 


Owner, Mas. Marks ARNHEIM. 


CLEMENT A. GRANT 
AMERICAN: 1849—1893 


No. 273— ON THE SHORE 


ye 7) a Height, 28 inches; length, 47 inches Q Palm ef et 


Tue whole foreground and middle distance is occupied by a broad, yellow, 
sandy beach and a bit of the blue sea which rolls up in a low surf at the 
left. Beyond the water are green and sandy dunes, which in the center fall 
away to a vague distance, while on the right some low buildings, a tree and 
a figure or two are seen on the sand-mound. On the expansive shore below 
are many figures, men, women and children, idling, amusing themselves, and 
at various occupations collecting products of the sea or shore. At the water’s 
edge are two dories, men near them, and children paddling about them. 


Signed at the lower right, C. Grant, “76. 
Owner, Hexry Datiey, Esa. 


| 


JAMES McDOUGAL HART, N.A. 
American: 1828—1901 


No. 274— THE MEADOW OAK 


Hf 30 oe Height, 334%, inches; ie 6 4514 inches 


A yavonrire oak tree old 
and\| of large trunk stands — 
in a lush meadow, through 
which a small, shallow and 
sluggish stream winds, and 

where cattle are turned 
out to graze. A few cows 
are gathered in the shade 

of the oak and one or two 

of its neighbors, and more — 
are in the foreground, | 
standing idly or feeding, = 
one red cow with white 
spots standing in the shal- 

low water. Across the 

meadow one gets a glimpse, — 
between and over other trees, of a farmhouse and the white steeple of a 


village church. ; ae 


OE LEAD ND DEBE EL 


Signed at the lower left, James M. Harr. 


Owner, Estate of the late Dr. S. G. Perry, New York. 


WILLIAM L. PICKNELL, A.N.A. 
American: 1852—1897 


No. 275— DESERTED 


ft RE hee ITeight, 334% inches; length, 43% inch¢s | 


Buve the sky gleams, with a tropical intensity, and deep blue is the distant 
sea. Mauve clouds float in the ether, and over the water white gulls are flying. 
On a broad point of land the hot sun is shining, and the place is deserted, 
forsaken of man. Scarred ruins are a creamy gray and yellow above a hot 
red-sandy beach, and there is a variety of rich color in the marine vegetation 
revealed in the bright light at low tide. | 


Signed at the lower right, Wm. L. Picknett. 


Owner, Mrs. ADELAIDE C. JOHNSTON. 


Sait proud white-crested cock whose hen is eMeteene her 

him. Tufted pigeons are near by, and to left are game ducks, 
the background are a gobbler and his mate, and other pigeons are 
shed on 1 the ridge of a thatch-roofed building. 


AMERICAN ART ASSOCIATION, 


MANAGERS. 


TE OMAS E. KIRBY, 


AUCTIONEER. 


= a a nc TR 


——— SP 


. 4 


OF ARTISTS REPRESENTED 
AND THEIR WORKS 


LIST OF ARTISTS REPRESENTED 
AND THEIR WORKS 


ACHENBACH, Awnpreas 
Lake in Switzerland 
Landscape and Torrent 


AUBERT, Ernest JEAN 
Cupid’s Magic Lantern 
Cupid Quenching His Thirst 


BAIRD, W. B. 
Springtime - 


BARKER, Tuomas (BARKER- OF BATH) 
Cows Drinking 


BARTOLUZZI,_'L. 
Venice | 


BASTERT, Nicowaas 


Winter in Holland 
A Winter Evening 


BEARD, Witiuam H., N.A. 
Overhauling the Cashier 
Home from the Polls 


BENOIST, Puitirre 
Napoleon’s Tomb 


BENSA, A. DE 
Sport on the Turf 


BERCHEM anv VAN DE VELDE 
Landscape and Cattle 


BERCK-HEIJDE, J. 


Amsterdam 


BERNE-BELLECOUR, Erienne Prosper 
French Soldier 
Un Billet-doux 
The Cigarette 
The Sentinel 


CATALOGUE 
NUMBER 
39 


53 


59 
72 


153 


222 


161 


221 


231 


12 
87 
103 
228 


BERTZIK, A. 
Hungarian Girl 
BETTINGER, G. 


~ The Document Bureau 


BEYSCHLAG, Juuivs Rosert — 
The Lovers 


BIERSTADT, Axuserr, N.A. 
Mount Hood, Oregon 


Sierra Nevada—Morning 


BILDARY, W. 
The Hunting Party 


BILLOTTE, René 
The Fortifications, Paris 


. BIRNEY, Wivuram VeERPLANCK, A.N.A. 
The Old Musician 


BLACKMAN, Wa trter 
The Evening Hour 


BLAKELOCK, Ratru A., A.N.A. 
Landscape 


BLOMMERS, Bernarpus JOHANNES 
The Young Navigators 


BLUM, Roserr Freprericx, N.A. 
The Critic 


BOGERT, Gerorcre H., A.N.A. 
Afterglow 


BONHEUR, Francois Avucustre 
Sheep in Pasture 


BONHEUR, J. Pryrrou 


Noontime Rest 


BOSTON, Josrru H., A.N.A. 
Landscape 


an 
CATALOGUE 
NUMBER 


112 


Henry, N.A, R.A. 
Acre_ (Luecombe Chine, Isle of Sree 


N.A. 


: REDERICK ARTHUR, 


i... Letter Writer 


Pyotr. 


Z In His Studio . QA 


es, Epouarp | | 
- “Ask the Padre” 31 | 


eR EMONT. ie 

Still Life—Flowers A 88 
CHARNAY, Armanp 

Boating Party 166 


CHASE, Wituam Merrirr, N.A. 
f 


Happy Hours ; 60 
> A Mysterious Corner | 67 


CHAVET, Vicror Sei: 
La Bibliothéque ~ 


CHURCH, Freperic Epwiy, N.A. 
Harbor of Kingston, Jamaica 
An Indian ee 


ery 


CLAYS, Pauut JzEan 


Intérieur du Port, Ostende 
Dutch Fishing Boats 


COFFIN, Wiuiuram A., N.A. 


Evening 


COLLIN, Louis JosepH Rapnarn 
At the Window 


COROT, Jean Baptiste CAMILLE 
Landscape Sketch 


COURBET, Gustave 


At the Well 
The Little Goatherd 


CRANE, Bruce, N.A. 
Fall Afternoon ae 
Over the Valley 
Winter Morning 
Sundown 


CRANE, Watrter, R.W.S. 


The Old Bridge 
The Keeping Room 


CROPSEY, Jasper Francis, N.A. 


Autumn 
Passing Shower on the Hudson 
Landscape with Brook 


CURRAN, Cuarzzs C., N.A. 
Head of a Young Woman—A Study 


CUVILLON, Rosert ver 
The Mandolin 


CATALOGUE 
NUMBER 


124 


RLES Epovarp 
ig Butterflies me 
Cesare ee. 
The Painful Moment A 
- tet Sine Virtuoso - _ - . 
INDT, ALBERT 
Devotion és 


DE LA PENA, Nanxcisse Vircite 


Venus and Juno 8 
Marguerite — : 19 
The Pet 2 73 
Landscape near Fontainebleau . 79 


A Pool at Fontainebleau ae, | 82 
3 DIRANIAN » SARKIS ; 

The Girl with the Green Eyes ~ 192 
Among the Flowers 197 


. 


DUPRE, JULES” BACs aot 
Fishing Vessels off the French Coast : Be at 
The Coming Storm ai 
The Winding Road ~ 


>a DUPRE, JULIEN Li a, ee p 

; The Proposal ; rai: + nat ea het 

DUVERGER, TxHtopHite EmMMANuUEL 
“'Thes Call” 


EATON, CuHarLes Warren, N.A. 


Moonrise 


EGGLESTON, Bensamin ae an 
In October rie yn a 


EPP, Rupo.rx 
The Green Hat 


FIELD, E. Loyar 


Gleam 
Landscape 


FISHER, Wiruam Marx 
The Shepherdess 


FRAPPA, José 
The Cardinal’s Birthday—The Toast 


SORA: Se SS ORY BAM Stn 


FROMENTIN, EvcEne 


Algerian Washerwomen 


GANNETT, E. W. 
Still Life 


GENOESE SCHOOL 
John Preacheth 


GEROME, Jean Lion 
The Halt 
Femme se Tenant en Repos 


GESELSCHAP, Epvarp 
A Musical Evening 


CNOMBER 


y Day in Egypt, on the Nile 54 


E ITERS 
Mistress—A Copy 


naira 


Near Hérisson 
RT, James Rie Dudeats N.A. 
Tree in the Meadows © 
The Meadow Oak 
_ HAYES, Cravve 
Haymaking on Christchurch Marshes 


HAYES, M. Ancero 
The Noonday Repast 


HEILBUTH, Ferpinanp 2 et) 
In the Fields oe Nae Z ae) 


_ HENNER, Jean JACQUES 
Head and Bust of a Young Girl | ? 


HENRY, Epwarp L., NA, 
Waiting for the Ferryman 
A Chip of the Old Block 


HERRMANN, LEO + 3 
The Cardinal at Lunch re 


HERZOG, Hermann | 
Norwegian Moonlight 


HOEBER, Arruvur, A.N.A. 


Low Lands 
Twilight 


HONDECOETER, Metcutor 
Birds of the Farmyard 


HOVENDEN, Tuomas, A.N.A. ‘ 
The Call from Labor 


HOWLAND, Atrrep Cornetius, N.A. 
Autumn Landscape 


HUGUET, Vicror Pierre 
The Halt in the Desert 


INNESS, Gerorcr, N.A. 


Back of My Studio: Milton-on-Hudson 
“Gossip”: Milton-on-Hudson 
Landscape . 


INSLEY, ALserrt 
The Closing Day 


ISABEY, Lovis Gasrien Tretia 
Flora 


iE 


i 
e 


The Connoisseur 


a 


NT, Henrr A. 
s The Cardinal’s Photograph 
——— 
NFANT DE METZ 
The Nursery 


\DER, Bensamixy Wriiiam, R.A. 
Summertime, Worcestershire 


ane LEON ay: ESCOSURA, IGnacio 


7 
a... Cornered 


LEVIS, Maurice 
' Le Moulin de Boutigny 


CATALOGUE 
NUMBER 


10 
89 


LINGELBACH ayn WYNANTS 
Landscape with Figures 


LIPPINCOTT, Wii H. 


Renée 


MARCIUS-SIMONS, Piyckney 
The Classic Land 


MAUVE, Anton 
Landscape and Cattle 


McCORD, Gerorce Hersert, A.N.A. 
Near Port Jefferson 
Midsummer Morning 
In Holford Vale, England 
Autumn Landscape 
November Landscape 
hs tes October Evening. 


McENTEE, Jervis, N.A. © 
Autumn 


MEISSONIER, Jean CnHartes 
Waiting for an Audience 


ME SZOLY, GIZA VON 


La Ferme 


MEYER, Emine 2 
The Festive Bouquet 


MEYER VON BREMEN, Jouann Geore 


The Little Fruit-gatherer 
Mother and Child 


MILLET, Jean Francors 
The Baker 


MINOR, Roserr C., N.A. 
Old Pasture near New London, Connecticut . 


MOELLER, Lovts, N.A. 
“News from the Front” 


CATALOGUE 
NUMBER 


ape bbe i A 
ey se 


Avril eal} 37 


nil River, Long Island 


Fs ae 


—, 


wois, N.A. 


ITALIAN SCHOOL (Attributed to ZUCCARELLI) 
A Fantasy of the Ruins 


‘ENFELD, R. 
Arabian Warrior 


2 


ARTON, Artuur, N.A. 
Apple Blossoms 
Sunlit Vale 


-PASINI, ALBERTO 
At the Saddler’s 


PATEL, Pierre 
A Scene in the Italian Lake Country 


PEARCE, Cuartes Spracue, A.N.A. 
: Return from Market 


PEELE, Joun. T. 
Children and Kid 


PERRAULT, Lion Bazire 
Italian Girl 
Una Pauverina 


PERREY, Louis) JM. 
Portrait Head 


PHELAN, Cuaries F. 
Sheep 


PICKNELL, Winiam L., A.N.A. 
Deserted 


PIETERS, Everr 


The Fisherman’s Wife 


POKITONOW, Ivan: 


Automne prés Pau—Berger 
The Hunter 


PORTIELJE, Enpwarp 
The Confidant 


QUARTLEY, Arruvr, N.A. 
The Wreck 


RICHET, Lton , 


A Farm Pool 
The Fisherman’s Hut 


{ 


RICHTER, Epovarp 
Gallery of the Louvre 


RIX, Juin 


~ Moonlight among the Mountains 
The Dancing Brook 
Road along the Woods 


ROBIE, Jean Baptiste 


Still Life—Flowers and Fruit 
Still Life—Flowers 


“Scene at Guingamp 
» POise (Chaponval) 


: “Flight Most the Wolves 
Russian Hoses i in Winter 


' 


SEL AUL. 


~ Moonlight at Sea 


N ORINI, Gruseprr 
The Cardinals 


sar, Henry PEeMBER 


A Spring Morning 
Late Afternoon 


STEVENS, ALFRED 
Le Bateau a Vapeur 


CATALOGUE 
: Be gt oa acy 


267 


TAIT, ARTHUR Firzwit1iaM, N.AL a 
Chickens a = 
Ducks 


TENIERS (Attributed) 
Féte de Village 


THAULOW, Fairz 
Winter, Christiania 
The Awakening of Spring 
A Venetian Canal 


TOULMOUCHE, Avcuste 
Waiting 


TROYON, _ ConsTANT 


Foire Champétre dans Limousin 


TYLER, James G. 


Storm on Lake Ontario 
Plowing the Ocean 


UNKNOWN 


_At the Window 
A Scene in the Netherlands 


VAN BOSKERCK, Roserr W., N.A. 
Sheep and Pasture 


VAN COUVER, J. 
The Windmill 


VAN DE VELDE, Witiem 
The Mouth of the River 


VAN DE VELDE anv BERCHEM 
Landscape and Cattle 


VAN LEEMPUTTEN, E. 


Pleasant Pastures 


VAN MARCKE, Enite 


Cattle 
At the Bars 


A Farm near Fitretat 


2 0 toe 


——s. : CATALOGUE 
F; £- NUMBER 
Jouan FE ees : 


7 


: Peeing a Measure” 


JON, - CHARLES D., N.A. 
Old Dresses _ 


Agni ALDEN, ee 
_ Willimantic Thread Factory 


_ WHITTREDGE, Worrnineton, N.A. 
Landscape 


* 


_ WIGGINS, Carterton, N.A. 


Cows at Pasture 
Late Afternoon 


WOODWELL, Joseru R. 


Havana Harbor 


WOPFNER, Joser 
. A Difficult Launching 


7 tke : ga is no 

4 WYANT, ALEexanpeR i, Ay ae 

Coan : A Bit of Pasture ic hn ed 
. | A *Promisepot Raine) ile acess 

- a Sunset is 

me . On the Ohio River 


. 7 : WYNANTS, Jan ce Ce 
Landscape with Tigress | 


WYNANTS ann LINGELBACH — 
_ Landscape with Figures fs ean 


ZAMACOIS, Epvarvo. =i 
The Message | a ys 
The Flirtation aa 


ZI Mie Bicone ee 
On the Bosphorus a 


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AND BINDING BY 


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